On the way to Nebraska in 1986 my life was changed forever in the blink of an eye when the tour bus on which I was traveling slammed into an 18-wheel tanker. After the accident and during my recovery my sister was keeping a journal, which she told me was to help me write my book. From time to time through the years I thought about that book, especially when I would share my story at churches or one-on-one and people would say, "You need to write a book" However, my second thought would always be, "Who would ever want to read about me" and I would shove the idea back to the corner of my mind where it had been hanging out for years. Finally a few years ago after being introduced to a word processor, I sat down and began to write my story. The computer made the writing part easy enough, but telling the story was one of the most difficult things I have ever done. It took weeks and weeks of reading and rereading my sister's journal and digging up memories deeply buried, which were painful to review. I won't say it was exactly a labor of love, but I am glad I finally did it. It is my prayer that people will be encouraged and inspired by reading how God has brought me through it all. If I seem courageous or special in any way it is because of Him.

Meet Lily, a New York newspaper columnist, mother of two, divorcee of one and partner in crime to Michael, best friend extraordinaire.

A children's story book about Karen, a little girl, and the red shoes, written by Hans Andersen, with color pictures.

Chef and restaurateur Heaven Lee has gotten into plenty of scrapes in her hometown of Kansas City, Missouri. This time around, she's cooking up trouble in New Orleans while visiting to help the Sisters of the Holy Trinity hold their annual benefit dinner. The convent is having financial problems and only Heaven Lee's culinary creativity can offer hope. Unfortunately, before she can really get cooking, Heaven's old friend Mary's husband, HeavelkjTruely Whitten, coffee importer and native New Orleanian, is found murdered with Heaven's own knife. To make matters worse, the convent's sacred cross simultaneously turns up missing. When she becomes the prime suspect, Heaven has no choice but to put her pots and pans aside and pursue the villain in order to both clear her own name and get dinner on the table in time for the big benefit. Heaven's smart, saucy attitude spurs her on in the search for the vicious murderer as well as for the perfect New Orleans dish to serve the Sisters. When all else fails, she finds the answers to both puzzles right under her own nose, saving the day and serving up a new signature Heaven Lee dish, Nola Pie. The delectable dessert is guaranteed to tantalize readers' taste buds and the satisfying mystery will leave them begging for seconds.

A moving and essential exploration of what it takes to find your voice as a woman, a survivor, an artist, and an icon. The first time Lynn Melnick listened to a Dolly Parton song in full, she was 14 years old, in the triage room of a Los Angeles hospital, waiting to be admitted to a drug rehab program. Already in her young life as a Jewish teen in the 1980s, she had been the victim of rape, abuse, and trauma, and her path to healing would be long. But in Parton’s words and music, she recognized a fellow survivor. In this powerful, incisive work of social and self-exploration, Melnick blends personal essay with cultural criticism to explore Parton’s dual identities as feminist icon and objectified sex symbol, identities that reflect the author’s own fraught history with rape culture and the arduous work of reclaiming her voice. Each chapter engages with the artistry and impact of one of Parton’s songs, as Melnick reckons with violence, misogyny, creativity, parenting, friendship, sex, love, and the consolations and cruelties of religion. Bold and inventive, I’ve Had to Think Up a Way to Survive gives us an accessible and memorable framework for understanding our times and a revelatory account of survival, persistence, and self-discovery.

The experimentalist phenomenon of 'noise' as constituting 'art' in much twentieth-century music (paradoxically) reached its zenith in Cage’s (’silent’ piece) 4’33 . But much post-1970s musical endeavour with an experimentalist telos, collectively known as 'sound art', has displayed a postmodern need to ’load’ modernism’s ’degree zero’. After contextualizing experimentalism from its inception in the early twentieth century, Dr Linda Kouvaras’s Loading the Silence: Australian Sound Art in the Post-Digital Age explores the ways in which selected sound art works demonstrate creatively how sound is embedded within local, national, gendered and historical environments. Taking Australian music as its primary - but not sole - focus, the book not only covers discussions of technological advancement, but also engages with aesthetic standpoints, through numerous interviews, theoretical developments, analysis and cultural milieux for a contemporary Australian, and wider postmodern, context. Developing new methodologies for synergies between musicology and cultural studies, the book uncovers a new post-postmodern aesthetic trajectory, which Kouvaras locates as developing over the past two decades - the altermodern. Australian sound art is here put firmly on the map of international debates about contemporary music, providing a standard reference and valuable resource for practitioners in the artform, music critics, scholars and educators.

Funny, tough-minded and tender, this is the story of Matilda and her two sisters growing up in Sydney, Australia, in the early 1950s. Their father is mentally unstable and largely absent, their mother is possibly in the thrall of his brother, and a headline-making Russian spy defection is taking place next door. Punctuated by the headlines of the times, The Red Shoe depicts how the large events of the world can impinge on ordinary lives. This is a novel to savor by one of Australia's most gifted writers for young people. "Dubosarsky proves masterful in conjuring and connecting images." - Publishers Weekly

This book explores how feminist artists continued to engage with kitchen culture and food practices in their work as women’s art moved from the margins to the mainstream. In particular, this book examines the use of food in the art practices of six women artists and collectives working in Southern California—a hotbed of feminist art in the 1970s—in conjunction with the Women’s Art Movement and broader feminist groups during the era of the Second Wave. Focused around particular articulations of food in culture, this book considers how feminist artists engage with issues of gender, labor, class, consumption, (re)production, domesticity, and sexuality in order to advocate for equality and social change. The book will be of interest to scholars working in art history, food studies, and gender and women’s studies.

Bailey Ruth Raeburn has always been great at solving mysteries. Why should a little thing like her death change anything? In fact, being dead gives her more of an opportunity to be on top of events. Bailey Ruth is delighted that her unique position as a ghost makes it possible for her to lend a helping hand, sometimes seen and sometimes not. And if anybody needs a little help, it's Kathleen, the pastor's wife. There's a dead man on her porch, and once the body is discovered, the pastor is sure to become a suspect. Uncharitable people might call it meddling, but Bailey Ruth knows Kathleen needs her help! As a member of Heaven's Department of Good Intentions, Bailey Ruth goes back to earth to extricate Kathleen from a dire situation. If Bailey Ruth has to bend a few rules to help Kathleen save her family, Wiggins, her fussbudget supervisor, will make sure it all turns out right in the end.