The relationship between nation and queer sexuality has long been a fraught one, for the sustaining myths of the former are often at odds with the needs of the latter. This collection of essays introduces readers to important historical and cultural figures and moments in queer life, and it addresses some of the urgent questions of queer belonging that face Wales today.

A Little Gay History of Wales is the first book-length historical examination of LGBT activism in Wales laying out the campaign for equality in the twentieth century, the campaigns against Section 28, student and community activism, and recent developments such as Stonewall Cymru. It is an example of pioneering archival research, drawing on never-before studied records which charts the lives of ordinary LGBT men and women across Wales. It also features wide-ranging historical analysis stretching from the medieval period through to the modern-day, providing guides to changing language, places where LGBT people met and socialised, and their day-to-day experiences of coming out, threats of persecution, and acceptance.

This volume investigates the roles played by the concept of the uncanny, as defined by Sigmund Freud and other theorists, in the representation of lesbian and male gay sexualities and transgender in a selection of contemporary British, American and Caribbean fiction published 1980-2007.

A man's own story from the Rhondda. Jeffrey Weeks was born in the Rhondda in 1945, of mining stock. As he grew up he increasingly felt an outsider in the intensely community-minded valleys, a feeling intensified as he became aware of his gayness. Escape came through education. He left for London, to university, and to realise his sexuality. From the early 1970s he was actively involved in the new gay liberation movement and became its pioneering historian. This was the beginning of a long career as a researcher and writer on sexuality, with widespread national and international recognition. He has been described as the 'most significant British intellectual working on sexuality to emerge from the radical sexual movements of the 1970s'. His seminal book, Coming Out, a history of LGBT movements and identities since the 19th century, has been in print for forty years. He was awarded the OBE in the Queen's Jubilee Honours in 2012 for his contribution to the social science.

'A marvellous book... an uplifting tale of tranquillity sought and found in the nearest Britain gets to paradise.' Simon Jenkins 'There are worlds on worlds within this lyrical and profoundly cultured book. In an age of toxic artifice, this is the most necessary medicine- the tenderness of reality and the living, elemental, world.' Jay Griffiths 'Such a delightful book about beauty, joy, love and home... to be celebrated and read.' Sara Maitland 'A great queer rural triumph of a book - wonderfully passionate, funny and insightful. It overflows with love.' Tom Bullough A multi-layered memoir of love, acceptance, finding home and the redemptive power of nature. In early 2006, Mike Parker and his partner Peredur were witnesses at the first civil partnership ceremony in the small Welsh town of Machynlleth. The celebrants were their friends Reg and George, who had moved to deepest rural Wales in 1972, not long after the decriminalisation of homosexuality. When Reg and George died within a few weeks of each other in 2011, Mike and Peredur discovered that they had been left their home- a whitewashed 'house from the children's stories', buried deep within the hills. They had also been left a lifetime's collection of diaries, photographs, letters and books, all revealing an extraordinary history. On the Red Hill is the story of Rhiw Goch, 'the Red Hill', and its inhabitants, but also the story of a remarkable rural community and a legacy that extends far beyond bricks and mortar. On The Red Hill celebrates the turn of the year's wheel, of ever-changing landscapes, and of the family to be found in the unlikeliest of places. Taking the four seasons, the four elements and these four lives as his structure, Mike Parker creates a lyrical but clear-eyed exploration of the natural world, the challenges of accepting one's place in it, and what it can mean to find home.

Queer Others in Victorian Gothic: Transgressing Monstrosity explores the intersections of Gothic, cultural, gender, queer, socio-economic and postcolonial theories in nineteenth-century British representations of sexuality, gender, class and race. From mid-century authors like Wilkie Collins and Elizabeth Gaskell to fin-de-siecle writers such as J. Sheridan Le Fanu, Florence Marryat and Vernon Lee, this study examines the ways that these Victorian writers utilized gothic horror as a proverbial 'safe space' in which to grapple with taboo social and cultural issues. This work simultaneously explores our current assumptions about a Victorian culture that was monolithic in its disdain for those who were 'other'.

The first introductory textbook on the subject of queer theology. Contextual theologies have developed from a number of perspectives – including feminist theology, black theology, womanist theology, Latin American liberation theology, and Asian American theology – and a wide variety of academic and general introductions exist to examine each one. However, Radical Love is the first introductory textbook on the subject of queer theology. In this lucid and compelling introduction, Cheng provides a historical survey of how queer theology has developed from the 1950s to today and then explicates the themes of queer theology using the ecumenical creeds as a general framework. Topics include revelation, God, Trinity, creation, Jesus Christ, atonement, sin, grace, Holy Spirit, church, sacraments, and last things, as seen through the lenses of LGBT theologians.

This anthology comprises essays that study the form, aesthetics and representations of LGBTQ+ identities in an emerging sub-genre of film and television termed ‘New Queer Horror’. This sub-genre designates horror crafted by directors/producers who identify as gay, bi, queer or transgendered, or works like Jeepers Creepers (2001), Let the Right One In (2008), Hannibal (2013–15), or American Horror Story: Coven (2013–14), which feature homoerotic or explicitly homosexual narratives with ‘out’ LGBTQ+ characters. Unlike other studies, this anthology argues that New Queer Horror projects contemporary anxieties within LGBTQ+ subcultures onto its characters and into its narratives, building upon the previously figurative role of Queer monstrosity in the moving image. New Queer Horror thus highlights the limits of a metaphorical understanding of queerness in the horror film, in an age where its presence has become unambiguous. Ultimately, this anthology aims to show that in recent years New Queer Horror has turned the focus of fear on itself, on its own communities and subcultures.

Forbidden Lives explores and uncovers the hidden LGBT history of Wales through portraits of significant LGBT figures and the charting of key social and cultural moments in that history. Norena Shopland, a longstanding researcher and activist, has written an accessible and important first guide to the field which will be widely welcomed.