A tale of Nazi lives, mass murder, love, Cold War espionage, a mysterious death in the Vatican, and the Nazi escape route to Perón's Argentina,"the Ratline"—from the author of the internationally acclaimed, award-winning East West Street. "Hypnotic, shocking, and unputdownable." —John le Carré, internationally renowned bestselling author Baron Otto von Wächter, a lawyer, husband, and father, was also a senior SS officer and war criminal, indicted for the murder of more than a hundred thousand Poles and Jews. Although he was given a new identity and life via “the Ratline” to Argentina, the escape route taken by thousands of other Nazis, Wächter and his plan were cut short by his mysterious, shocking death in Rome. In the midst of the burgeoning Cold War, was he being recruited by the Americans or by the Soviets—or perhaps both? Or was he poisoned by one side or the other, as his son believes—or by both? With the cooperation of Wächter’s son Horst, who believes his father to have been “a good man,” award-winning author Philippe Sands draws on a trove of family correspondence to piece together Wächter’s extraordinary life before and during the war, his years evading justice, and his sudden, puzzling death. A riveting work of history, The Ratline is part historical detective story, part love story, part family memoir, and part Cold War espionage thriller.

Ratline is the documented history about the mechanisms by which thousands of other Nazi war criminals fled to the remotest parts of the globe--including quite possibly Adolf Hitler. It is a story involving Soviet spies, Nazi priests, and a network of Catholic monasteries and safe houses known as the rat line. The name of one priest in particular, Monsignor Draganovic, was discovered by the author in a diary found in Indonesia. Why would this name turn up in a document written in a spidery German hand in a remote island in Indonesia? As famed author Peter Levenda began his research, more information came to light: In December of 2009, it was revealed that the skull the Russians claimed was Hitler's--salvaged from the bunker in 1945--was not that of Hitler! In 2010, files from the Office of Special Investigations of the Justice Department were declassified, revealing a history of American intelligence providing cover for Nazi war criminals. The mystery deepened, and the author returned to his own roots hunting Nazis in North America, South America and Europe. He revisited old contacts, made some new ones, and gradually the explosive story was revealed: there is no forensic evidence to prove that Adolf Hitler died in the bunker in April 1945!

Vatican Ratline is the true story of recovered memories of one survivor of the post World War II ratline interwoven with the history of the players. It exposes why we are seeing a return to the Middles Ages, the crusades, the inquisition, the slave trade, constant war and the conquering of nations. It looks at the Jesuits, the soldiers of the Pope, who are leading the brigade, with the Nazi run CIA as Grand Inquisitor. The twentieth century 'grey' Nazi collaborator is investigated with his disk shaped flying machine. This is the story of the best holocaust money can buy as science turns an evil eye toward the destruction of the planet, by the military, and its inhabitants by stealing their souls using torture and mind control.

Paperback edition of a book first published in 1991. This analysis of a plot by a group of right-wing priests to smuggle Nazis out of Europe in 1944 is based on highly classified files, many released by error. It recounts the unofficial activities of fascists and communists working through the Vatican. Includes a bibliography and an index. Aarons is the author of the prize-winning TSanctuary! Nazi fugitives in Australia'.

Ireland 1963. As the Irish people prepare to welcome President John F. Kennedy to the land of his ancestors, a German national is murdered in a seaside guesthouse. Lieutenant Albert Ryan, Directorate of Intelligence, is ordered to investigate. The German is the third foreigner to die within a few days, and Minister for Justice Charles Haughey wants the killing to end lest a shameful secret be exposed: the dead men were all Nazis granted asylum by the Irish government in the years following World War II. A note from the killers is found on the dead German's corpse, addressed to Colonel Otto Skorzeny, Hitler's favorite commando, once called the most dangerous man in Europe. The note simply says: "We are coming for you." As Albert Ryan digs deeper into the case he discovers a network of former Nazis and collaborators, all presided over by Skorzeny from his country estate outside Dublin. When Ryan closes in on the killers, his loyalty is torn between country and conscience. Why must he protect the very people he fought against twenty years before? Ryan learns that Skorzeny might be a dangerous ally, but he is a deadly enemy.

This is the story of how Nazi war criminals escaped from justice at the end of the Second World War by fleeing through the Tyrolean Alps to Italian seaports, and the role played by the Red Cross, the Vatican, and the Secret Services of the major powers in smuggling them away from prosecution in Europe to a new life in South America. The Nazi sympathies held by groups and individuals within these organizations evolved into a successful assistance network for fugitive criminals, providing them not only with secret escape routes but hiding places for their loot. Gerald Steinacher skillfully traces the complex escape stories of some of the most prominent Nazi war criminals, including Adolf Eichmann, showing how they mingled and blended with thousands of technically stateless or displaced persons, all flooding across the Alps to Italy and from there, to destinations abroad. The story of their escape shows clearly just how difficult the apprehending of war criminals can be. As Steinacher shows, all the major countries in the post-war world had 'mixed motives' for their actions, ranging from the shortage of trained intelligence personnel in the immediate aftermath of the war to the emerging East-West confrontation after 1947, which led to many former Nazis being recruited as agents turned in the Cold War.

After Germany's surrender in World War II, Jim Milano, a young U.S. army intelligence officer, led a small, independent group of soldiers charged with carrying out some of the first intelligence efforts of the postwar era. Inventing the techniques of Cold War espionage for themselves and improvising unorthodox methods, the major and his creative cohorts confounded Soviet forces and created escape routes for defectors. In the pages of Milano's fascinating memoir you'll find the shadowy world populated by spies, prostitutes, refugees, scoundrels, and heroes comes alive.

The films of Orson Welles inhabit the spaces of cities—from America's industrializing midland to its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character. This ambitious new study explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles's cinematic cities—the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes. The book's critical scope draws on extensive research in international archives and builds on the work of previous scholars. Viewing Welles as a radical filmmaker whose innovative methods were only occasionally compatible with the commercial film industry, this volume examines the filmmaker's original vision for butchered films, such as The Magnificent Ambersons (1942) and Mr. Arkadin (1955), and considers many projects the filmmaker never completed—an immense "shadow oeuvre" ranging from unfinished and unreleased films to unrealized treatments and screenplays.

In post-WWII Italy, an American uncovers a Vatican scandal in a “thriller with deeply serious historical undertones” by a National Book Award winner (Alan Cheuse, NPR, All Things Considered). David Warburg, newly minted director of the US War Refugee Board, arrives in Rome at war’s end, determined to bring aid to the destitute European Jews streaming into the city. Marguerite d’Erasmo, a French-Italian Red Cross worker with a shadowed past, is initially Warburg’s guide—while a charismatic young American Catholic priest, Monsignor Kevin Deane, seems equally committed to aiding Italian Jews. But the city is a labyrinth of desperate fugitives: runaway Nazis, Jewish resisters, and criminal Church figures. Marguerite, caught between justice and revenge, is forced to play a double game. At the center of the maze, Warburg discovers one of history’s great scandals: the Vatican ratline, a clandestine escape route maintained by Church officials and providing scores of Nazi war criminals with secret passage to South America. Turning to American intelligence officials, he learns that the dark secret is not as secret as he thought—and that even those he trusts may betray him—in this “complex and compelling novel of the Vatican and morality during World War II” (Library Journal). Warburg in Rome has “the breathtaking pace of a thriller and the gravitas of a genuine moral center—as if John LeCarré and Graham Greene collaborated” (Mary Gordon). “A high-stakes battle between good and evil [and] a plot full of twists and turns.” —The Boston Globe “A suspenseful historical drama set in Rome at the end of WWII and centering on Vatican complicity in the flight of Nazi fugitives to Argentina.” —Publishers Weekly “Recommend this utterly engaging thriller to fans of Joseph Kanon’s The Good German and James R. Benn’s Death’s Door.” —Booklist, starred review

“A powerfully told story of family, honor, love, and truth . . . the beautiful and haunting stories told in this book transcend policy and politics.” —Beto O’Rourke A literary gem researched over a year the author spent living in Berlin, Endpapers excavates the extraordinary histories of the author’s grandfather and father: the renowned publisher Kurt Wolff, dubbed “perhaps the twentieth century’s most discriminating publisher” by the New York Times Book Review, and his son Niko, who fought in the Wehrmacht during World War II before coming to America. Born in Bonn into a highly cultured German-Jewish family, Kurt became a publisher at twenty-three, setting up his own firm and publishing Franz Kafka, Joseph Roth, Karl Kraus, and many other authors whose books would soon be burned by the Nazis. After fleeing Germany in 1933, Kurt and his second wife, Helen, founded Pantheon Books in a small Greenwich Village apartment. Pantheon would soon take its own place in literary history with the publication of Nobel laureate Boris Pasternak’s novel Doctor Zhivago, and as the conduit that brought major European works to the States. But Kurt’s taciturn son Niko, offspring of his first marriage to Elisabeth Merck, was left behind in Germany, where despite his Jewish heritage he served the Nazis on two fronts. As Alexander Wolff visits dusty archives and meets distant relatives, he discovers secrets that never made it to the land of fresh starts, including the connection between Hitler and the family pharmaceutical firm E. Merck. With surprising revelations from never-before-published family letters, diaries, and photographs, Endpapers is a moving and intimate family story, weaving a literary tapestry of the perils, triumphs, and secrets of history and exile.