Based on the author's previous publication The Encyclopedia of Tibetan Symbols and Motifs, this handbook contains an array of symbols and motifs, accompanied by succinct explanations. It provides treatment of the essential Tibetan religious figures, themes and motifs, both secular and religious.

An hilarious sound-button book designed to make potty-training a positive experience - for mums, dads AND their little ones!

The only listing of historic persons and birth, deaths and affiliations for western Canadian native peoples and fur trade workers for the Fur Trade eras of 1600 to 1900.

This dual biography highlights the human dimensions of the Upper Missouri fur trade. Focusing on two major figures, Alexander Culbertson (1809-1879), trader with the American Fur Company, founder of Fort Benton, and the first white American to live among the Blackfeet Indians, and his wife, Natoyist-Siksina’ (“Holy Snake”) (1825-1893), daughter of Two Suns, the chief of the Blood (Kainah) tribe, Lesley Wischmann shows the great influence this couple had on the region. Culbertson and Natoyist-Siksina’ worked together for thirty years to promote cooperative relations between Native inhabitants and newly arrived white adventurers and played key roles in the Fort Laramie Treaty Conference of 1851 and treaty negotiations with the Blackfeet tribes in 1855. As she tells the story of these “frontier diplomats,” Wischmann also challenges conventional wisdom about the character of fur traders, the nature of the Blackfeet, and the role of Indian women.

The story takes place in Fargo, Texas — a small farming community that is transformed into the epicenter of evil by way of old practice. Robert Hatcher, a small time farmer, plows up a portal to a darker realm releasing a malevolent force buried by his Uncle William Hatcher years prior. A slow infection of evil consumes Robert –bending his personality to the will of the vile demon, AE. Th enceforth, overtones of cruelty, abuse, and malice lead Robert to the murder of his family. An unbelieving sheriff and canny coroner embark on an investigation to uncover the mystery of the untimely deaths on the Hatcher farm only to fi nd that they may be in over their heads…

The true story of the horrific murder of a mother and daughter in rural Alabama—and the cop who wouldn’t rest until she closed the case . . . Includes photos. “The worst I've ever seen”—that’s how Sheriff Cecil Reed described the July 7, 1995 slayings of Carolyn Headrick, forty-four, and her mother Dora Ann Dalton, sixty-two. The two were found in their home in rural DeKalb County, Alabama, where they’d been shot, stabbed, and even speared by a Native American-style lance. Randy Headrick, Carolyn’s husband, was the beneficiary of $325,000 in insurance money. But he swore he’d been at work when the murders were committed—and the police couldn’t break his alibi. Headrick was a troublemaker who’d spent four years in a Texas prison for possession of a pipe bomb. More recently, he’d had an affair with a married woman—which his second wife, Carolyn, had discovered. The woman had later been harassed and her house had mysteriously burned down. The police knew Headrick was bad news, but they just couldn’t nail him on these murders. There was only one person who knew for sure if Headrick was the killer . . .

When the Blackfoot Indians were confined to reservations in the late nineteenth century, their pictographic representations of warfare kept alive the rituals associated with war, which were essential facets of Blackfoot culture. Their war ethic served as a unifying force among the four tribes of the Blackfoot nation—Siksika, Blood, and North and South Piegan. In this visually stunning survey, L. James Dempsey, a member of the Blood tribe, plumbs the breadth and depth of warrior representational art. He has mined archival resources and museum collections and interviewed many tribal members to provide a uniquely Native perspective on the importance of warrior art in Blackfoot history and culture. Filled with 160 images of startling beauty and power, Blackfoot War Art tells how pictographs served as a record of both tribal and personal accomplishment. This singular historical record of all available information on Blackfoot warrior pictography depicts painted robes; war tepee covers, liners, and doors; and painted panels. Dempsey provides descriptions and a great deal of other information about the pieces included here. His survey focuses especially on recent paintings that scholars have overlooked. In revealing changing trends in the representation of war, Dempsey skillfully weaves together pictures, people, and histories to convey a fascinating view of this warrior art from a Blood perspective.

Imagine being in a world where the stars in the night sky are as an upside-down bowl spanning from horizon to horizon, and you are at the center, in your crushed jeep. Alone. Crow and a Red Feather is a story about survival, love, and courage, and about beating the odds. Written in a style that is both lyrical and evocative. As it opens, an African crow looks down on this scene in the Namibian desert. Readers can smell and taste the blood and gasoline, and feel an overwhelming thirst as a woman staggers out into the desert with a concussion and broken ribs. She is befriended by the trickster crow, and by an old gray-coated, yellow toothed baboon - a friend that she believes will offer up his life if a predator comes to take her down. Woven into this beautiful and true parable are life's lessons learned under the most life-threatening, heartbreaking and poignant situations. It inspires you, and will change the way you look at your own life.

The definitive edition of the classic graphic novel—including never-before-seen material and a new introduction by the author. When James O’Barr poured the pain and anguish of a personal tragedy into the drawings that comprise The Crow, his intensely cathartic story of Eric—who returns from the dead to avenge his and his fiancée’s murder at the hands of a street gang—resonated with readers around the world. Now, the illustrated tale that became the “thrilling” (Los Angeles Daily News) and “spectacular” (Chicago Tribune) screen triumph is re-released in an expanded version the author originally intended, complete at last with: —Thirty pages of never-before-seen artwork, including a new closing segment, “Sparklehorse,” and the touching new scene, “An August Noel” —A new Introduction by James O’Barr —Lost sequences restored using the artist’s original technique This is The Crow like you’ve never seen it before—the powerful journey of an avenging angel and a celebration of true love...as fierce, intelligent, and unforgettable as when it was first conceived. Suggested for mature readers.