This edition contains cantor/schola descants and harmonies for all Sundays and solemnities of the liturgical year and includes liturgical and Scriptural indices for various uses and planning. Titles are placed in alphabetical order. Single volume contains all titles in the Psallite collection. The Collegeville Composers Group includes Carol Browning, Catherine Christmas, Cyprian Consiglio, OSB Cam, Paul F. Ford, Ph.D., and Paul Inwood.

Sacred Song is a modern, Catholic, three-year, hymnal that easily supports congregational singing throughout the liturgical year. It contains over 950 liturgical music compositions--classic, contemporary, chant, and traditional. Sacred Song includes: the Order of Mass with ICEL Chants--accompaniment composed by Anthony Ruff, OSB; the complete Psallite collection of over 290 liturgical antiphons inspired by the entrance, responsorial, and Communion songs for each Sunday and solemnity of all three years of the liturgical cycle; responsorial psalm antiphons from the Basilica Psalter; new music for Christian initiation, weddings, and funerals from Psallite; classic Gregorian chant music, including over 30 hymns/chants in Latin, most with English translations (including the Marian antiphons), plus the entire Latin chant Mass Iubilate Deo; a wide variety of hymns and songs reflecting the breadth of the Catholic tradition--from classic hymns to contemporary music from GIA Publications, Hope Publishing, World Library Publications, Oregon Catholic Press, Selah Publishing, Liturgical Press, Oxford University Press, and more. Sacred Song features the following Mass settings: The Psallite Mass: At the Table of the Lord by the Collegeville Composers Group Mass in Honor of Saint Benedict by Robert LeBlanc Mass in A Minor by Frederick Strassburger An Austrian Mass by Michael Haydn, arr. by Anthony Ruff, OSB Land of Rest Acclamations by Richard Proulx Missa Pacem by L. Randolph Babin Mass in Honor of Saint Paul by Kevin Christopher Vogt Mass in Honor of Saint Cecilia by David Hurd Mass in Honor of Saint Dominic by Matthew S. Still Acclamations from Mass of Creation by Marty Haugen The entire Latin chant Mass Missa Iubilate Deo, Vatican Edition

This study explores ways in which Dante presents liturgy as enabling humans to encounter God. In Liturgical Song and Practice in Dante’s “Commedia,” Helena Phillips-Robins explores for the first time the ways in which the relationship between humanity and divinity is shaped through the performance of liturgy in the Commedia. The study draws on largely untapped thirteenth-century sources to reconstruct how the songs and prayers performed in the Commedia were experienced and used in late medieval Tuscany. Phillips-Robins shows how in the Commedia Dante refashions religious practices that shaped daily life in the Middle Ages and how Dante presents such practices as transforming and sustaining relationships between humans and the divine. The study focuses on the types of engagement that Dante’s depictions of liturgical performance invite from the reader. Based on historically attentive analysis of liturgical practice and on analysis of the experiential and communal nature of liturgy, Phillips-Robins argues that Dante invites readers themselves to perform the poem’s liturgical songs and, by doing so, to enter into relationship with the divine. Dante calls not only for readers’ interpretative response to the Commedia but also for their performative and spiritual activity. Focusing on Purgatorio and Paradiso, Phillips-Robins investigates the particular ways in which relationships both between humans and between humans and God can unfold through liturgy. Her book includes explorations of liturgy as a means of enacting communal relationships that stretch across time and space; the Christological implications of participating in liturgy; the interplay of the personal and the shared enabled by the language of liturgy; and liturgy as a living out of the theological virtues of faith, hope, and love. The book will interest students and scholars of Dante studies, medieval Italian literature, and medieval theology.

An allegorical satire on alliterative verse, describing the vision of the 14th-century poet who falls asleep in the Malvern Hills. Langland covers all aspects of political and theological debate, and echoing common sentiments in its satire of the corrupt church, especially the Friars.