The beautiful Princess Gabrielle is appalled to find out she’s been married off without her consent. Her partner is the ruthless and rich businessman Luc Garnier, who stops at nothing to trap his quarry. But on the day of their marriage, upon seeing her husband, she feels an unknown sensation flow through her for the first time. She knows that the marriage has a large sum of money attached to it, and that love isn’t part of the bargain, but she still suspects there might be something more! And despite viewing Gabrielle only as prey, unexpected feelings are budding within Luc, too.

Ashley Carter’s dreams of true love are crushed by the discovery that her marriage to Devon Carter is another of Daddy’s business deals. Her strategy: act the part of perfect wife and make Devon love her! After all, she will be the mother of his child...

Reproduction of the original: The Boys' Book of Famous Rulers by Lydia Hoyt Farmer

DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div