Psychoanalytic Perspectives on the Films of Ingmar Bergman presents a contemporary Freudian-Lacanian assessment of this classic director. This collection is the first to bring together this unique psychological perspective on Bergman’s work. While Bergman and his films have been written about throughout the decades, until now there has not been a collection anthologizing Freudian-Lacanian perspectives on his work. Vanessa Sinclair brings together an international community of scholars and practicing psychoanalysts – some of whom are also filmmakers – to reflect on Bergman’s films, life, and work in philosophical, historical, and cultural contexts. They assess individual films in depth, compare multiple films, and focus on Bergman’s life and work in a cultural context. This book includes chapters on seminal films including Persona and The Silence. Psychoanalytic Perspectives on the Films of Ingmar Bergman will be essential reading for academics and students of film studies, psychoanalytic theory, and Lacan, and of great interest to psychoanalysts and psychotherapists.

"Psychoanalytic Perspectives on the Films of Ingmar Bergman presents a contemporary Freudian-Lacanian assessment of this classic director. This collection is the first to bring together this unique psychological perspective on Bergman's work. While Bergman and his films have been written about throughout the decades, until now there has not been a collection anthologizing Freudian-Lacanian perspectives on his work. Vanessa Sinclair brings together an international community of scholars - some of whom are filmmakers and practicing psychoanalysts - to reflect on Bergman's films, life, and work in philosophical, historical, and cultural contexts. They assess individual films in depth, compare multiple films, and focus on Bergman's life and work in a cultural context, and the book includes chapters on seminal films including Persona and The Silence. Psychoanalytic Perspectives on the Films of Ingmar Bergman will be essential reading for academics and students of film studies, psychoanalytic theory and Lacan, and of great interest to psychoanalysts and psychotherapists"--

This book explores connections between the diverse ideas of Melanie Klein, Jean-Paul Sartre and Ingmar Bergman. These ideas are explored in relation to their shared focus on imagination and through detailed readings of a number of Bergman's key films.

The Queerness of Psychoanalysis: From Freud and Lacan to Laplanche and Beyond is an exploration of psychoanalysis’ often complicated and fraught history with thinking about queerness, as well as its multifaceted heritage. Throughout the chapters, the contributors write about psychoanalysis’ relationship with queerness, the ways in which queerness is represented in the psychoanalytic archive, and how that archive endures in the present and creates various disruptive effects both within and beyond the clinic. Each chapter from the global cohort of contributors approaches queerness from a different angle: they consider the literary aspects of queerness’ presence in the analytic world; the clinical complexities of working with queer and trans people; metapsychological inclusion and exclusion of queerness, and many other subjects. Taken together these contributions constitute a decisive intervention into the psychoanalytic canon. They are an unabashed demand for accepting and furthering the representation and inclusion of queer, and in particular trans, people within psychoanalysis. It is a call for action to utilize and deepen psychoanalysis’ enormous explicatory powers and bring together voices that have so far been denied a unity of expression, while critically reevaluating psychoanalysis’ historical relationship to queerness. Each chapter proposes different ways of thinking and writing psychoanalytically, with many of the papers queering the format and forms of expression commonly found in academic writing, through their use of dialogues, conversations, or other experimental forms of writing. Written almost exclusively by analysts, scholars, and activists who identify as trans and/or queer, this important volume puts theory into practice by centering queer and trans voices.

How Does Analysis Work? uses short, compelling vignettes from people in Lacanian analysis to explore how analytic interpretation works. Insights, revelations, connections, meanings and non-meanings all feature in these anonymous accounts of crucial moments in analysis, providing a sense of what it is all about. Drawn from a wide range of analysands, some seasoned analysts and others just starting out, these vignettes show how change takes place. The short pieces are drawn from Lacanian analysis, but many go against cliched views of what Lacanians do in their work, spanning both the classical and the radically innovative and showing the use of humour and theatre in psychoanalytic practice. How Does Analysis Work? will be of great interest to psychoanalysts and Lacanian analysts in practice and in training, as well as anyone who is curious about the analytic process.

In Speculating on the Edge of Psychoanalysis, Pablo Lerner questions, and takes a step beyond, the prevailing paradigm of Lacanian psychoanalysis and its emphasis on the sovereignty of language and jouissance. Arguing for the existence of a primordial real void outside and independent of language, Lerner re-thinks the structure and functioning of Lacan’s three orders and their complex interrelations. Silence, darkness, and emptiness are the names of the voids within the symbolic, the imaginary, and the real, and, in the gaps between these orders, the voids converge. Thus, Lerner re-conceptualizes the fundamental structure of the field of subjectivity, offering radical and original perspectives on a diverse range of psychoanalytical, philosophical, and theological topics. Chapters span themes such as creation and poetry, death and solitude, intuition and mysticism, truth and being, pantheism and polytheism, the poetic art of interpretation, and introduces a new mathematical conceptualization of psychoanalytic metapsychology and the clinical structures. This volume offers new psychoanalytic perspectives of great interest for practitioners and scholars in the fields of psychoanalysis, philosophy, theology, and literary studies.

Born to a mother who did not want him and a father who humiliated him during his upbringing, Ingmar Bergman somehow endured his dysfunctional family to become one of the great artists of the twentieth century. However, the scars left from his early agony affected him both physically and emotionally. He suffered with a disabling psychosomatic gastrointestinal illness and serious problems in his interpersonal relationships. In The Persona of Ingmar Bergman: Conquering Demons through Film, Barbara Young looks at how the director’s personal life shaped his creative output. A practicing psychiatrist and psychoanalyst, Young probes Bergman’s relationships with his parents, his wives, his children, and his colleagues to explore the meanings of his many films. As Bergman gradually began to work through his psychological problems, he accomplished something that few people have ever done—he analyzed himself. The films examined in this study include the majority of his features, including The Seventh Seal, Wild Strawberries, The Virgin Spring, Through a Glass Darkly, The Hour of the Wolf, The Passion of Anna, Cries and Whispers, Face to Face, Autumn Sonata, Fanny and Alexander, and Persona. Young also draws upon recorded interviews and Bergman's autobiographical novels to provide further insight into the director's creative process. While many books have been written about Bergman and analysts have studied particular films, this volume represents a unique attempt approach to understanding an artist through his art. The Persona of Ingmar Bergman will appeal to film and art students, as well as those in the psychotherapy profession, and of course, the director’s fans throughout the world.

Addresses the very notion of what creative practice research is, its challenges within the academy and the ways in which it contributes to scholarship and knowledge.

The contributors to Explorations in Self Psychology, volume 19 of the Progress in Self Psychology series, wrestle with two interrelated questions at the nexus of contemporary discussions of technique: How "authentic" and relationally invested should the self psychologically informed analyst be, and what role should self-disclosure play in the treatment process? The responses to these questions embrace the full range of clinical possibilities. Dudley and Walker argue that empathically based interpretation precludes self-disclosure whereas Miller argues in favor of authentic self-expression and against the self psychologist's frustrating attempt to "decenter" from frustration or anger. Consideration of the utility of a consistently empathic stance continues with Weisel-Barth's clinical presentation and the discussions that it elicits about management of her patient's primary destructiveness. Lenoff's critical rereading of Kohut's "Examination of the Relationship Between Mode of Observation and Theory" and Rieveschl & Cowan's "Selfhood and the Dance of Empathy" deepen still further a contemporary perspective on the nature (and advisability) of a consistently empathic stance in the face of interactive and enactive treatment challenges. Other timely self-psychological explorations examine the twinship selfobject experience and homosexuality; self-psychological work with adolescents; and Neville Symington's theory of narcissism. Contributions to applied analysis explore topics as diverse as an exchange of dreams between John Adams and Benjamin Rush; Mann's Death in Venice; the films of Ingmar Bergman; psychotherapy of the elderly; and disabilities in the sensory-motor integration in children. And Volume 19 concludes with Constance Goldberg's candid and enlightening reminiscence of Heinz Kohut, "a very complex man with whom to be in a relationship."

Only book that focuses on psychoanalysis and European Cinema As well as more academic essays the book contains transcriptions of informal discussions between experts and live audiences