This collection offers six critical essays on the topic of psychology in Edgar Allan Poe. It came together as a response to a visible absence of this subject in recent scholarship. The volume presents Edgar Allan Poe as one of the pioneers in psychology, who often anticipated major theoretical trends and ideas in psychology in his incessant explorations of the relationship between behavior and the psyche. Scrutinizing serial killer narratives, obsessive narratives through Jungian unconscious, Lacanian Das Ding, doppelgängers, intersubjectivity, and the interrelationship between the material world and imaginative faculties, the essays reveal the richness and the complexity of Poe's work and its pertinence to contemporary culture. With contributions by Gerardo Del Guercio, Phillip Grayson, Sean J. Kelly, Rachel McCoppin, Tatiana Prorokova, and Karen J. Renner.

This book, while ostensibly attempting to read Poe's writings by way of archetypal models, takes the confident critical stance of resisting being limited by a singular--Jungian--approach, even though this would have been a convenient, even expected, route to take. The psychological or Freudian approach, which provides one major framework of interpreting symbols, has already been applied to Poe, with its own contribution and limitation, but in this book Poe is studied from an archetypal perspective. This approach is also used to deal with symbols in a framework, but the structure is more extensive because it attempts to address symbols not as symptoms in pathological cases but as normal phenomena in life.

A groundbreaking study of one of America's greatest writers, this work explores the complex psychology of Edgar Allan Poe. Drawing on contemporary research in psychiatry and psychology, Robertson offers a fresh perspective on Poe's troubled life and mysterious death. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Locating Poe firmly within his Zeitgeist vis-à-vis the science and pseudoscience of the early nineteenth century, Edgar Allan Poe as Amateur Psychologist: A Companion Anthology simultaneously looks back from the 1830s and 40s (when his literary career was at its height) to eighteenth-century theories and sources of information on mental illness, as well as forward to our own time to demonstrate how Poe's dramatizations of psychological diseases occasionally anticipate modern nosological classifications and twenty-first-century forensic research. This interdisciplinary collection is a companion to its predecessor, Zimmerman's Edgar Allan Poe: Amateur Psychologist (2019); it gathers the most important essays by authors-Hungerford, Stauffer, Stern, Bynum, Cleman, Hester and Segir, Phillips, Shackelford, Scheckel, Lloyd-Smith, Whipple, Butler, Uba, Walker, Zimmerman-who employ historicist and history-of-ideas methodologies. Topics include Poe's use of and eventual disillusionment with phrenology; his attitude toward the controversial "moral treatment" of the insane as well as the "insanity defense" and its connection with the new theory of "moral insanity"; the possible sources of his knowledge of theories of mind, psychopathology and related therapies; his evolution as an amateur psychologist; the connection between physiological sickness and mental distress (the psychosomatic); and the ways in which the psychological profiles of his homicidal characters look forward to modern serial killers. This companion anthology represents a significant addition to Poe scholarship and will be of interest not only to Poe specialists but also to students, teachers, and any intelligent reader interested in the history of ideas and the intersection between literature and "mental philosophy.""--

Presents essays that examine psychological disorders featured in the works of Edgar Allan Poe discussing such topics as obsession, sadism, and motiveless murder.

"Locating Poe firmly within his Zeitgeist vis-à-vis the science and pseudoscience of the early nineteenth century, Edgar Allan Poe as Amateur Psychologist: A Companion Anthology simultaneously looks back from the 1830s and 40s (when his literary career was at its height) to eighteenth-century theories and sources of information on mental illness, as well as forward to our own time to demonstrate how Poe's dramatizations of psychological diseases occasionally anticipate modern nosological classifications and twenty-first-century forensic research. This interdisciplinary collection is a companion to its predecessor, Zimmerman's Edgar Allan Poe: Amateur Psychologist (2019); it gathers the most important essays by authors-Hungerford, Stauffer, Stern, Bynum, Cleman, Hester and Segir, Phillips, Shackelford, Scheckel, Lloyd-Smith, Whipple, Butler, Uba, Walker, Zimmerman-who employ historicist and history-of-ideas methodologies. Topics include Poe's use of and eventual disillusionment with phrenology; his attitude toward the controversial "moral treatment" of the insane as well as the "insanity defense" and its connection with the new theory of "moral insanity"; the possible sources of his knowledge of theories of mind, psychopathology and related therapies; his evolution as an amateur psychologist; the connection between physiological sickness and mental distress (the psychosomatic); and the ways in which the psychological profiles of his homicidal characters look forward to modern serial killers. This companion anthology represents a significant addition to Poe scholarship and will be of interest not only to Poe specialists but also to students, teachers, and any intelligent reader interested in the history of ideas and the intersection between literature and "mental philosophy.""--

You may read John Milton’s Paradise Lost and William Shakespeare’s Henry VI but Edgar Allan Poe is determined that you will feel and seek what’s your strength and weakness whenever you are by yourself in the corner. This research book goes beyond the lines through his poem “Alone” as you will be stunned by its magic of good and evil battling inside your mind and heart.