The Great War is over, and change is in the air, in this novel that brings to life the exciting days of early British radio…and one woman who finds her voice while working alongside the brilliant women and men of the BBC. London, 1926. American-raised Maisie Musgrave is thrilled to land a job as a secretary at the upstart British Broadcasting Corporation, whose use of radio—still new, strange, and electrifying—is captivating the nation. But the hectic pace, smart young staff, and intimidating bosses only add to Maisie’s insecurity. Soon, she is seduced by the work—gaining confidence as she arranges broadcasts by the most famous writers, scientists, and politicians in Britain. She is also caught up in a growing conflict between her two bosses, John Reith, the formidable Director-General of the BBC, and Hilda Matheson, the extraordinary director of the hugely popular Talks programming, who each have very different visions of what radio should be. Under Hilda’s tutelage, Maisie discovers her talent, passion, and ambition. But when she unearths a shocking conspiracy, she and Hilda join forces to make their voices heard both on and off the air…and then face the dangerous consequences of telling the truth for a living. READERS GUIDE INCLUDED

Set in the late l920's, and concerning an enterprising woman, Hazel Hunt, of Cedar Ridge, Arkansas who, upon her retirement as the town music teacher, receives a Western Electric 500 watt radio transmitter and begins broadcasting as radio station "WGAL". What comes out over the local airwaves is a small town diary, calendar, and stream of consciousness -- sort of a Molly Bloom crossed with the Farmers' Almanac -- with generous dollops of singing and playing by Hazel's "all-girl" orchestra, "the Hazelnuts", and that lovesick flapper Gladys Fritts. However, due to Hazel's habit of "channel wandering", her broadcasts are not always so local. And listeners as far away as Montreal and Manhattan can testify. Enter O.B. Abbott, Federal Radio Inspector, intent on rescuing the airwaves from gypsies like Hazel Hunt. However, Mr. Abbott soon falls prey to the blandishments of the Hazelnuts, and the Shangri-La that is Cedar Ridge. Inspector Abbott, it turns out, also has a fine tenor voice, plays a mean accordion, and in the course of things falls for the flapper.

The Great War is over, and change is in the air, in this novel that brings to life the exciting days of early British radio…and one woman who finds her voice while working alongside the brilliant women and men of the BBC. London, 1926. American-raised Maisie Musgrave is thrilled to land a job as a secretary at the upstart British Broadcasting Corporation, whose use of radio—still new, strange, and electrifying—is captivating the nation. But the hectic pace, smart young staff, and intimidating bosses only add to Maisie’s insecurity. Soon, she is seduced by the work—gaining confidence as she arranges broadcasts by the most famous writers, scientists, and politicians in Britain. She is also caught up in a growing conflict between her two bosses, John Reith, the formidable Director-General of the BBC, and Hilda Matheson, the extraordinary director of the hugely popular Talks programming, who each have very different visions of what radio should be. Under Hilda’s tutelage, Maisie discovers her talent, passion, and ambition. But when she unearths a shocking conspiracy, she and Hilda join forces to make their voices heard both on and off the air…and then face the dangerous consequences of telling the truth for a living. READERS GUIDE INCLUDED

Don’t worry about it,” Amy urged. “Belle’s talk isn’t as bad as the measles, or some other fell disease. Come on. If we catch the concert at four we’ll hear Madame Elva; and you know she is the very best on the Stratford Electric Company’s program.” The two Roselawn girls were walking up the boulevard from town on this July afternoon. The wide highway was speckled with broken bits of sunshine, patterned through the leaves of the tall elms. Now and then an automobile purred past the girls on one of the two oiled drives, or a horseman clattered by. Roselawn was distinctly the better suburban district of New Melford...FROM THE BOOK.

Jessie Norwood, gaily excited, came bounding into her sitting room waving a slit envelope over her sunny head, her face alight. She wore a pretty silk slip-on, a sports skirt, and silk hose and oxfords that her chum, Amy Drew, pronounced "the very swellest of the swell." Beside Amy in the sitting room was Nell Stanley, busy with sewing in her lap. The two visitors looked up in some surprise at Jessie's boisterous entrance, for usually she was the demurest of creatures. "What's happened to the family now, Jess?" asked Amy, tossing back her hair. "Who has written you a billet-doux?" "Nobody has written to me," confessed Jessie. "But just think, girls! Here is another five dollars by mail for the hospital fund." Jessie had been acting as her mother's secre[Pg 2]tary of late, and Mrs. Norwood was at the head of the committee that had in charge the raising of the foundation fund for the New Melford Women's and Children's Hospital. "That radio concert panned out wonderfully," Amy said. "If I'd done it all myself it could have been no better," and she grinned elfishly...

The Radio Girls is one of a series of four books that reminds readers of the thrill of the radio and its impact on life in the 1900s. A light, fun story about young girls on a wild ride, The Radio Girls at Forest Lodge delves into the Radio Girls' adventures driving cars, camping, and building radios.

Welcome to the captivating world of "The Radio Girls of Roselawn: or, A Strange Message from the Air" by Margaret Penrose, where mystery meets adventure and courage knows no bounds. Step into a thrilling narrative set against the backdrop of early 20th-century America, where the power of radio brings together a group of determined young women. Follow the journey of the spirited Radio Girls—Eleanor, Betty, and Marion—as they uncover a series of cryptic messages transmitted over the airwaves of Roselawn. Guided by their ingenuity and the latest in wireless technology, they embark on a quest to unravel the secrets hidden within these mysterious broadcasts. Penrose's masterful storytelling weaves together themes of friendship, discovery, and the pioneering spirit of the Jazz Age. Through the vivid portrayal of characters and gripping plot twists, readers are transported to a time when radio was revolutionizing communication and connecting people across continents. As the Radio Girls navigate through intrigue and danger, they discover unexpected allies and face formidable adversaries who will stop at nothing to keep their secrets hidden. The stakes are high as they race against time to decipher the enigmatic messages and protect their community from impending threats. From the bustling streets of New York City to the tranquil landscapes of Roselawn, Penrose paints a vivid picture of a bygone era filled with technological marvels and societal transformations. Her evocative prose and dynamic storytelling capture the essence of an era defined by innovation and resilience. Since its publication, "The Radio Girls of Roselawn" has captivated readers with its blend of suspense, historical intrigue, and the indomitable spirit of its young protagonists. Its enduring appeal lies in its ability to entertain, inspire, and transport readers to a time when courage and curiosity shaped the course of history. In conclusion, "The Radio Girls of Roselawn: or, A Strange Message from the Air" is more than a thrilling adventure—it's a celebration of female empowerment, technological innovation, and the enduring bonds of friendship. Whether you're a fan of historical fiction or simply seeking an exhilarating read, this book promises to delight and intrigue. Don't miss your chance to embark on an unforgettable journey with the Radio Girls. Join Eleanor, Betty, and Marion as they decode mysteries and defy conventions in a world where the sky's the limit. Grab your copy now and experience the magic of Margaret Penrose's captivating storytelling.

In the first decade of the twenty-first century, Broadway was notable for old-fashioned, feel-good shows (Hairspray, Jersey Boys), a number of family-friendly musicals (Little Women, Mary Poppins), plenty of revivals (Follies, Oklahoma!, Wonderful Town), a couple of off-the-wall hits (Avenue Q, Urinetown), several gargantuan flops (Dance of the Vampires, Lestat), and a few serious productions that garnered critical acclaim (The Light in the Piazza, Next to Normal). Unlike earlier decades which were dominated by specific composers, by a new form of musical theatre, or by numerous British imports, the decade is perhaps most notable for the rise of shows which poked fun at the musical comedy form, such as The Producers and Spamalot. In The Complete Book of 2000s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway from 2000 through the end of 2009. This book discusses the era’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Patti LuPone, Chita Rivera, and Martin Short. Each entry contains the following information: Plot summary Cast members Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Production data, including information about tryouts Source material Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of black-themed shows and Jewish-themed productions. This comprehensive book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 2000s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.

(Theatre World). Theatre World, the statistical and pictorial record of the Broadway and off-Broadway season, touring companies, and professional regional companies throughout the United States, has become a classic in its field. The book is complete with cast listings, replacement producers, directors, authors, composers, opening and closing dates, song titles, and much, much more. There are special sections with biographical data, obituary information, listings of annual Shakespeare festivals and major drama awards.