Charles Kingsley's 'Prose Idylls, New and Old' is a collection of essays that beautifully blend elements of fiction and nonfiction, discussing a variety of topics such as nature, society, and religion. Written in a poetic and imaginative style, Kingsley's work showcases his deep appreciation for the natural world and his philosophical insights on the human experience. The essays are both thought-provoking and emotionally engaging, capturing the essence of the Victorian era's fascination with nature and the human spirit. Kingsley's ability to seamlessly weave together prose and poetry creates a unique reading experience that will leave readers enchanted and inspired. Charles Kingsley, a clergyman and social reformer, drew inspiration for his writing from his life experiences, particularly his love for nature and his commitment to social change. His diverse background as a theologian and a writer allowed him to craft essays that are both intellectually stimulating and morally enlightening. Kingsley's deep connection to the natural world and his desire to provoke thought and action shine through in 'Prose Idylls, New and Old'. For readers interested in exploring the intersection of literature, philosophy, and social commentary, 'Prose Idylls, New and Old' is a must-read. Kingsley's eloquent prose and timeless insights make this collection a valuable addition to any library, offering a rich tapestry of ideas and emotions to ponder and savor.

This is a new annotated translation of the Greek poems of Theocritus of Syracuse (first half of the third century BC), the inventor of "bucolic" or "pastoral" poetry, the principal model for Virgil in the Eclogues, and hence a major figure in the literary traditions that antiquity bequeathed to Western literature.

By examining nearly sixty works, the author traces the prehistory of the French prose poem, demonstrating that the disquiet of some eighteenth-century writers with the Enlightenment gave rise to the genre nearly a century before it is habitually supposed to have existed. In the throes of momentous scientific, philosophical, and socioeconomic changes, Enlightenment authors turned to the past to revive sources such as Homer, the pastoral, Ossian, the Bible, and primitive eloquence, favoring music to construct alternatives to the world of reason. The result, the author argues, were prose poems, including F lon's Les Adventures de T maque, Montesquieu's Le Temple de Gnide, Rousseau's Le L te d'Ephraïm, Chateaubriand's Atala, as well as many lesser-known texts, most of which remain out of print. The author's treatment of Bible criticism and eighteenth-century religious reform movements reveal the often-neglected spiritual side of Enlightenment culture, and tracks its contribution to the period's reflection about language and poetic invention. The author includes in appendices four unusual texts adjudicating the merits of prose poems, making evidence of their controversial nature now accessible to readers.

Originally published in 1947, this book contains the English translation of twenty eight idylls and twenty three epigrams originally attributed to Theocritus. Trevelyan begins each idyll with a short synopsis and a brief introduction concerning the history behind each poem and its influence in later Greek and Latin poetry. This book will be of value to anyone with an interest in Theocritus or English Classical reception.

In this volume a team of three dozen international experts presents a fresh picture of literary prose fiction in the Romantic age seen from cross-cultural and interdisciplinary perspectives. The work treats the appearance of major themes in characteristically Romantic versions, the power of Romantic discourse to reshape imaginative writing, and a series of crucial reactions to the impact of Romanticism on cultural life down to the present, both in Europe and in the New World. Through its combination of chapters on thematic, generic, and discursive features, Romantic Prose Fiction achieves a unique theoretical stance, by considering the opinions of primary Romantics and their successors not as guiding “truths” by which to define the permanent “meaning” of Romanticism, but as data of cultural history that shed important light on an evolving civilization.SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of “irony” as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the “Old” and “New” Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.