What was it like to live in Iraq before the earth-shaking events of the end of the twentieth century? The mid seventies to the late eighties witnessed Saddam Hussein's rise to power, the establishment of Kurdish autonomy in the north, and the Iraq-Iran war. It also brought an influx of oil wealth, following the 1973 war and the spike in oil prices, and a parallel influx of Arab talent, including many Egyptians, as the Egyptian left became disenchanted with Sadat. The massive migration also extended to workers and peasants, some of whom created an entire Egyptian village just outside Baghdad. We witness all of this and more through the eyes of an Egyptian woman married to an engineer working in Iraq. The narrator, who works for an Egyptian magazine's bureau in the Iraqi capital, has a behind-the-scenes view of what was really happening at a critical juncture in the history of the region. Moreover, she has a mystery to solve: an Iraqi woman from the marshes in the south of Iraq, who is also a communist journalist, has disappeared, and as the mystery unfolds we learn of her love for an older Egyptian Marxist journalist. This is Iraq before and beyond Saddam, Iraq as the Arabs knew it, in the lives of interesting people living in a vibrant country before the attempted annexation of Kuwait and the American invasion. This is the Iraq that was

LONGLISTED FOR THE BRIDPORT NOVEL AWARD In beautifully rendered prose, a mother and a daughter struggle as outsiders in Baghdad and London in this intergenerational drama set against a background of political tension and intrigue “Who would be charmed by tales of life in the beautiful old house on the banks of the Tigris—looted now no doubt, its shutters torn and the courtyard strewn with mattresses?” One night in 2003, Anglo-Iraqi psychiatrist Mona Haddad has a surprise visitor to her London office, an old acquaintance Duncan Claybourne. But why has he come? Will his confession finally lay bare what happened to her family before they escaped Iraq? Their stories begin in 1937, when Mona’s mother Diane, a lively Englishwoman newly married to Ibrahim, an ambitious Iraqi doctor, meets Duncan by chance. Diane is working as a nanny for the Iraqi royal family. Duncan is a young British Embassy officer in Baghdad. When the king dies in a mysterious accident, Ibrahim and his family suspect Diane of colluding with Duncan and the British. Summoning up the vanished world of mid-twentieth-century Baghdad, Elizabeth Loudon’s richly evocative story of one family calls into question British attitudes and policies in Iraq and offers up a penetrating reflection on cross-cultural marriage and the lives of women caught between different worlds.

The Last Tango in Baghdad is an inspirational memoir depicting a painstakingly true tale of a fascinating life lived in turbulent times and countries of the Middle East. This story, so reminiscent of the experiences of Jews in the past, is extraordinary. Readers are delighted by the humorous and saddened by the terrible injustices Dr. Khabbaza encountered throughout his life. Providing some background and an understanding of the culture, the author examines the political facts and reveals in detail the events that shaped his life. Reading this book will inspire you and entertain you as well. It is highly recommended for all non-specialist general readers for its revealing content and valuable insight.

In This Is Not a Copy, Kaja Marczewska identifies a characteristic 'copy-paste' tendency in contemporary culture-a shift in attitude that allows reproduction and plagiarizing to become a norm in cultural production. This inclination can be observed in literature and non-literary forms of writing at an unprecedented level, as experiments with text redefine the nature of creativity. Responding to these transformations, Marczewska argues that we must radically rethink our conceptions of artistic practice and proposes a move away from the familiar categories of copying and originality, creativity and plagiarism in favour of the notion of iteration. Developing the new concept of the Iterative Turn, This Is Not a Copy identifies and theorizes the turn toward ubiquitous iteration as a condition of text-based creative practices as they emerge in response to contemporary technologies. Conceiving of writing as iterative invites us to address a set of new, critical questions about contemporary culture. Combining discussion of literature, experimental and electronic writing, mainstream and independent publishing with debates in 20th- and 21st-century art, contemporary media culture, transforming technologies and copyright laws, This Is Not a Copy offers a timely and urgently needed argument, introducing a unique new perspective on practices that permeate our contemporary culture.

Viewing the Future in the Past is a collection of essays that represents a wide range of authors, loci, and subjects that together demonstrate the value and necessity of looking at environmental problems as a long-term process that involves humans as a causal factor. Editors H. Thomas Foster, II, Lisa M. Paciulli, and David J. Goldstein argue that it is increasingly apparent to environmental and earth sciences experts that humans have had a profound effect on the physical, climatological, and biological earth. Consequently, they suggest that understanding any aspect of the earth within the last ten thousand years means understanding the density and activities of Homo sapiens. The essays reveal the ways in which archaeologists and anthropologists have devised methodological and theoretical tools and applied them to pre-Columbian societies in the New World and ancient sites in the Middle East. Some of the authors demonstrate how these tools can be useful in examining modern societies. The contributors provide evidence that past and present ecosystems, economies, and landscapes must be understood through the study of human activity over millennia and across the globe.

Collected in entirety for the very first time, this study reflects more than 25 years of close contact with the Sufi Masters of Central Anatolia, with most of that time spent in the presence of the peerless Sufi teacher, Mr. Ahmet Kayhan. Out of the author’s association with this personality has emerged this in-depth look at the famous and mysterious Oral Tradition of Sufism. Covered topics include the concepts of compassion and mercy, universality, ethics, faith, charity, destiny, death and the afterlife, and more. Combining the rigor of anthropology with the devotion of a disciple, this book faithfully lays bare the comprehensive teachings of the man who may be the Sufi Saint of the Age.

Examines how authoritarian regimes employ labour emigration in order to remain in power, both in Egypt and beyond.

After a series of disastrous missteps in its conduct of the war, the White House in 2006 appointed General David Petraeus as the Commanding General of the coalition forces. Tell Me How This Ends is an inside account of his attempt to turn around a failing war. Linda Robinson conducted extensive interviews with Petraeus and his subordinate commanders and spent weeks with key U.S. and Iraqi divisions. The result is the only book that ties together military operations in Iraq and the internecine political drama that is at the heart of the civil war. Replete with dramatic battles, behind-doors confrontations, and astute analysis, the book tells the full story of the Iraq War's endgame, and lays out the options that will be facing the next president when he or she takes office in January 2009.