Aldous Huxley (1894–1963) was the author of nearly fifty books and numerous essays, best known for his dystopian novel Brave New World. Humphry Osmond (1917–2004) was a British-trained psychiatrist interested in the biological nature of mental illness and the potential for psychedelic drugs to treat psychoses, especially schizophrenia. In 1953, Huxley sent an appreciative note to Osmond about an article he and a colleague had published on their experiments with mescaline, which inspired an initial meeting and decade-long correspondence. This critical edition provides the complete Huxley-Osmond correspondence, chronicling an exchange between two brilliant thinkers who explored such subjects as psychedelics, the visionary experience, the nature of mind, human potentialities, schizophrenia, death and dying, Indigenous rituals and consciousness, socialism, capitalism, totalitarianism, power and authority, and human evolution. There are references to mutual friends, colleagues, and eminent figures of the day, as well as details about both men's personal lives. The letters bear witness to the development of mind-altering drugs aimed at discovering the mechanisms of mental illness and eventually its treatment. A detailed introduction situates the letters in their historical, social, and literary context, explores how Huxley and Osmond first coined the term "psychedelic," contextualizes their work in mid-century psychiatry, and reflects on their legacy as contributors to the science of mind-altering substances. Psychedelic Prophets is an extraordinary record of a full correspondence between two leading minds and a testament to friendship, intellectualism, empathy, and tolerance. The fact that these sentiments emerge so clearly from the letters, at a historical moment best known for polarizing ideological conflict, threats of nuclear war, and the rise of post-modernism, reveals much about the personalities of the authors and the persistence of these themes today.

Aldous Huxley (1894–1963) was the author of nearly fifty books and numerous essays, best known for his dystopian novel Brave New World. Humphry Osmond (1917–2004) was a British-trained psychiatrist interested in the biological nature of mental illness and the potential for psychedelic drugs to treat psychoses, especially schizophrenia. In 1953, Huxley sent an appreciative note to Osmond about an article he and a colleague had published on their experiments with mescaline, which inspired an initial meeting and decade-long correspondence. This critical edition provides the complete Huxley-Osmond correspondence, chronicling an exchange between two brilliant thinkers who explored such subjects as psychedelics, the visionary experience, the nature of mind, human potentialities, schizophrenia, death and dying, Indigenous rituals and consciousness, socialism, capitalism, totalitarianism, power and authority, and human evolution. There are references to mutual friends, colleagues, and eminent figures of the day, as well as details about both men's personal lives. The letters bear witness to the development of mind-altering drugs aimed at discovering the mechanisms of mental illness and eventually its treatment. A detailed introduction situates the letters in their historical, social, and literary context, explores how Huxley and Osmond first coined the term "psychedelic," contextualizes their work in mid-century psychiatry, and reflects on their legacy as contributors to the science of mind-altering substances. Psychedelic Prophets is an extraordinary record of a full correspondence between two leading minds and a testament to friendship, intellectualism, empathy, and tolerance. The fact that these sentiments emerge so clearly from the letters, at a historical moment best known for polarizing ideological conflict, threats of nuclear war, and the rise of post-modernism, reveals much about the personalities of the authors and the persistence of these themes today.

A gorgeously illustrated journey through psychedelics and their global history that explores how psychedelic visions have inspired and given meaning to humans throughout time. Interest in psychedelics has grown considerably in recent years—one might even say psychedelics are experiencing a renaissance. But these mind-altering plants have always been with us. They have a rich and controversial history, in fact: plumbed from the depths of ancient Greek culture, infused with Christian symbols of sacrament, enriched by Buddhist philosophies, protected through Indigenous ceremonies, and, by the latter part of the twentieth century, catapulted into cultural consciousness through science, music, posters, blotter art, and fashion. In Psychedelics: A Visual Odyssey, Erika Dyck takes readers on an epic visual trip through some of the diverse ways that our fascination with psychedelics have been imagined throughout history. Blending academic rigor with rich imagery from around the globe, Psychedelics goes beyond the expected terrain of describing hallucinations. It reveals not only how psychedelic plants have been illustrated and understood, but also how these plants and chemical synthetics have inspired visual representations of health, fear, peace, colonial resistance, creativity, and more. A stunningly beautiful and comprehensive deep dive into the world of psychedelics, Psychedelics: A Visual Odyssey will inspire everyone from the curious general reader to the seasoned psychonaut.

A comprehensive tour of North American spiritual groups that use psychoactive drugs in the search for higher consciousness • Explores prominent psychedelic churches and sects in depth, including the Native American Church and their peyote rituals, the cannabis-sex temple known as the Psychedelic Venus Church, and the Church of Naturalism, an LSD-therapy cult that came to a murderous end • Presents an encyclopedic survey of dozens of minor organizations—many of which have never before been documented in an authoritative source • Shares personal interviews and anecdotes about the strange, outrageous adventures of religious psychonauts, alongside rare photos and illustrations From LSD-powered guru Timothy Leary to cannabis sex cults to psychedelic outlaw churches, Mike Marinacci presents a comprehensive tour of North American religious sects and spiritual groups who use entheogens and psychoactive drugs in the search for higher consciousness, mystical insight, and spiritual enlightenment. Exploring prominent churches and cults in depth, he examines the lives of their colorful leaders, the origins of their unorthodox beliefs, the controversial practices of their congregants, and their many conflicts with both law enforcement and public opinion. He looks at the Native American Church and their legal battle over their peyote rituals, the cannabis sex temple known as the Psychedelic Venus Church, the murderous end of the LSD-therapy cult known as the Church of Naturalism, and several other major groups and temples of psychedelic spirituality. He then offers an encyclopedic survey of dozens of minor organizations, many of which have never before been documented in an authoritative source. Sharing personal interviews and anecdotes about the strange outrageous adventures of religious psychonauts alongside rare photos and illustrations, this extensively researched study of underground psychedelic religious sects in the United States reveals their spiritual and cultural influence from the 1960s to the present day.

Psychedelics are part of a resurgence of interest in consciousness studies, especially as altered states of consciousness are being re-examined in the context of psychedelic-assisted therapies. To date, discussions about psychedelics in modern medicine have been dominated by studies in biomedicine. However, given that cultural factors play a significant role in the subjective effects of psychedelics, psychedelics can be considered a uniquely powerful point of convergence between the cultural and biomedical. Writers and artists, alongside psychiatrists and pharmacologists, have participated in shaping ‘the psychedelic experience’ by drawing on a rich set of approaches that blend narrative, arts, and humanities concepts to explain and interpret psychedelic experiences and explore consciousness for creative purposes. Psychedelic studies, past and present, emphasize the importance of ‘set and setting’ or the context of psychedelic consumption and its paramount importance in shaping psychedelic experiences. These non-pharmacological factors rely on a different set of methods and interpretations that necessarily rely on studies conducted outside of the biomedical sciences.

What do psychedelics reveal about consciousness? What impact have psychedelics had on philosophy? In this rapidly growing area of study, this is the first volume to explore the philosophy of psychedelic experience, from a range of interdisciplinary and cross-cultural perspectives. In doing so, Philosophy and Psychedelics reveals just why the place of psychedelics in our societies should not be left to medical sciences alone, as psychedelic experience opens up new perspectives on fundamental philosophical questions relating to human experience, ethics, and the metaphysics of mind. Mapping a range of philosophical responses to the surge in studies into psychedelic drugs in the cognitive sciences, this go-to volume examines topics including psychedelics and the role of governance; psychedelics and mysticism; what psychedelics can tell us about dyadic thankfulness; and psychedelics as ways to gain new knowledge. Written by leading international scholars, the essays cover Western and non-Western traditions, from analytic philosophy to Zen Buddhism, and discuss a variety of hallucinogens, such as LSD, MDMA, and Ayahuasca, in order to build a much-needed bridge between the rapidly growing scientific research and the philosophy behind psychedelic experience.

As LSD moves towards the medical mainstream, it continues to evoke powerful memories of the psychedelic sixties and west coast counterculture. In this lively account, Chris Elcock follows a different branch of psychedelic history – one that is sprawling, layered, and centred on New York City. A major hub for the production and consumption of LSD and other hallucinogenic drugs, New York spawned a unique psychedelic culture that reverberated through the city, from psychoanalytic circles to artists’ studios, Greenwich Village to Central Park. Based on years of archival research, interviews with former acid heads, and a range of cultural artifacts, Psychedelic New York shows how the postwar city was at the forefront of LSD medical research, the burgeoning of psychedelic art, drug-accompanied spiritual seeking, and a proliferation of drug subcultures. Elcock recounts stories of New Yorkers such as Holocaust survivor Nina Graboi and artist Isaac Abrams, whose lives were dramatically altered by their psychedelic experiences, while offering new insights into Timothy Leary’s role in turning on the city with psilocybin. Enlivened by personal stories and rooted in thoughtful analysis, Psychedelic New York is a multifaceted history of LSD and the urban psychedelic experience.

Psychedelic Experience presents a philosophical account of psychedelic experience. A central premise of the book is that such experiences are mind-revealing experiences and that they can be induced by means other than psychedelics. In particular, the book argues that psychedelic experiences can also be had as the result of meditation. Aiden Lyon presents a unified conceptual framework for thinking about the different kinds of psychedelic experiences one may have as a result of psychedelics, meditation, and their combination. This framework is then used to shed new light on various commonalities between psychedelics and meditation, such as the ability to promote long-lasting increases in mindfulness and their reputation for inducing mystical experiences. Finally, the book uses these new philosophical resources to flip things around and shine the light back on philosophy itself, arguing that psychedelic experiences can be used as tools for doing philosophy. The result is a new approach to philosophy (or the revival of an ancient one), which integrates traditional analytic methods with a range of psychedelic techniques.

Are we entering into a brave new world of psychedelic-assisted psychotherapy that will radically affect the way we understand the unconscious, or are we chasing a will-o-the wisp, an illusory promise of rapid success without the painstaking work required of careful psychoanalysis? This book of essays by Jungian analysts entertains this question in detail. Based on extensive clinical and personal experience of the place of psychedelic agents in psychotherapy, the contributors debate the issues and try to clarify the correct use of these compounds, without either idealizing their use or dismissing them as artificial substitutes for the real thing. This book seeks to map this terra incognita, especially with reference to the practice of Jungian psychotherapy.

Best Book of the Year NPR • The Washington Post • Boston Globe • TIME • USA Today • Entertainment Weekly • Real Simple • Parade • Buzzfeed • Electric Literature • LitHub • BookRiot • PopSugar • Goop • Library Journal • BookBub • KCRW • Finalist for the National Book Award • One of the New York Times Notable Books of the Year • One of the New York Times Best Historical Fiction of the Year • Instant New York Times Bestseller A singular and stunning debut novel about the forbidden union between two enslaved young men on a Deep South plantation, the refuge they find in each other, and a betrayal that threatens their existence. Isaiah was Samuel's and Samuel was Isaiah's. That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master's gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel's love, which was once so simple, is seen as sinful and a clear danger to the plantation's harmony. With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr., fiercely summons the voices of slaver and enslaved alike, from Isaiah and Samuel to the calculating slave master to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminates in a climactic reckoning, The Prophets fearlessly reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.