"Cloth edition of Spartanburg, city and county, South Carolina, published by Cofield, Petty and Company, Spartanburg, South Carolina, 1888. Cloth edition of A Story of Spartanburg push, s.l., s.n., 1890."--T.p. verso.

Their descriptions in English and French.

Renowned for its accuracy, brevity, and readability, this book has long been the gold standard of concise histories of the Napoleonic Wars. Now in an updated and revised edition, it is unique in its portrayal of one of the world's great generals as a scrambler who never had a plan, strategic or tactical, that did not break down or change of necessity in the field. Distinguished historian Owen Connelly argues that Napoleon was the master of the broken play, so confident of his ability to improvise, cover his own mistakes, and capitalize on those of the enemy that he repeatedly plunged his armies into uncertain, seemingly desperate situations, only to emerge victorious as he "blundered" to glory. Beginning with a sketch of Napoleon's early life, the book progresses to his command of artillery at Toulon and the "whiff of grapeshot" in Paris that netted him control of the Army of Italy, where his incredible performance catapulted him to fame. The author vividly traces Napoleon's campaigns as a general of the French Revolution and emperor of the French, knowledgeably analyzing each battle's successes and failures. The author depicts Napoleon's "art of war" as a system of engaging the enemy, waiting for him to make a mistake, improvising a plan on the spot-and winning. Far from detracting from Bonaparte's reputation, his blunders rather made him a great general, a "natural" who depended on his intuition and ability to read battlefields and his enemy to win. Exploring this neglected aspect of Napoleon's battlefield genius, Connelly at the same time offers stirring and complete accounts of all the Napoleonic campaigns.

Reference tool for Rare Books Collection.

A haunting and luminous Gothic YA novel about reckoning with the ghosts of one's dark past. After the untimely death of her aunt Laura, Cecilia Cross is forced to return to Sanctuary, a rambling, old French-Gothic mansion that crowns a remote island off the coast of Maine. Cecilia is both drawn to and repulsed by Sanctuary. The scent of the ocean intoxicates her, but she's also haunted by the ghosts of her past -- of her father who died at Sanctuary five years ago, and of her mother who was committed soon after. The memories leave Cecilia feeling shaken, desperate to run away and forget her terrible family history.But then a mysterious guest arrives at Sanctuary: Eli Bauer, a professor sent to examine Sanctuary's library. Cecilia is intrigued by this strange young man who seems so interested in her -- even more interested in her than in the books he is meant to be studying. Who is he and what does he want? Can Cecilia possibly trust her growing feelings for him? And can he help her make peace with her haunted, tragic past?

The South Caroliniana Library, located on the historic Horseshoe of the University of South Carolina campus in Columbia, is one of the premier research archives and special collections repositories in South Carolina and the American Southeast. The library's holdings—manuscripts, published materials, university archives, and visual materials—are essential to understanding the Palmetto State and Southern culture as it has evolved over the past 300 years. When opened as the South Carolina College library in 1840 it was the first freestanding academic library building in the United States. Designed by Robert Mills, architect of the Washington Monument, it is built in the Greek Revival style and features a replica of the reading room that once housed Thomas Jefferson's personal library in the second Library of Congress. When the college built a larger main library (now known as the McKissick Museum) in 1940, the Mills building became the home of "Caroliniana"—published and unpublished materials relating to the history, literature, and culture of South Carolina. Through a dedicated mining of the resources this library has held, art historian John M. Bryan crafted this comprehensive narrative history of the building's design, construction, and renovations, which he enhanced with personal entries from the diaries and letters of the students, professors, librarians, and politicians who crossed its threshold. A treasure trove of Caroliniana itself, this colorful volume, featuring 95 photographs and illustrations, celebrates a beautiful and historic structure, as well as the rich and vibrant history of the Palmetto State and the dedicated citizenry who have worked so hard to preserve it. A foreword is provided by W. Eric Emerson, director, South Carolina Department of History and Archives.