Traces the life of the American poet, journalist, and historian who won the Pulitzer Prize for Poetry and the Pulitzer Prize for History.

A journey of 10,000 miles Across India and USA, A few milestones of Success, failure and hope. Countless moments of Adventure, passion and desires. Encapsulated in this book – ‘Years Spent: Exploring Poetry in Adventure, Life and Love’

A new gathering of 50 prose poems that extends and refines the poet's mastery of the form.

In these 37 prose-poems, ranging in density from short lists to treatises on poetics and philosophy, Anderson begins with a deceptively simple voice that breaks into dark hilarity: "No, you shall not be hurt. You may depart at once. All that is required is that you wear this placard reading, I am an ugly thing because I am superfluous."

\"I got to see her triumph and fall apart. I wept and cheered for her. She was so beautiful and so strong, so weak and hurting, all swept together and intertwined.\" ~ from an included prose piece titled, My Life Story in Music.\r\n\r\nThese are poems from my idyllic youth, my rebellion, my wild abandon, up to my rescue, redemption, and rebirth as a functioning member of society, and a grown woman with a family of my own. In my early days, I wrote about pain, which was easy. The harder thing was to learn to write about all the joy and adventure of being happy and loved. \r\n\r\nIt wasn\"t until later in life that I found my community of artists and really learned to tell the tales from all the angles. I am indebted to the Fresno Rogue Festival, in California, where I first read for an audience and fell in love with receiving a standing ovation. Also, I owe a huge debt of gratitude to the Rogue Poetry Slam in Southern Oregon, where I learned to do competitive poetry and bring my best, and bring the poetry that I was afraid to share, that made my hands tremble and my voice quake, to sit in awe of the skill of other poets, and sometimes take home the money and win, even with the odds stacked against me, as other poets made the room jump and dance to their words. Oh, sweet victory! \r\n\r\n\"If you have ever loved another, been passionate about anything, mourned a loss, been a parent, heck, been alive - this poet will move you! Her rhythmic words pulse with the beat that promises (like it or not) the continuum of LIFE.\" \r\n~ Patti Thornton, in her review of Liesl Garner\"s 2008 Rogue Festival Poetry Show\r\n\r\n

Waymaking is an anthology of prose, poetry and artwork by women who are inspired by wild places, adventure and landscape. Published in 1961, Gwen Moffat's Space Below My Feet tells the story of a woman who shirked the conventions of society and chose to live a life in the mountains. Some years later in 1977, Nan Shepherd published The Living Mountain, her prose bringing each contour of the Cairngorm mountains to life. These pioneering women set a precedent for a way of writing about wilderness that isn't about conquering landscapes, reaching higher, harder or faster, but instead about living and breathing alongside them, becoming part of a larger adventure. The artists in this inspired collection continue Gwen and Nan's legacies, redressing the balance of gender in outdoor adventure literature. Their creativity urges us to stop and engage our senses: the smell of rain-soaked heather, wind resonating through a col, the touch of cool rock against skin, and most importantly a taste of restoring mind, body and spirit to a former equanimity. With contributions from adventurers including Alpinist magazine editor Katie Ives, multi-award-winning author Bernadette McDonald, adventurers Sarah Outen and Anna McNuff, renowned filmmaker Jen Randall and many more, Waymaking is an inspiring and pivotal work published in an era when wilderness conservation and gender equality are at the fore.

The last decades have seen an explosion of the prose poem. More and more writers are turning to this peculiarly rich and flexible form; it defines Claudia Rankine's Citizen, one of the most talked-about books of recent years, and many others, such as Sarah Howe's Loop of Jade and Vahni Capildeo's Measures of Expatriation, make extensive use of it. Yet this fertile mode which in its time has drawn the likes of Charles Baudelaire, Oscar Wilde, T. S. Eliot, Gertrude Stein and Seamus Heaney remains, for many contemporary readers, something of a mystery. The history of the prose poem is a long and fascinating one. Here, Jeremy Noel-Tod reconstructs it for us by selecting the essential pieces of writing - by turns luminous, brooding, lamentatory and comic - which have defined and developed the form at each stage, from its beginnings in 19th-century France, through the 20th-century traditions of Britain and America and beyond the English language, to the great wealth of material written internationally since 2000. Comprehensively told, it yields one of the most original and genre-changing anthologies to be published for some years, and offers readers the chance to discover a diverse range of new poets and new kinds of poem, while also meeting famous names in an unfamiliar guise.