Sarah Schenirer and the Bais Yaakov movement she founded represent a revolution in the name of tradition in interwar Poland. The new type of Jewishly educated woman the movement created was a major innovation in a culture hostile to female initiative. A vivid portrait of Schenirer that dispels many myths.

A compelling look at the lives of ultra-Orthodox and formerly ultra-Orthodox Jewish women and their use of media technologies to create a new market for music and film Mainstream portrayals of ultra-Orthodox religious women often frame their faith as oppressive: they are empowered only when they leave their community. This book flips this notion on its head. Drawing on six years of fieldwork between New York and Montreal, Jessica Roda examines modern performances on the stage and screen directed by and for ultra-Orthodox women. Their incredibly vibrant Jewish artistic scenes defy stereotypes that paint these women as repressed, reclusive to their shtetl (village), and devoid of creativity and agency. For Women and Girls Only argues that access to technology has completely transformed how ultra-Orthodox women express their way of being religious and that the digital era has enabled them to create an alternative entertainment market outside of the public, male-dominated one. Because expectations surrounding modesty, ultra-Orthodox women do not sing, dance, or act in front of men and the public. Yet, in a revolutionary move, they are creating “women and girls only” spaces onsite and online, putting the onus on men to shield themselves from the content. They develop modest public spaces on the Internet, about which male religious leaders are often unaware. The book also explores the entanglement between these observant female artists and those who left religion and became public performers. The author shows that the arts expressed by all these women offer a means of not only social but also economic empowerment in their respective worlds. For Women and Girls Only is a groundbreaking reversal of mainstream portrayals of ultra-Orthodox religious women, and of those who have left the community yet maintain ties to it. It is the first work to focus on the ultra-Orthodox female art scene in music, film, and dance across North America and on social media.

Rav Aharon Kotler zt"l came to America from Europe in 1942, bringing with him an unprecedented level of Torah learning, a pure and uncompromising dedication to Torah, and a Torah that was truly lishmah. In just 20 years Rav Aharon transformed the face of Torah in America. A Living Mishnas Rav Ahron-The Legacy of Maran Rav Aharon Kotler offers readers an intimate glimpse into the strength and spirit of this great man, through a wealth of stories, vignettes, insights, encounters with other great Jewish leaders, and most importantly, through a vibrant sampling of his teachings - all translated, for the first time, from the classic Mishnas Rav Aharon. Included are insights into chessed, Torah study, emunah, bitachon, hashgocha protis, middos, and much more. There are also entire chapters on the Rebbetzin a"h, Rav Shneur zt"l, Rav Nosson Wachtfogel zt"l, and the Lakewood Kehilla, along with many precious photographs - over 550 pages overflowing with the integrity, character, sanctity, and spirit of this Gadol BaTorah. Meticulously researched, compiled with great care, and beautifully written by one of Rav Aharon's talmidim - an eminent Talmid Chacham - this volume reads like a fascinating book, yet it is a sefer from which you will come away awed, uplifted, and inspired.

Polish Jewish Culture beyond the Capital: Centering the Periphery is a path-breaking exploration of the diversity and vitality of urban Jewish identity and culture in Polish lands from the second half of the nineteenth century to the outbreak of the Second World War (1899–1939). In this multidisciplinary essay collection, a cohort of international scholars provides an integrated history of the arts and humanities in Poland by illuminating the complex roles Jews in urban centers other than Warsaw played in the creation of Polish and Polish Jewish culture. Each essay presents readers with the extraordinary production and consumption of culture by Polish Jews in literature, film, cabaret, theater, the visual arts, architecture, and music. They show how this process was defined by a reciprocal cultural exchange that flourished between cities at the periphery—from Lwów and Wilno to Kraków and Łódź—and international centers like Warsaw, thereby illuminating the place of Polish Jews within urban European cultures. Companion website (https://polishjewishmusic.iu.edu)

The Emancipation of European Jewry during the nineteenth century led to conflict between tradition and modernity, creating a chasm that few believed could be bridged. Unsurprisingly, the emergence of modern traditionalism was fraught with obstacles. The essays published in this collection eloquently depict the passion underlying the disparate views, the particular areas of vexing confrontation and the hurdles faced by champions of tradition. The author identifies and analyzes the many areas of sociological and religious tension that divided the competing factions, including synagogue innovation, circumcision, intermarriage, military service and many others. With compelling writing and clear, articulate style, this illuminating work provides keen insight into the history and development of the various streams of Judaism and the issues that continue to divide them in contemporary times.

"Proceedings of the Twenty-First Annual Symposium of the Klutznick Chair in Jewish Civilization--Harris Center for Judaic Studies, October 26-27. 2008"--P. [i].