Paris to Provence is a culinary travelogue of separate summers spent in France, interweaving a collection of simple recipes with evocative memories and stories of those years. “This beautiful mémoire will beguile everyone who loves France and should be essential reading for anyone going there for the first time. Ethel and Sara have captured a beloved place through the rosy, whimsical, wacky, tender, and honest lens of childhood. Forget three-star dining and luxury travel; this is the France that I love and remember with pleasure. The recipes are simple and soul satisfying—from café fare and home cooking to street food and a village feast. I was enchanted with the evocative photos and charmed by every memory.” —Alice Medrich, author of Sinfully Easy Delicious Desserts “To read Paris to Provence is to take a beautiful and wonderfully nostalgic journey to the France of my childhood, the France of sweet dreams. If you’ve ever had your soul captured by the magic that exists in the lighter side of la France profonde, and if you have a sensitivity toward joyful moments created around food, family, and friends, then Paris to Provence is for you. It’s a lovely book filled with classic and simple yet delicious French recipes. Somebody needs to open a restaurant here in the United States that uses this book to inspire its menu. I’d eat there at least once a week!” —William Widmaier, author of A Feast at the Beach Ethel and Sara beguile you with recipes and stories from their summer childhoods as they traveled with their respective families from Paris to Provence. In markets, cafés, truck stops, bakeries, bistros, and French family homes, the girls experienced their first taste of France, re-created here through recipes, stories, and photographs. Inspired by her memories of truck stop lunches sitting next to tables of grizzled truckers, Ethel gives us Steak au Poivre à la Sauce aux Morilles (pepper steak with morels). Sara’s whimsical game of using her asparagus as soldiers’ spears to guard her food from her sister is the source of her recipe for Les Soldats (soft-boiled eggs and fresh asparagus spears). Lingering over late-night dinners with grown-ups and listening in on their stories of the resistance and wild boar hunts inspired Ethel’s recipe for Fraises au Vin Rouge (strawberries in red wine syrup). Rosemary and its powerful scent, first discovered by Sara while hiking with her family in the Luberon Mountains in the south of France, infuses her recipe for Cotes d’Agneau Grillées au Romarin (grilled lamb chops with rosemary). From Îles Flottantes (poached meringues in crème anglaise) to Escargots (snails in garlic butter), and from Merguez (spicy grilled lamb sausage patties) to Ratatouille (summer vegetable stew), each recipe reflects Sara and Ethel’s childhood experiences in Paris and Provence. Sixty thoughtful, simple, and traditionally French dishes complemented by over one hundred luscious photographs will send you to your kitchen, and maybe even to France.

Since the 1980s, France has experienced a vigorous revival of interest in its past and cultural heritage. This has been expressed as part of a movement of remembering through museums and festivals as well as via elaborate commemorations, most notably those held to celebrate the bi-centenary of the Revolution in 1989 and can be interpreted as part of a re-examinaton of what it means to be French in the context of ongoing Europeanization. This study brings together scholars from multidisciplinary backgrounds and engages them in debate with professionals from France, who are working in the fields of museology, heritage and cultural production. Addressing subjects such as war and memory, gastronomy and regional identity, maritime culture and urban societies, they throw fresh light on the process by which France has been conceptualized and packaged as a cultural object.

Matched only by Hemingway’s A Moveable Feast, Paris France is a "fresh and sagacious" (The New Yorker) classic of prewar France and its unforgettable literary eminences. Celebrated for her innovative literary bravura, Gertrude Stein (1874–1946) settled into a bustling Paris at the turn of the twentieth century, never again to return to her native America. While in Paris, she not only surrounded herself with—and tirelessly championed the careers of—a remarkable group of young expatriate artists but also solidified herself as "one of the most controversial figures of American letters" (New York Times). In Paris France (1940)—published here with a new introduction from Adam Gopnik—Stein unites her childhood memories of Paris with her observations about everything from art and war to love and cooking. The result is an unforgettable glimpse into a bygone era, one on the brink of revolutionary change.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Alexis de Tocqueville’s Souvenirs was his extraordinarily lucid and trenchant analysis of the 1848 revolution in France. Despite its bravura passages and stylistic flourishes, however, it was not intended for publication. Written just before Louis-Napoléon Bonaparte’s 1851 coup prompted the great theorist of democracy to retire from political life, it was initially conceived simply as an exercise in candid personal reflection. In Recollections: The French Revolution of 1848 and Its Aftermath, renowned historian Olivier Zunz and award-winning translator Arthur Goldhammer offer an entirely new translation of Tocqueville’s compelling book. The book has an interesting publishing history. Yielding to pressure from friends, Tocqueville finally approved its publication, although only after those portrayed in the work—most, unflatteringly—had died. After Tocqueville’s death, his grandnephew published a redacted version, but it was not until 1942 that French editors restored the potentially offensive passages. Goldhammer’s is the first English translation to do justice to Tocqueville’s original uncensored masterpiece of analytical description, stylistic subtlety, vivid social panorama, and incisive critique of political blundering and cowardice. Zunz’s introduction—and his addition of several of Tocqueville’s ancillary speeches, occasional texts, and letters—round out a unique volume that significantly enhances our understanding of the revolutionary period and Tocqueville’s role in it. In this new edition, Zunz highlights the persistent influence of the United States on the life and work of a man who tirelessly, albeit futilely, promoted the American model of government for the New French Republic.

Set in a Hungarian estate on the edge of the Carpathian Mountains, this “lucid and crisp” memoir is a clear-eyed elegy to a country—and a marriage—torn apart by World War II (The New Yorker) Best known for her classic book Green Thoughts: A Writer in the Garden, Eleanor Perényi led a worldly life before settling down in Connecticut. More Was Lost is a memoir of her youth abroad, written in the early days of World War II, after her return to the United States. In 1937, at the age of nineteen, Perényi falls in love with a poor Hungarian baron and in short order acquires both a title and a struggling country estate at the edge of the Carpathians. She throws herself into this life with zeal, learning Hungarian and observing the invisible order of the Czech rule, the resentment of the native Ruthenians, and the haughtiness of the dispossessed Hungarians. In the midst of massive political upheaval, Perényi and her husband remain steadfast in their dedication to their new life, an alliance that will soon be tested by the war. With old-fashioned frankness and wit, Perényi recounts this poignant tale of how much was gained and how much more was lost.