This book is a pioneering effort that presents psychedelia as a culture and lifestyle with its own history, philosophy, art, visions, and traditions -- Back cover.

The ultimate guide to underground sounds 1965-1982. The book features release details and in-depth reviews for more than 5,000 obscure LPs from the USA and Canada, 1965-1982, including reissue data and value ratings. The main genres are psychedelia, garage, folk & folkrock, hippie rock, progressive rock, and hard-rock. There is also a wide selection of interesting and rare singer-songwriter, harmony pop, soft rock, lounge-rock, avant-garde, vanity-pressings and "outsider" albums. This is the first ever comprehensive guide to the vintage musical underground of North America, and opens up a gigantic field of outstanding music that has earlier been exclusive and hard to grasp. There's also a buyer's guide, a glossary, a historical background, fun Top 10 lists, and much more. The massive book is loaded with color images of obscure and trippy album sleeves, posters and band photos, many of which have never been published before, and a foreword by Mike Stax of Ugly Things magazine. Highlights:- The largest selection ever presented of underground albums from North America 1965-1982.- Original release data and in-depth commentary from world-leading rare record experts.- Ratings of LP market value, detailed reissue data, and full color images of rare and trippy albums sleeves.- Special feature essays about rare Exotica, Lounge, '70s Funk & Soul, Southern Rock and New Age albums, written by leading field collectors.- A brand new round of informative and hilarious Top 10 Lists that were a popular part in the first book.

The definitive monograph on the work of celebrated mind-altering artist and album cover designer, Leif Podhajsky. Over the past decade, Leif Podhajsky’s kaleidoscopic artwork has helped popularize the resurgence of psychedelia by reinventing the style for contemporary culture. By exploring the relationship between the organic and digital realms, Podhajsky’s work speaks to a new generation of curious minds. Best known for his striking, Grammy-nominated album covers for musicians, like Foals, Bonobo, Lykke Li, and Young Magic, Podhajsky deftly crosses the boundary between sound and visual art. The reverberating, ethereal vocals of Tame Impala’s debut album Innerspeaker, for instance, are embodied in the visual space of Podhajsky’s iconic, ever-retracting dreamscape cover. Fascinatingly, synaesthesia, which manifests itself for Podhajsky as the appearance of colors with sounds, plays a significant role in his creative process. Music becomes a pebble dropped into a pool of color inside his mind, causing ripples to spread and shades to surface. The results are his hypnotic one-of-a-kind graphics, presented in this volume for the first time.

Syd Barrett was an English composer and purveyor of some of the most intriguing music ever written. Famous before his twentieth birthday, Barrett led the charge of psychedelia onstage at London's famed UFO club. With a Fender Telecaster and a primitive Binson echo unit, Barrett liberated the guitar from being, in critic Simon Reynolds' words, 'a riff machine, and turned it into a texture and timbre generator.' His inspired celestial flights of improvisation, and his more structured and whimsical short songs indicated a mind of unusual inventiveness. Chief in Barrett's mind was a Zen-like insistence on spontaneity; each performance had to be unique, and Barrett strived to push his music farther and farther out into the zone of complete abstraction. This in-depth analysis of Pink Floyd founding member Syd Barrett's life and work is the product of years of extensive research. Lost in the Woods traces Syd's swift evolution from precocious young art student to acid-fuelled psychedelic rock star, and examines the myriad musical and literary influences that he utilised in composing his hypnotic, groundbreaking songs. A never-forgotten casualty of the excesses, innovations, and idealism of the 1960s, Syd Barrett is one of the most heavily mythologized men in rock, and Lost in the Woods offers a rare portrayal of a unique spirit in freefall.

It wasn't just clothes and hair that changed as the 1960s progressed - social awareness crept into youth culture and music ceased to be simply about dancing. A counter-culture gradually emerged, and rock 'n' roll was its defining feature. Pop music broadened beyond the traditional guitar-bass-drum format and started to experiment with new sounds. Musicianship reached unsurpassable levels, and for a brief, glorious time, genuinely experimental music coincided with the popular taste. The explosion of imagination and ambition that characterised the psychedelic movement of the late 1960s stretched the possibilities of the pop song to their limits. Never before or since were so many classic albums made in such a short time. Psychedelia is the most colourful, detailed and authoritative guide to these albums ever published. One hundred of them are evaluated here, using contemporary reviews, rare photographs and interviews, accompanied by a plethora of iconic images and reproductions of cover artwork.

In the early 1950s, the leading centre of the world for LSD research was Weyburn, Saskatchewan, where two psychiatrists sought to revolutionize the treatment of mental illness and, in the process, gave rise to a new form of therapy: psychedelic psychiatry. Psychedelic Psychiatry is the tale of medical researchers working to understand LSD’s therapeutic properties just as escalating anxieties about drug abuse in modern society laid the groundwork for the end of experimentation at the edge of psychopharmacology. Historian Erika Dyck deftly recasts our understanding of LSD to show it as an experimental substance, a medical treatment, and a tool for exploring psychotic perspectives. She recounts the inside story of the early days of LSD research in small-town, prairie Canada, when Humphry Osmond and Abram Hoffer claimed incredible advances in treating alcoholism, understanding schizophrenia and other psychoses, and achieving empathy with their patients. In relating the drug’s short, strange trip, Dyck explains how societal concerns about countercultural trends led to the criminalization of LSD and other so-called psychedelic drugs. In this well-written and fascinating book, she confronts the ethical dilemmas of the time and challenges the prevailing wisdom behind drug regulation and addiction therapy.

"Looking at art through the lens of psychedelic experience and culture... reveals an unexpected and illuminating dimension of art since the 1960s--not just obvious signs of psychedelic sytle but an underlying psychedelic ethos animating the works." --back cover.

CULTIVATING A PSYCHEDELIC RENAISSANCE THAT INCLUDES EVERYONE Radical, cultural transformation is the guiding force behind this socially visionary anthology. Its unifying value is social justice. It guides us in cultivating a psychedelic renaissance that represents everyone, honors voices that have been suppressed for too long, and envisions a more beautiful tomorrow through a psychedelic lens. Psychedelic culture is at an inflection point. Within the last decade, psychedelics have assimilated into the mainstream, even becoming a multimillion-dollar industry. As they integrate into the dominant culture, a lot of longtime participants in psychedelic communities are wondering: will psychedelics help us revolutionize society, or will they merely reinforce old narratives? As psychedelic medicine integrates into mainstream, capitalist culture, the question of what forces will gain control and shape the direction of the psychedelic renaissance is front and center. In this pivotal time, with so many new players emerging, those of us who believe that psychedelics can help us transform society are being challenged to define, and embody, the values that will shape this growing movement. To do this, we must first acknowledge the shadow side of the psychedelic movement and challenge its longstanding injustices. If the psychedelic renaissance is going to expand and revolutionize society, it must include and serve everybody. The anthology highlights Chacruna's ongoing work promoting diversity and inclusion by prominently featuring voices that have been long marginalized in Western psychedelic culture: women, queer people, people of color, and indigenous people. The essays examine both historical and current issues within psychedelics that many may not know about, and orient around policy, reciprocity, diversity and inclusion, sex and power, colonialism, and indigenous concerns.

Recognized for its distinctive musical features and its connection to periods of social innovation and ferment, the genre of psychedelia has exerted long-term influence in many areas of cultural production, including music, visual art, graphic design, film, and literature. William Echard explores the historical development of psychedelic music and its various stylistic incarnations as a genre unique for its fusion of rock, soul, funk, folk, and electronic music. Through the theory of musical topics—highly conventional musical figures that signify broad cultural concepts—and musical meaning, Echard traces the stylistic evolution of psychedelia from its inception in the early 1960s, with the Beatles' Rubber Soul and Revolver and the Kinks and Pink Floyd, to the German experimental bands and psychedelic funk of the 1970s, with a special emphasis on Parliament/Funkadelic. He concludes with a look at the 1980s and early 1990s, touching on the free festival scene, rave culture, and neo–jam bands. Set against the cultural backdrop of these decades, Echard's study of psychedelia lays the groundwork and offers lessons for analyzing the topic of popular music in the twentieth and twenty-first centuries.

Listen to Psychedelic Rock! contains more than 50 entries covering the people, records, places, and events that shaped one of the most exciting and influential periods in popular music. This addition to the Exploring a Music Genre series concentrates solely on psychedelic rock music. Listen to Psychedelic Rock! Exploring a Musical Genre covers over fifty topics, arranged alphabetically, that are central to learning about psychedelic music and will enable readers to understand the breadth and ongoing influence of psychedelia through to the present day. The title contains biographical sketches on selected artists, "song-by-song" descriptions of many albums, and short, informative essays on participants who were influential in the original psychedelic movement. A background section introduces the genre and a legacy section shows how psychedelic music has cemented its place in the world, while another section shows the tremendous impact the music has had on popular culture. Information on record labels and year-of-release dates for all musical entries make it easy for any reader to navigate this title - a must-have for high school and college readers as well as for music scholars and fans of the genre.