Offers an inside look at the critically acclaimed television comedy series, offering anecdotes and interviews with cast, crew, and writers, as well as an illustrated episode-by-episode guide to the show's first eight seasons.

"Freebird is such a timely book. considering the current deep divisions between right and left. A new classic for the collapsing political landscape of America."--Kim Gordon, author of Girl in a Band The Singers, an all-American family in the California style, are about to lose everything. Anne is a bureaucrat in the Los Angeles Office of Sustainability whose ideals are compromised by a proposal from a venture capitalist seeking to privatize the city’s wastewater. Her brother, Ben, a former Navy SEAL, returns from Afghanistan disillusioned and struggling with PTSD, and starts down a path toward a radical act of violence. And Anne’s teenage son, Aaron, can’t decide if he should go to college or pitch it all and hit the road. They all live inside the long shadow of the Singer patriarch Grandpa Sam, whose untold experience of the Holocaust shapes his family’s moral character to the core. Jon Raymond, screenwriter of the acclaimed films Meek’s Cutoff and Night Moves, combines these narrative threads into a hard-driving story of one family’s moral crisis. In Freebird, Raymond delivers a brilliant, searching novel about death and politics in America today, revealing how the fates of our families are irrevocably tied to the currents of history.

In the summer of 2013, Raymond Pettibon took over one of David Zwirner’s gallery spaces in New York, transforming the high-ceilinged, garage-like white cube into his studio in order to prepare a show of drawings and collages within—and sometimes directly on—its walls. Titled To Wit, evoking the Middle English expression that has come to express a certain formality today and is defined as “namely,” or “that is to say,” the exhibition gave new meaning to the term “site specific,” featuring vibrant, gestural works Pettibon created in conversation with his surroundings that operated as a sort of archive, both product and record of his relationship to that space and time. Unified by their bold, vivid lines and unconventional framing, they feature allusions to a wide spectrum of American “high” and “low” culture, from violence, humor, and sex to literature, youth, art history, and sports—embodying the artist’s signature mix of social and political commentary, diary entry, and automatic drawing. This publication, presenting large color plates of the works created over that summer by Pettibon, who also produced an original drawing for its sturdy cardboard cover, explores the intricate relationship between image and language that has long fascinated the artist. Just as the works in the exhibition existed at once as art and document, so too does the book itself have the hefty, physical presence of a work of art. Extensive installation views capture the dynamic combination of visual imagery and text that has come to characterize Pettibon’s practice, and a selection of gritty black-and-white photographs by Andreas Laszlo Konrath offers an intimate glimpse into the artist’s working process. Context is provided by Lucas Zwirner, who accompanied the artist throughout this period and contributed the book’s essay, “A Month with Raymond.” As Zwirner describes it, the show functioned “as an essayistic whole held together by imaginative leaps and subtle connections which Raymond has left unexplained and uninterpreted.” That perspective is rounded out in an interview with the artist by Kim Gordon, a visual artist and musician, who first encountered Pettibon’s work in the early 1980s in Los Angeles.

DigiCat Publishing presents to you this special edition of "The Big Sleep" by Raymond Chandler. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

A tired man, struggling to overcome the loss of his wife in a car accident. Two old friends, hoping to rediscover their connection on a trip to the woods. A screenwriter hoping to hear news about the future of his film. In Jon Raymond's deft, nuanced stories, these and other characters contend with the frustrations, longings, and mood swings we face every day. Artfully conveying the feeling of lived experience, these stories brim with gratifying sensory detail: the sound of a tree root snapping underfoot, the smell of a roast, the stillness of the air after music has stopped. And, with careful observations and a humane spirit, Livability gives us a portrait of America full of characters finding ways to survive their own choices. Published to coincide with the national release of Wendy and Lucy, these refined, elegiac stories are the work of a writer with a long and promising career ahead of him.

Hazlitt is one of the greatest masters of English prose style and this new selection demonstrates the variety and richness of his writing. The volume includes classic pieces of drama and literature criticism, such as his essays on Shakespeare and Coleridge, as well as less well-known material from his social and political journalism. This collection encourages the reader to reconsider the nature of critical writing, which Hazlitt transforms into an art form.

A pioneer of Southern California underground culture, Raymond Pettibon (*1957 in Tucson) has blurred the boundaries of "high" and "low" since the late seventies--from the deviations of marginal youth to art history, literature, sports, religion, politics, and sexuality. Rich in detail, his obsessively worked drawings draw freely on myriad sources spanning the cultural spectrum. The resulting highly poetic constructions function as acute and authentic reflections of contemporary society. Throughout the years, his subjects have included political figures and historical events, with particular intensity since the events of September 11, 2001. The volume features images of Ronald and Nancy Reagan, J. Edgar Hoover, Bush senior and junior, the Kennedys, Adolf Hitler, Barack Obama, and Osama bin Laden alongside scenes from the Vietnam War, the wars in Iraq and Afghanistan, the prisoner abuse in Abu Ghraib, and protest movements.

Mr. Plank, the founder of Apache Oil Company (now Apache Corporation), offers his memoir which includes some family history but is mostly the history of Apache Oil and how it came to have a major presence at Ucross, Wyoming. Also included is information on how the artists' colony at Big Red was established under the Ucross Foundation.