Through a detailed re-reading of Saussures's work in the light of contemporary developments in the human, life and physical sciences, Paul Thibault provides us with the means to redefine and refocus our theories of social meaning-making. Saussure's theory of language is generally considered to be a formal theory of abstract sign-types and sign-systems, separate from our individual and social practices of making meaning. In this challenging book, Thibault presents a different view of Saussure. Paying close attention to the original texts, including the Cours de Linguistic Generale he demonstrates that Saussure was centrally concerned with trying to formulate a theory of how meanings are made.Re-reading Saussure does more than simply engage with Saussure's theory in a new and up-to-date way, however. In addition to demonstrating the continuing viability of Saussure's thinking through a range of examples, it makes an important intervention in contemporary linguistic and semiotic debate.

Saussure's theory of language is generally considered to be a formal theory of abstract sign-types and systems, separate from our individual and social practices of making meaning. In this challenging book, Thibault presents a different view of Saussure. Paying close attention to the original texts, including Cours de linguistique generale, he demonstrates that Saussure was centrally concerned with trying to formulate a theory of how meanings are made.

This is a core introduction to the most innovative and influential writings to have shaped and defined the relations between language, culture and cultural identity.

Ferdinand de Saussure is widely considered to be the founder of both modern linguistics and structuralism. The first to establish the structural study of language, he identified the difference between the system of language ('Langue') and the idiosyncratic speech of individuals ('Parole'), and was first to distinguish between the 'synchronic' study of language (language at a given time), and the 'diachronic' (language as it changes through time). This Companion brings together a team of leading scholars to offer a fresh new account of Saussure's work. As well as looking at his pioneering and renowned Course in General Linguistics of 1916, they consider his lesser-known early work, his more recently-discovered manuscripts, and his influence on a range of other disciplines, such as cultural studies, philosophy, literature and semiotics. With contributions by specialists in each field, this comprehensive and accessible guide creates a unique picture of the lasting importance of Saussure's thought.

The fifth edition of this bestselling reader builds a strong foundation in both classical and contemporary theory, with a sharpened focus on gender and anthropology, and the anthropology of new media and technology. Short introductions and key terms accompany every reading, and light annotations have been added to aid students in reading original articles. Used on its own or together with A History of Anthropological Theory, Fifth Edition, this anthology offers a flexible and unrivalled introduction to anthropological theory that reflects not only the history but also the changing nature of the discipline today.

Readings for a History of Anthropological Theory curates and collects many of the most important publications of anthropological thought spanning the last hundred years, building a strong foundation in both classical and contemporary theory. The sixth edition includes seventeen new readings, with a sharpened focus on public anthropology, gender and sexuality, race and ethnicity, linguistic anthropology, archaeology, and the Anthropocene. Each piece of writing is accompanied by a short introduction, key terms, study questions, and further readings that elucidate the original text. On its own or together with A History of Anthropological Theory, sixth edition, this anthology offers an unrivalled introduction to the theory of anthropology that reflects not only its history but also the changing nature of the discipline today.

The fifth edition of this bestselling reader builds a strong foundation in both classical and contemporary theory, with a sharpened focus on gender and anthropology, and the anthropology of new media and technology. Short introductions and key terms accompany every reading, and light annotations have been added to aid students in reading original articles. Used on its own or together with A History of Anthropological Theory, Fifth Edition, this anthology offers a flexible and unrivalled introduction to anthropological theory that reflects not only the history but also the changing nature of the discipline today.

This comprehensive anthology presents 40 readings that are critical to an understanding of anthropological theory and the development of anthropology as an academic discipline. The readings have broad anthropological appeal, emphasizing social and cultural anthropology. The third edition has been completely revised throughout and organized to work more closely alongside the companion overview text, A History of Anthropological Theory. It includes six new readings as well as two original essays written by contemporary anthropologists on "Why Theory Matters." These new essays help ground the more abstract readings in the collection. The glossary has been significantly expanded and the discussion questions have been revised. The result is a volume that offers not only a strong foundation in the history of the discipline but also a good overview of developments in twentieth- and twenty-first-century anthropological theory, including feminist anthropology, postmodernity, medical anthropology, globalization, postcolonialism, and public anthropology.

Reading art from a semiotic perspective, this book offers a new interpretation of the development of Chinese landscape painting and outlines a new framework for contemporary semiotics and critical theory. It will appeal to those interested in visual art, Chinese studies, critical theory, semiotics, and other relevant fields, and will allow the reader to learn how to put theory into the practice of studying art, how to give new life to an important theory, and how to acquire a new point of view in appreciating and enjoying art with a certain critical theory.