The mythical artist, heroic and rebellious, isolated and suffering, is the creation of late-18th-century Romanticism. Throughout the 19th century this powerful myth influenced the way people thought and wrote about artists and, more importantly, the way artists thought about––and depicted––themselves. Covering the period from the French Revolution to World War I, from Romanticism to the avant-garde, this catalogue considers how artists responded to this myth. The focus is on key artists and groups who self-consciously forged distinctive identities: the Nazarenes, Delacroix, Courbet, Manet, Van Gogh, Gauguin, the Nabis, and Schiele. The book includes an introduction, a chronology, and an overview of the myth of the artist in literature, as well as a beautifully illustrated catalogue section arranged according to such themes as Bohemia; Dandy and Flâneur; Priest, Seer, Martyr, Christ; and Creativity and Sexuality.

The quiet moments of global terrorism are over. They were silently on the move and highly motivated against the USA, first and foremost. To the radical extremist fascists international terrorists network, the USA was the easiest to infiltrate amongst the worlds super powers. Their ultimate target was the entertainment capital of the world, the city of sin and pleasure for the western free world. Assisted by human traffickers and smugglers, this time, thei suicidal martyr is a Woman of Mass Destruction (WMD). Westernized and American educated, desired by almost every man, a woman well adorned as well as scorned, the self appointed terrorist, the self declared jihadist, the self-anointed martyr is now ready to make her move. It all began in an island archipelago in the Pacific, where three young men who started out as childhood friends were separated by fate. One became the most wanted notorious non Christian rebel leader in that region, another became a hardened military combat zone officer and the third became an American. Noor was a casualty turned weapon against the Infidels. Her mission before she perishes was to inflict as much damage and pain to portions of the society that caused her miseries. To make their statement that the war against terrorism is not over, and will not be over, and will not be won by the Infidels. Noor was the networks ultimate weapon against the USA as the start of reviving the plan to totally disabling the US Mainland was initiated. She has been very well prepared for a self declared war compounded by ideological pressures from her own kind covering under the protection of religion. Learning is not compulsory. Neither is survival. W. Edwards Deming (1900-1993)

Relying on a range of visual and written sources, Gender, Space, and the Gaze offers fresh ways of considering how masculinity and femininity were lived in late nineteenth-century Paris. The book moves beyond shopworn dichotomies, rooted in Baudelaire’s "The Painter of Modern Life" (1863), that have shaped scholarship on this period.

Uganda, like elsewhere in the world, is experiencing a moral decline. Many in Uganda are concerned that this necessitates acquainting the nation's young people with appropriate Christian role models, beginning with an understanding of God, Jesus Christ, and the Saints, particularly the Ugandan martyrs. The book's author envisages no substantial moral renewal if Ugandan adults themselves do not provide a good moral example and create a favorable moral environment. Otherwise, Ugandan young people will be building "a personal identity through trial and error, without any goalpost in sight" and thus perpetuating a state of moral decline. (Series: Theologie - Vol. 102)

A leading scholar sheds light on the experiences of ordinary Cubans in the unseating of the dictator Fulgencio Batista In this important and timely volume, one of today’s foremost experts on Cuban history and politics fills a significant gap in the literature, illuminating how Cuba’s electoral democracy underwent a tumultuous transformation into a military dictatorship. Lillian Guerra draws on her years of research in newly opened archives and on personal interviews to shed light on the men and women of Cuba who participated in mass mobilization and civic activism to establish social movements in their quest for social and racial justice and for more accountable leadership. Driven by a sense of duty toward la patria (the fatherland) and their dedication to heroism and martyrdom, these citizens built a powerful underground revolutionary culture that shaped and witnessed the overthrow of Batista in the late 1950s. Beautifully illustrated with archival photographs, this volume is a stunning addition to Latin American history and politics.

This book presents a linear history of Jewish martyrdom, from the Hellenistic period to the high Middle Ages. Following the chronology of sources, the study challenges the general consensus that martyrdom was an original Hellenistic Jewish idea. Instead, Jews like Philo and Josephus internalized the idealized Roman concept of voluntary death and presented it as an old Jewish practice. The centrality of self-sacrifice in Christianity further stimulated the development of rabbinic martyrology and the talmudic guidelines for passive martyrdom. However, when forced to choosed between death and conversion in medieval Christendom, Ashkenazic Jews went beyond these guidelines, sacrificing themselves and loved ones. Through death not only did they attempt to prove their religiosity, but also to disprove the religious legitimacy of their Christian persecutors. While martyrs and martyrologies intended to show how Judaisim differed from Christianity, they, in fact, reveal a common mindset.