With its contextualizing introduction, notes, and gloss, this edition makes the Prose Merlin available to any student of Arthurian legend, no matter their level of proficiency in Middle English. Written in the latter half of the fifteenth century, the Prose Merlin is the first work of Arthurian literature written in English prose. The highly original poem, though based upon the French Vulgate cycle tradition of Arthurian legends, is full of episodes, motifs, and characters found nowhere else in the entire Arthurian corpus. Beginning with the story surrounding Merlin's birth, and charting the course of his fantastical life until his ambiguous death, Prose Merlin is an enchanting text for any class studying Arthuriana.

With its contextualizing introduction, notes, and gloss, this edition makes the Prose Merlin available to any student of Arthurian legend, no matter their level of proficiency in Middle English. Written in the latter half of the fifteenth century, the Prose Merlin is the first work of Arthurian literature written in English prose. The highly original poem, though based upon the French Vulgate cycle tradition of Arthurian legends, is full of episodes, motifs, and characters found nowhere else in the entire Arthurian corpus. Beginning with the story surrounding Merlin's birth, and charting the course of his fantastical life until his ambiguous death, Prose Merlin is an enchanting text for any class studying Arthuriana.

This trilogy establishes a provenance for the Holy Grail and, through the figure of Merlin, links Joseph of Arimathea with mythical British history and with the knightly adventures of Perceval's Grail quest. It is hard to overstate the importance of this trilogy of prose romances in the development of the legend of the Holy Grail and in the evolution of Arthurian literature as a whole. They give a crucial new impetus to the story of the Grail by establishing a provenance for the sacred vessel - and for the Round Table itself - in the Biblical past; and through the controlling figure of Merlin they link the story of Joseph of Arimathea with the mythical Britishhistory of Vortigern and Utherpendragon, the birth of Arthur, and the sword in the stone, and then with the knightly adventures of Perceval's Grail quest and the betrayal and death of Arthur, creating the very first Arthurian cycle. Ambitious, original and complete in its conception, this trilogy - translated here for the first time - is a finely paced, vigorous piece of storytelling that provides an outstanding example of the essentially oral nature of early prose. NIGEL BRYANT is head of drama at Marlborough College. He has also provided editions in English of the anonymous thirteenth-century romance Perlesvaus, published as The High Book of the Grail, and Chretien's Perceval: The Story of the Grail.

Merlin, the wizard of Arthurian legend, has been a source of enduring fascination for centuries. In this authoritative, entertaining, and generously illustrated book, Stephen Knight traces the myth of Merlin back to its earliest roots in the early Welsh figure of Myrddin. He then follows Merlin as he is imagined and reimagined through centuries of literature and art, beginning with Geoffrey of Monmouth, whose immensely popular History of the Kings of Britain (1138) transmitted the story of Merlin to Europe at large. He covers French and German as well as Anglophone elements of the myth and brings the story up to the present with discussions of a globalized Merlin who finds his way into popular literature, film, television, and New Age philosophy. Knight argues that Merlin in all his guises represents a conflict basic to Western societies-the clash between knowledge and power. While the Merlin story varies over time, the underlying structural tension remains the same whether it takes the form of bard versus lord, magician versus monarch, scientist versus capitalist, or academic versus politician. As Knight sees it, Merlin embodies the contentious duality inherent to organized societies. In tracing the applied meanings of knowledge in a range of social contexts, Knight reveals the four main stages of the Merlin myth: Wisdom (early Celtic British), Advice (medieval European), Cleverness (early modern English), and Education (worldwide since the nineteenth century). If a wizard can be captured within the pages of a book, Knight has accomplished the feat.

Covering almost a thousand years, this work features translated texts in a broad range of genres, from the early chronicles and Welsh verse through Sir Thomas Malory.

This book deals with all aspects of the Merlin legend, from its origins to its expression in medieval and modern literature, film, and popular culture. Following an extended introduction and a full bibliography, the volume offers nearly twenty essays--some newly commissioned for this volume, others selected from the most important scholarly and critical studies of Merlin and his role. Two of the reprinted essays are translated into English for the first time.

New study of Malory's sources reveals much about how the work was created and about Malory himself.

Who was Merlin? Is the famous wizard of Arthurian legend based on a real person? In this book, Merlin's origins are traced back to the story of Lailoken, a mysterious 'wild man' who is said to have lived in the Scottish Lowlands in the sixth century AD. The book considers the question of whether Lailoken belongs to myth or reality. It looks at the historical background of his story and discusses key characters such as Saint Kentigern of Glasgow and King Rhydderch of Dumbarton, as well as important events such as the Battle of Arfderydd. Lailoken's reappearance in medieval Welsh literature as the fabled prophet Myrddin is also examined. Myrddin himself was eventually transformed into Merlin the wizard, King Arthur's friend and mentor. This is the Merlin we recognise today, not only in art and literature but also on screen. His earlier forms are less familiar, more remote, but can still be found among the lore and legend of the Dark Ages. Behind them we catch fleeting glimpses of an original figure who perhaps really did exist: a solitary fugitive, tormented by his experience of war, who roamed the hills and forests of southern Scotland long ago.