In the New York Times, critic Teju Cole offered this appreciation of the work of Indian–born photographer Raghubir Singh (1942—1999): "Singh gives us photographs charged with life: not only beautiful experiences or painful scenes but also those in–between moments of drift that make up most of our days." This richly illustrated volume, the first in–depth study of Singh's work, situates it at the intersection of Western modernism and traditional South Asian modes of picturing the world. A major practitioner of color street photography, Singh captured images that demonstrate the diverse culture of India. Raghubir Singh features over 100 of his photographs—in counterpoint with the work of such influences as Henri Cartier–Bresson and Lee Friedlander and with images of traditional South Asian artworks that inspired his practice—providing an extensive overview of the artist's career. With its vibrant plates and insightful essays, this publication brilliantly illustrates Cole's assessment that Singh's work draws "breathtaking coherence out of the chaos of the everyday."

"The Indian photographer Raghubir Singh, internationally regarded by critics as one of the finest colour photographers working today, has chronicled the vibrant diversity of life in his homeland with unparalleled mastery and depth of vision. In his tenth book, Singh turns his lens to Bombay, the city that has been called the Gateway of India." "In a conversation with the photographer that opens Bombay, the distinguished writer V.S. Naipaul discusses the methods and motivation behind Singh's work - from the photographer's eye for the telling detail, to his insider's perspective on the great Indian metropolis. Naipaul comments, "One can't just look at this work about Bombay and say: 'Good, I have looked at these pictures.' They need attention. The pictures have to be read.""--Jacket.

The only retrospective of one of the 20th-century's finest documentary photographers.

Foreword by Raghubir Singh Ketaki Sheth is recognised as one of India's leading women's photographers and lives and works both in India and the UK. In this wonderful collection she takes as her subject twins born to those with the surname Patel - a name which dates back to the 15th century and was originally a title bestowed by the Moghuls. Illustrated with 80 duotones.

Modernism as a global phenomenon is the focus of the essays gathered in this book. The term "geomodernisms" indicates their subjects' continuity with and divergence from commonly understood notions of modernism. The contributors consider modernism as it was expressed in the non-Western world; the contradictions at the heart of modernization (in revolutionary and nationalist settings, and with respect to race and nativism); and modernism's imagined geographies, "pyschogeographies" of distance and desire as viewed by the subaltern, the caste-bound, the racially mixed, the gender-determined.

History Men is the story of the intersecting lives of three deeply committed historians: Sir Jadunath Sarkar (1870-1958), who was an expert on the Mughal period; G.S. Sardesai (1865-1959), whose works were on the Marathas; and Raghubir Sinh (1908-1991), who studied the Rajputs. How the three became close friends and joint workers; how they wrote about the great confrontations between the Mughals, Rajputs and Marathas; how their long association exposed continuing conflicts of interpretation and explanation; and how, together, they illuminated a historical moment make for a story worth telling.A narrative built from original research based on the correspondence and the published and unpublished writings of the three scholars, this is also a portrait of rich friendships, of the minutiae of the lives of these historians, and their fierce commitment to historical research as they addressed the significant questions of the age they lived in. Anyone who is interested in the making of historical narratives will find History Men a compelling read.

Vivid color photographs portray the natural beauty of Kashmir and depict the social life of the region's people