The first collection of the paintings of Ralph Fasanella (1914 - 1997), a self-taught painter whose body of work is one of the most compelling artistic critiques of post-World War II America (111 illustrations including 73 in full color).

The first collection of the paintings of Ralph Fasanella (1914 - 1997), a self-taught painter whose body of work is one of the most compelling artistic critiques of post-World War II America (111 illustrations including 73 in full color).

The life of visionary folk artist and labor organizer Ralph Fasanella stunningly illustrated for picture book readers. Winner of the Silver Medal at the Society of Illustrators' Original Art Show A Bologna Children's Book Fair 2024 Illustration Winner When dared to jump, Ralph always took the dare. So begins this beautiful tribute to a singular artist and his tireless efforts to honor and celebrate immigrant and working-class communities through his paintings. Born in 1914 New York City to Italian immigrants, Ralph’s youth was one of dress factories, ice deliveries, union meetings, and Momma’s stories of the Bread & Roses Strike around the dinner table. By teaching himself how to paint, Ralph discovered a new way to reach working people: he would depict their lives, their work, and American history with electric color at a grand scale. Focusing on themes of social justice, immigrant rights, labor rights, and the dignity of working people, I’m Gonna Paint inspires to give a new generation the confidence to continue the fight for better working conditions. Anne Broyles taps into Ralph's indomitable spirit to show his evolution as an artist, while Victoria Tentler-Krylov’s energetic art leaps off the page with wonder and homages to Ralph’s style. Meticulously researched with quotes from Ralph to underline his philosophy and approach to artmaking, the robust back matter includes reproductions of his paintings, historical photos, a timeline, a bibliography, a source notes, and much more. A Bank Street Best Children's Book of the Year

The life of visionary folk artist and labor organizer Ralph Fasanella stunningly illustrated for picture book readers. Winner of the Silver Medal at the Society of Illustrators' Original Art Show A Bologna Children's Book Fair 2024 Illustration Winner When dared to jump, Ralph always took the dare. So begins this beautiful tribute to a singular artist and his tireless efforts to honor and celebrate immigrant and working-class communities through his paintings. Born in 1914 New York City to Italian immigrants, Ralph’s youth was one of dress factories, ice deliveries, union meetings, and Momma’s stories of the Bread & Roses Strike around the dinner table. By teaching himself how to paint, Ralph discovered a new way to reach working people: he would depict their lives, their work, and American history with electric color at a grand scale. Focusing on themes of social justice, immigrant rights, labor rights, and the dignity of working people, I’m Gonna Paint inspires to give a new generation the confidence to continue the fight for better working conditions. Anne Broyles taps into Ralph's indomitable spirit to show his evolution as an artist, while Victoria Tentler-Krylov’s energetic art leaps off the page with wonder and homages to Ralph’s style. Meticulously researched with quotes from Ralph to underline his philosophy and approach to artmaking, the robust back matter includes reproductions of his paintings, historical photos, a timeline, a bibliography, a source notes, and much more. A Bank Street Best Children's Book of the Year

This encyclopedia traces the evolution of American workers and labor organizations from pre-Revolutionary America through the present day. In 2001, Robert E. Weir's two-volume Historical Encyclopedia of American Labor was chosen as a New York Public Library Best in Reference selection. Weir recently revised this groundbreaking resource, resulting in content that is more accessible, comprehensive, and timely. The newest edition, Workers in America: A Historical Encyclopedia, features updated entries, recent court cases, a chronology of key events, an enriched index, and an extensive bibliography for additional research. This expansive encyclopedia examines the complete panorama of America's work history, including the historical account of work and workers, the social inequities between the rich and poor, violence in the Labor Movement, and issues of globalization and industrial economics. Organized in two volumes and arranged in A–Z order, the 350 entries span key events, collective actions, pivotal figures, landmark legislation, and important concepts in the world of labor and work.

In linking forms of cultural expression to labour, occupational injuries and deaths, this title centres what is usualyy decentred - the complex culture of working class people.

For a full list of entries, contributors, and more, visit the Encyclopedia of American Folk Art web site. This is the first comprehensive, scholarly study of a most fascinating aspect of American history and culture. Generously illustrated with both black and white and full-color photos, this A-Z encyclopedia covers every aspect of American folk art, encompassing not only painting, but also sculpture, basketry, ceramics, quilts, furniture, toys, beadwork, and more, including both famous and lesser-known genres. Containing more than 600 articles, this unique reference considers individual artists, schools, artistic, ethnic, and religious traditions, and heroes who have inspired folk art. An incomparable resource for general readers, students, and specialists, it will become essential for anyone researching American art, culture, and social history.

Over the course of the twentieth century, Catholics, who make up a quarter of the population of the United States, made significant contributions to American culture, politics, and society. They built powerful political machines in Chicago, Boston, and New York; led influential labor unions; created the largest private school system in the nation; and established a vast network of hospitals, orphanages, and charitable organizations. Yet in both scholarly and popular works of history, the distinctive presence and agency of Catholics as Catholics is almost entirely absent. In this book, R. Scott Appleby and Kathleen Sprows Cummings bring together American historians of race, politics, social theory, labor, and gender to address this lacuna, detailing in cogent and wide-ranging essays how Catholics negotiated gender relations, raised children, thought about war and peace, navigated the workplace and the marketplace, and imagined their place in the national myth of origins and ends. A long overdue corrective, Catholics in the American Century restores Catholicism to its rightful place in the American story.

Folk art is as varied as it is indicative of person and place, informed by innovation and grounded in cultural context. The variety and versatility of 300 American folk artists is captured in this collection of informative and thoroughly engaging essays. American Folk Art: A Regional Reference offers a collection of fascinating essays on the life and work of 300 individual artists. Some of the men and women profiled in these two volumes are well known, while others are important practitioners who have yet to receive the notice they merit. Because many of the artists in both categories have a clear identity with their land and culture, the work is organized by geographical region and includes an essay on each region to help make connections visible. There is also an introductory essay on U.S. folk art as a whole. Those writing about folk art to date tend to view each artist as either traditional or innovative. One of the major contributions of this work is that it demonstrates that folk artists more often exhibit both traits; they are grounded in their cultural context and creative in the way they make work their own. Such insights expand the study of folk art even as they readjust readers' understanding of who folk artists are.