The media and his political foes frequently attack Donald Trump with claims that he is mentally unfit for the presidency. Increasingly, his critics label him "unstable," "crazy," or "insane." But these armchair diagnoses have more to do with a dislike of his policies than any real clinical analysis. In Psychologically Sound, Sheldon Roth, M.D. draws on decades of psychiatric and academic experience to reveal President Trump in a holistic manner—an understandable, stable, even likeable person. What emerges is a complex portrait of a man who has been effective and successful in business and politics, but who also has regrets about failings in his personal life. Drawing on little-known aspects of Trump’s background, such as his love for the film Citizen Kane as well as or his decades-long friendship with positive-thinking advocate the Reverend Norman Vincent Peale, Dr. Roth paints a portrait of a man who is remarkably complicated, often brilliant, comfortingly human, and most importantly, of completely sound mind.

For centuries scholars have been developing ways of studying the bible, through exegesis, historical critique, literary critique, form criticism, and narrative analysis. During the last half century new theoretical approaches have come to the fore. Psychological Hermeneutics takes as its starting point the text itself, and its context - the dynamics of the human document created, the person(s) who authored the text, the original audience for which it was intended, the subsequent audiences to which it spoke, and the factors that were at play behind, in, and in front of the text. The contributions to this volume examine the growth of Psychological Hermeneutics as a discipline within biblical studies. The book is structured in two parts. The first assesses the approach taken by Wayne G. Rollins, one of the pioneers of this field. The second provides applications of Rollins' approach. The result is a book which presents a state-of-the-art survey of the discipline and development of Psychological Hermeneutics over the last thirty years.

Taking into account both the urban soundscape and the impacts of sound on the urban dweller, this book examines sound not as a by-product of urban life, but as a fundamental part of the urban experience that is crucial to understanding the city’s sense of place. Illustrated by case studies from Europe and North America, these range from on-site measurements to the construction of audio tours for local tourism, from media analysis of popular culture audio drama to sound-identity and city branding, and from the classification of noise in city planning to a consideration of the complex relationship between sacred sound and the creation of a sense of place.