Quill and Cross in the Borderlands examines nearly four hundred years of history, folklore, literature, and art surrounding the legendary Lady in Blue and her historical counterpart, Sor María de Jesús de Ágreda. This legendary figure, identified as seventeenth-century Spanish nun and writer Sor María de Jesús de Ágreda, miraculously appeared to tribes in colonial-era New Mexico and taught them the rudiments of the Catholic faith. Sor María, an author of mystical Marian texts, became renowned not only for her alleged spiritual travel from her cloister in Spain to New Mexico but also for her writing, studied and implemented by Franciscans and others around the world. Working from original historical accounts, archival research, and a wealth of literature on the legend and the historical figure alike, Anna M. Nogar meticulously examines how and why the person and the legend became intertwined in Catholic consciousness and social praxis. Nogar addresses the influence of Sor María’s spiritual texts on many spheres of New Spanish and Spanish society over several centuries. Eventually, the historical Sor María and her writings virtually disappeared from view, and the Lady in Blue became a prominent folk figure in the present-day U.S. Southwest and U.S.-Mexico borderlands, appearing in folk stories, artwork, literature, theater, and public ritual that survives today. Quill and Cross in the Borderlands documents the material legacy of a legend that has survived and thrived for hundreds of years, and at the same time rediscovers the extraordinary impact of a hidden writer.

In the late nineteenth century, Spanish intellectuals and entrepreneurs became captivated with Hispanism, a movement of transatlantic rapprochement between Spain and Latin America. Not only was this movement envisioned as a form of cultural empire to symbolically compensate for Spain’s colonial decline but it was also imagined as an opportunity to materially regain the Latin American markets. Paradoxically, a central trope of Hispanist discourse was the antimaterialistic character of Hispanic culture, allegedly the legacy of the moral superiority of Spanish colonialism in comparison with the commercial drive of modern colonial projects. This study examines how Spanish authors, economists, and entrepreneurs of various ideological backgrounds strove to reconcile the construction of Hispanic cultural identity with discourses of political economy and commercial interests surrounding the movement. Drawing from an interdisciplinary archive of literary essays, economic treatises, and political discourses, The Spirit of Hispanism revisits Peninsular Hispanism to underscore how the interlacing of cultural and commercial interests fundamentally shaped the Hispanist movement. The Spirit of Hispanism will appeal to scholars in Hispanic literary and cultural studies as well as historians and anthropologists who specialize in the history of Spain and Latin America.

From the day he was born, Federico Jiménez Caballero was predicted to be a successful man. So, how exactly did a young boy from Tututepec, Oaxaca, become a famous Indigenous jewelry artist and philanthropist in Los Angeles? Federico tells the remarkable story of willpower, curiosity, hard work, and passion coming together to change one man’s life forever. As a child growing up in a small rural town in southern Mexico, Federico Jiménez Caballero faced challenges that most of us cannot imagine, let alone overcome. From a young age, Federico worked tirelessly to contribute to his large family, yet his restless spirit often got him into trouble. Finding himself in the middle of a village-wide catastrophe, he was exiled to a boarding school in Oaxaca City where he was forced to become independent, resilient, and razor-sharp in order to stay afloat. Through his incredible people skills, bravery, and a few nudges from his bold mother, Federico found himself excelling in his studies and climbing the ranks in Oaxaca City. He always held a deep love and respect for his Mixtec Indigenous roots and began to collect Indigenous jewelry and textiles. Through a series of well-timed connections, Federico met his wife Ellen, and, shortly afterward, he came to the United States as a researcher at the University of California, Los Angeles, in the late 1960s. Carrying his passion for Indigenous jewelry with him from Oaxaca, Federico owned a series of shops in Los Angeles and sold jewelry at flea markets to well-known Hollywood stars. Over the years, he cultivated relationships and became a philanthropist as well as the owner of a museum in Oaxaca City. This book is the inspiring first-person account of eighty years in the life of a man who moved from humble beginnings to the bright lights of Hollywood, following his passion and creating long-lasting relationships as he climbed the ladder of success.

In 2009, Ignacio Walker—scholar, politician, and one of Latin America’s leading public intellectuals—published La Democracia en América Latina. Now available in English, with a new prologue, and significantly revised and updated for an English-speaking audience, Democracy in Latin America: Between Hope and Despair contributes to the necessary and urgent task of exploring both the possibilities and difficulties of establishing a stable democracy in Latin America. Walker argues that, throughout the past century, Latin American history has been marked by the search for responses or alternatives to the crisis of oligarchic rule and the struggle to replace the oligarchic order with a democratic one. After reviewing some of the principal theories of democracy based on an analysis of the interactions of political, economic, and social factors, Walker maintains that it is primarily the actors, institutions, and public policies—not structural determinants—that create progress or regression in Latin American democracy.

In this compelling study of two seventeenth-century female mystics, Bo Karen Lee examines the writings of Anna Maria van Schurman and Madame Jeanne Guyon, who, despite different religious formations, came to similar conclusions about the experience of God in contemplative prayer. Van Schurman was born into a Dutch Calvinist family and became a superb scriptural commentator before undergoing a dramatic religious conversion and joining the Labadist community, a Pietistic movement. Guyon was a French layperson whose thought would be identified with Quietism—a spiritual path that was looked upon with suspicion both by the French Catholic Church and by Rome. Lee analyzes and compares the themes of self-denial and self-annihilation in the writings of these two mystics. In van Schurman's case, the focus is on the distinction between scholastic knowledge of God and the intima notitia Dei accessible only by radical self-denial. In Guyon's case, it is on the union with God that is accessible only through a painful self-annihilation. For both authors, Lee demonstrates that the desire for enjoyment of God plays an important role as the engine of the soul's progress away from self-centeredness. The appendices offer facing Latin and English translations of two letters by van Schurman and a selection from her Eukleria.

This text focuses on the emergence of the human race and the individual from an undifferentiated oneness and the return of the individual to the human community and to reflective and differentiated oneness with God. Dunne expresses this oneness through music and language.

What is man, apart from the things of his life, apart from loving and fighting and dying? In his exploration of that fundamental question, John S. Dunne considers the different ways in which man strives throughout his life for immortality. Growing out of the 1971 Yale University Thomas More lectures which Father Dunne delivered in that year, Time and Myth analyzes the man’s confrontation with the inevitability of death in the cultural, personal, and religious spheres, viewing each as a particular kind of myth that takes its form from the impact of time upon the myth. With penetrating simplicity the author poses the timeless dilemma of the human condition and seeks to resolve it through stories of adventures, journeys, and voyages inspired by man’s encounter with death; stories of childhood, youth, manhood, and age; and, finally, stories of God and of man wrestling with God and the unknown. The result is a fascinating “odyssey of the mind in which one travels through the wonderland of other cultures, lives, and religions only to return with new insight to the homeland of one’s own.”

In RITA® Award–winning author Gwyn Cready’s fun and sexy new time-travel adventure, an ambitious writer discovers that bad-boy painters are as timeless—and irresistible—as their art. . . . Art historian Campbell Stratford is about to make a name for herself with her scandalously sexy tell-all “fictographies” of famous seventeenth-century artists, but she’s more iintimately familiar with her subjects than her eager readers can imagine. Thanks to a time portal she accidentally discovered, she has caused quite a stir in the Great Beyond. To save their reputations, the Guild protecting dead artists convinces playboy Peter Lely, portraitist to the king, to sabotage Cam’s latest project. A few hours posing on Sir Peter’s modeling chaise leads to a night of seductive passion—then Cam returns home and discovers his betrayal. But before she can turn her angry pen on her lover, Sir Peter makes a surprise visit to the future and transforms Cam’s twenty-first-century life into chaos of classic proportions. . . .

This title provides a comprehensive analytical overview of public dialogue among 19th century American Protestant intellectuals who struggled with the theory of organic evolution. Arguments over the scientific merits of Darwin's theory gave way to discussions of its theological implications.