After American surgeon Caitlin O’Donahue nearly lost her life during volunteer work in the jungles of El Salvador, she returned to her family’s ranch to discover her father in hiding.

A young woman finds herself caught up in international intrigue—and gets her heart stolen—in The Art of Deception from #1 New York Times bestselling author Nora Roberts, “the queen of romantic suspense” (The Columbus Dispatch). Adam Haines claims to be an admirer of Phillip Fairchild’s artistry, wishing to practice the craft as a student of the famous painter. Phillip’s daughter Kirby believes her father is blind to Adam’s flattery and suspects he’s hiding something. An attempt on Kirby’s life reveals the truth after Adam saves her. He’s an investigator seeking a missing Rembrandt painting and the trail leads to Phillip, who’s been known to traffic in forged and stolen art. Now, as Adam and Kirby risk their lives to protect her father and stop dangerous criminals, they also take a chance on the love that’s growing between them.

"Founded in 1908 the now legendary Mills Boon created romantic heroes and heroines that reflected every decade: the dark and rugged sheikh-doctor-widower-businessman who meets the young, attractive girl-next-door-secretary-careerwoman. The winning formula rarely changed, and today a Mills Boon book is sold in the UK every three seconds, with Harlequin selling more than four books per second globally in 26 languages." "This unique collection of book covers offers a fascinating visual record of how our perceptions of romance, love and drama have evolved over the years, and presents a treasure-trove of inspiration for designers and artists, as well as anyone working in advertising, film or fashion."--BOOK JACKET.

Detective Caleb Walker had taken on some tough cases for Guardian Angel Investigations, but when Madelyn Andrews came to him, claiming that her five-year-old daughter was able to "communicate" with her twin sister who'd never made it home from the hospital, Caleb was skeptical.

Dark warrior, rebellious bride… Taken prisoner by the Norman invaders who destroyed her home and family, Lady Ashlynn finds her life in jeopardy—until her saviour comes in the form of a powerful Scottish warlord. Black Iain may be fierce, yet Ashlynn feels strangely safe in his arms… Iain McAlpin’s reputation is well deserved, and no one will capture his heart. Having loved and lost once before, Iain wants only to be free of the rebellious, enticing Ashlynn. But then a decree from the King arrives…and commands Iain to make his beautiful captive his wife!

The first thing FBI Agent Dylan Acevedo remembered when he saw Aspen Meadows again was their steamy week in a hotel room. Unfortunately, Aspen had no memory of him, the murder she'd witnessed, or that he could be the father of her infant son. So, as much as he wanted to hold her and demand answers, her safety came first. Collecting evidence and hunting down clues always kept him working long into the night. But now, reunited with one unforgettable woman and excited by the prospect of fatherhood, Dylan found he had a lot more reasons to come home. And a lot more to lose.

Running from an abusive past, nurse Chloe Moreno arms herself with a new identity and seeks an uncomplicated life in Eden Falls. But her security in the once-peaceful community is crumbling fast. Not only is there a kidnapper on the loose, but it seems her worst nightmare has tracked her down. She needs someone to trust...and no one fits the bill better than Dr. Derek Colton. Resident healer and protector, that's all Derek is expected to be. A new relationship--especially with his beautiful, vulnerable new nurse--is a risk he shouldn't take. Yet her life's in his hands. And once desire puts her in his arms, he must destroy the threat that's lingering far too close....

He learned he was going to be a daddy the same day his parents' murderer was set free. But Detective Ash Kendall was determined to keep it together. After all, one woman was at the center of everything, and Rachel Stevens had a lot of explaining to do. The lovely DNA profiler had no idea her evidence would reopen Ash's old wounds. Despite all they'd been through, she hadn't stopped loving the man who just found out he was going to be a daddy. And with someone desperate to keep the secrets of the Christmas Eve Murders hidden, Ash was the only man who could protect Rachel and her baby.

Bella Lawrence can’t hide her disappointment after she loses the auction for a painting that she wanted to get for her grandmother’s birthday present. Instead the work went to a man with a hard face and a confident smile. So she is pleased when the same man, Olivier, shows up at her grandmother’s birthday party. When he asks Bella to go on a date, she is enthralled by his magical words. How could she possibly know that this is all part of Olivier’s plan for revenge on the Lawrence family.

The Sheik—E. M. Hull’s best-selling novel that became a wildly popular film starring Rudolph Valentino—kindled “sheik fever” across the Western world in the 1920s. A craze for all things romantically “Oriental” swept through fashion, film, and literature, spawning imitations and parodies without number. While that fervor has largely subsided, tales of passion between Western women and Arab men continue to enthrall readers of today’s mass-market romance novels. In this groundbreaking cultural history, Hsu-Ming Teo traces the literary lineage of these desert romances and historical bodice rippers from the twelfth to the twenty-first century and explores the gendered cultural and political purposes that they have served at various historical moments. Drawing on “high” literature, erotica, and popular romance fiction and films, Teo examines the changing meanings of Orientalist tropes such as crusades and conversion, abduction by Barbary pirates, sexual slavery, the fear of renegades, the Oriental despot and his harem, the figure of the powerful Western concubine, and fantasies of escape from the harem. She analyzes the impact of imperialism, decolonization, sexual liberation, feminism, and American involvement in the Middle East on women’s Orientalist fiction. Teo suggests that the rise of female-authored romance novels dramatically transformed the nature of Orientalism because it feminized the discourse; made white women central as producers, consumers, and imagined actors; and revised, reversed, or collapsed the binaries inherent in traditional analyses of Orientalism.