"This is a Borzoi book published by Alfred A. Knopf"--Title page verso.

From the widely acclaimed author of Waiting for Eden: a stirring, timely new novel that unfolds in Istanbul over the course of a single day, when an American woman attempts to leave behind her life in Turkey--and her marriage. Catherine has been married for many years to Murat, an influential Turkish real estate developer, and they have a young son, William. But when she decides to return home to the United States with William and her lover, Peter, Murat takes a stand. He enlists the help of an American diplomat to prevent them from going--and, in so doing, becomes further enmeshed in a web of deception and corruption. As the hidden architecture of these relationships is gradually exposed, we move to the heart of intersecting worlds populated by struggling artists, wealthy businessmen, expats, spies. And, at the center, a child torn between his parents. Riveting and perceptive, Red Dress in Black and White is a novel of personal and political intrigue, a portrait of a nation on the brink.

A Gentleman's Guide to Vice and Virtue meets Miss Fisher's Murder Mystery in this rollicking romp of truth, lies, and troubled pasts. New Year's Eve, 1929. Millie is running the show at the Cloak & Dagger, a swinging speakeasy in the French Quarter, while her aunt is out of town. The new year is just around the corner, and all of New Orleans is out to celebrate, but even wealthy partiers' diamond earrings can't outshine the real star of the night: the boy in the red dress. Marion is the club's star performer and his fans are legion--if mostly underground. When a young socialite wielding a photograph of Marion starts asking questions, Millie wonders if she's just another fan. But then her body is found crumpled in the courtyard, dead from an apparent fall off the club's balcony, and all signs point to Marion as the murderer. Millie knows he's innocent, but local detectives aren't so easily convinced. As she chases clues that lead to cemeteries and dead ends, Millie's attention is divided between the wry and beautiful Olive, a waitress at the Cloak & Dagger, and Bennie, the charming bootlegger who's offered to help her solve the case. The clock is ticking for the fugitive Marion, but the truth of who the killer is might be closer than Millie thinks.

“Patiently, and unflinchingly, Ackerman is becoming one of the great poet laureates of America’s tragic adventurism across the globe.” —Pico Iyer Eden lies in a hospital bed, unable to move or speak. His wife Mary spends every day on the sofa in his room. We see them through the eyes of Eden’s best friend, a fellow Marine who didn’t make it back home—and who must relive the secrets held between all three of them as he waits for Eden to finally, mercifully die and join him in whatever comes after. A breathtakingly spare and shattering novel that explores the unseen aftereffects—and unacknowledged casualties—of war, Waiting for Eden is a piercingly insightful, deeply felt meditation on loyalty, friendship, betrayal, and love. “The Tim O’Brien of our era.” —Vogue “Devastating.” —The Wall Street Journal “Haunting. . . . Daring.” —The Boston Globe “Heart-wrenching.” —NPR

VCU CABELL FIRST NOVELIST AWARD FINALIST CENTER FOR FICTION FIRST NOVEL PRIZE LONGLIST “A debut novel as impressive as they come. Tough, wily, dreamlike.” —Seattle Times A decade after fleeing for his life, a man is pulled back to Argentina by an undying love. In 1976, Tomás Orilla is a medical student in Buenos Aires, where he has moved in hopes of reuniting with Isabel, a childhood crush. But the reckless passion that has long drawn him is leading Isabel ever deeper into the ranks of the insurgency fighting an increasingly oppressive regime. Tomás has always been willing to follow her anywhere, to do anything to prove himself. Yet what exactly is he proving, and at what cost to them both? It will be years before a summons back arrives for Tomás, now living as Thomas Shore in New York. It isn’t a homecoming that awaits him, however, so much as an odyssey into the past, an encounter with the ghosts that lurk there, and a reckoning with the fatal gap between who he has become and who he once aspired to be. Raising profound questions about the sometimes impossible choices we make in the name of love, Hades, Argentina is a gripping, ingeniously narrated literary debut.

Ireland has been gripped by the story of a housewife from County Clare who, when her millionaire partner refused to marry her, googled a hitman and arranged to have him killed. Over the course of almost two months, the story of Lyingeyes and Hire_hitman unfolded in a flurry of emails. The website, hitmanforhire.net might have looked amateurish and carried a disclaimer but it attracted serious interest. One person who was interested was Sharon Collins, the ‘devil in the red dress’. Desperate to get her hands on a share of her partner's fortune, she took drastic action. She turned to Google to solve her problem. A Mexican marriage certificate was obtained but wasn’t enough. On 8 August 2006, she contacted hitmanforhire.net and started to arrange the hit. This is one of the most bizarre stories to ever appear before an Irish court. Filled with intrigue, betrayal, sex, money and would-be murder, it has all the ingredients for a best-selling thriller. This book will prove to its readers that truth is, indeed, stranger than fiction.

"In this adaptation of a Texas folk song, the illustrations show the story of Katy Bear's birthday party, while the repetitive verses are a catalog of what the guests wore. . . . The pictures pick up color as the guests arrive and the activities get livelier. To further focus attention on color, the words are printed in boxed insets of the appropriate hue. . . . The music-a simple, singable tune-is printed at the end. The subject and the highly predictable pattern of text have appeal for just-beginning readers as well as for preschool listeners and singers."-Language Arts

One of NPR's Best Books of 2019 “Lyrical . . . A thoughtful perspective on America’s role overseas.” —Washington Post From a decorated Marine war veteran and National Book Award finalist, an astonishing reckoning with the nature of combat and the human cost of the wars in Iraq, Afghanistan, and Syria. “War hath determined us.” —John Milton, Paradise Lost Toward the beginning of Places and Names, Elliot Ackerman sits in a refugee camp in southern Turkey, across the table from a man named Abu Hassar, who fought for al-Qaeda in Iraq and whose connections to the Islamic State are murky. At first, Ackerman pretends to have been a journalist during the Iraq War, but after establishing a rapport with Abu Hassar, he takes a risk by revealing to him that in fact he was a Marine special operation officer. Ackerman then draws the shape of the Euphrates River on a large piece of paper, and his one-time adversary quickly joins him in the game of filling in the map with the names and dates of places where they saw fighting during the war. They had shadowed each other for some time, it turned out, a realization that brought them to a strange kind of intimacy. The rest of Elliot Ackerman's extraordinary memoir is in a way an answer to the question of why he came to that refugee camp, and what he hoped to find there. By moving back and forth between his recent experiences on the ground as a journalist in Syria and its environs and his deeper past in Iraq and Afghanistan, he creates a work of remarkable atmospheric pressurization. Ackerman shares vivid and powerful stories of his own experiences in combat, culminating in the events of the Second Battle of Fallujah, the most intense urban combat for the Marines since Hue in Vietnam, where Ackerman's actions leading a rifle platoon saw him awarded the Silver Star. He weaves these stories into the latticework of a masterful larger reckoning with contemporary geopolitics through his vantage as a journalist in Istanbul and with the human extremes of both bravery and horror. At once an intensely personal story about the terrible lure of combat and a brilliant meditation on the larger meaning of the past two decades of strife for America, the region, and the world, Places and Names bids fair to take its place among our greatest books about modern war.

The first novel by “master of mystery” (The New York Times) Walter Mosley, featuring Easy Rawlins, the most iconic African American detective in all of fiction. Named one of the “best 100 mystery novels of all time” by the Mystery Writers of America, this special thirtieth anniversary edition features an all new introduction from the author. The year is 1948, the town is Los Angeles. Easy Rawlins, a black war veteran, has just been fired from his job at a defense factory plant. Drinking in his friend’s bar, he’s wondering how he’ll manage to make ends meet, when a white man in a linen suit approaches him and offers him good money if Easy will simply locate Miss Daphne Money, a missing blonde beauty known to frequent black jazz clubs. Easy has no idea that by taking this job, his life is about to change forever. “More than simply a detective novel…[Mosley is] a talented author with something vital to say about the distance between the black and white worlds, and with a dramatic way to say it” (The New York Times).

A foolish knight is certain that his side of the wall is the safe side in this clever, amusingly meta picture book by the acclaimed creator of It's Only Stanley There's a wall in the middle of the book, and our hero--a young knight--is sure that the wall protects his side of the book from the dangers of the other side--like an angry tiger and giant rhino, and worst of all, an ogre who would gobble him up in a second! But our knight doesn't seem to notice the crocodile and growing sea of water that are emerging on his side. When he's almost over his head and calling for help, who will come to his rescue? An individual who isn't as dangerous as the knight thought--from a side of the book that might just have some positive things to offer after all!