A 17th-century whodunnit - It's 1653 and Lady Jane Tremayne has inherited the estate of her late husband. When a young woman is raped, as Lady of the Manor, Jane decides to investigate, assisted by her closest friend, Lady Olivia Courtney. Then the stakes are raised when the rapist strikes again.More than just a whodunnit, this is an absorbing tale of a brave woman living in dangerous and unique times.

Ways of the World explores cosmopolitanism as it emerged during the Restoration and the role theater played in both memorializing and satirizing its implications and consequences. Rooted in the Stuart ambition to raise the status of England through two crucial investments—global traffic, including the slave trade, and cultural sophistication—this intensified global orientation led to the creation of global mercantile networks and to the rise of an urban British elite who drank Ethiopian coffee out of Asian porcelain at Ottoman-inspired coffeehouses. Restoration drama exposed cosmopolitanism's most embarrassing and troubling aspects, with such writers as Joseph Addison, Aphra Behn, John Dryden, and William Wycherley dramatizing the emotional and ethical dilemmas that imperial and commercial expansion brought to light. Altering standard narratives about Restoration drama, Laura J. Rosenthal shows how the reinvention of theater in this period—including technical innovations and the introduction of female performers—helped make possible performances that held the actions of the nation up for scrutiny, simultaneously indulging and ridiculing the violence and exploitation being perpetuated. In doing so, Ways of the World reveals an otherwise elusive consistency between Restoration genres (comedy, tragedy, heroic plays, and tragicomedy), disrupts conventional understandings of the rise and reception of early capitalism, and offers a fresh perspective on theatrical culture in the context of the shifting political realities of seventeenth- and eighteenth-century Britain.

This eminently practical volume demystifies legal writing, outlines the causes and consequences of bad writing, and prescribes straightforward, easy-to-apply remedies that will make your writing readable. Complete with usage notes that address lawyers' most common errors, this well-organized book is both an invaluable tool for practicing lawyers and a sensible grounding for law students. This much-revised second edition contains a set of editing exercises (and a suggested revision key with explanations) to test your skill. This book is a definitive guide to becoming a better writer—and a better lawyer.

In the third chapter of Connie Brockway’s exquisite Highland trilogy, a notorious temptress discovers that nothing settles an old score like true love. Restless, daring, proud, they are the Merricks: Fia, the only daughter, the ravishing one; Raine, her older brother, the reckless one; and Ashton, the eldest, the passionate one. Born of bad blood, they were raised in the Scottish Highlands on lands that belonged to their mother’s kin, the McClairens—until their English father seized the ancestral stronghold for his own. Yet all are destined to find loves as wild and glorious as the isle they call home. Possessed of unearthly beauty, the young widow Fia Merrick MacFarlane is the toast of London society. She can have any suitor she wants—or any her scheming father wants for her—but love is a weakness Fia cannot afford. Once she would have given everything to Thomas Donne, until the earnest, dashing Scot betrayed her family and broke her heart. Now he’s back in her life and determined to steal her away to McClairen’s Isle. But as Fia aims to take her own revenge, she sets off a steamy affair that crosses the line from seduction to obsession—and unlocks desires that will not be denied.