This monograph by a professional thief—with the aid of Edwin H. Sutherland's expert comments and analyses—is a revealing sociological document that goes far to explain the genesis, development, and patterns of criminal behavior. "Chic Conwell," as the author was known in the underworld, gives a candid and forthright account of the highly organized society in which the professional thief lives. He tells how he learned to steal, survive, succeed, and ultimately to pay his debt to society and prepare himself for full and useful citizenship. The Professional Thief presents in amazing detail the hard, cold facts about the private lives and professional habits of pickpockets, shoplifters, and conmen, and brings into focus the essential psychological and sociological situations that beget and support professional crime.

Montgomery, Alabama, is beautifully situated on the Alabama river, near the centre of the State. Its situation at the head of navigation, on the Alabama river, its connection by rail with important points, and the rich agricultural country with which it is surrounded, make it a great commercial centre, and the second city in the State as regards wealth and population. It is the capital, and consequently learned men and great politicians flock to it, giving it a society of the highest rank, and making it the social centre of the State. From 1858 to 1860, the time of which I treat in the present work, the South was in a most prosperous condition. "Cotton was king," and millions of dollars were poured into the country for its purchase, and a fair share of this money found its way to Montgomery. When the Alabama planters had gathered their crops of cotton, tobacco, rice, etc., they sent them to Montgomery to be sold, and placed the proceeds on deposit in its banks. During their busy season, while overseeing the labor of their slaves, they were almost entirely debarred from the society of any but their own families; but when the crops were gathered they went with their families to Montgomery, where they gave themselves up to enjoyment, spending their money in a most lavish manner. There were several good hotels in the city and they were always filled to overflowing with the wealth and beauty of the South. The Adams Express Company had a monopoly of the express business of the South, and had established its agencies at all points with which there was communication by rail, steam or stage. They handled all the money sent to the South for the purchase of produce, or remitted to the North in payment of merchandise. Moreover, as they did all the express business for the banks, besides moving an immense amount of freight, it is evident that their business was enormous. At all points of importance, where there were diverging routes of communication, the company had established principal agencies, at which all through freight and the money pouches were delivered by the messengers. The agents at these points were selected with the greatest care, and were always considered men above reproach. Montgomery being a great centre of trade was made the western terminus of one of the express routes, Atlanta being the eastern. The messengers who had charge of the express matter between these two points were each provided with a safe and with a pouch. The latter was to contain only such packages as were to go over the whole route, consisting of money or other valuables. The messenger was not furnished with a key to the pouch, but it was handed to him locked by the agent at one end of the route to be delivered in the same condition to the agent at the other end.

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"Hot Art traces Joshua Knelman's five-year immersion in the shadowy world of art theft, which takes him from Egypt to Los Angeles, New York to London, and back again, through a web of deceit, violence, and corruption. With a cool, knowing eye, Knelman delves into the lives of professionals such as Paul, a brilliant working-class kid who charmed his way into a thriving career organizing art thefts and running loot across the United Kingdom and beyond, and LAPD detective Donald Hrycyk, one of the few special investigators worldwide who struggle to keep pace with the evolving industry of stolen art. As he becomes more and more immersed in this world, Knelman learns that art theft is no fringe activity--it has evolved into one of the largest black markets inthe world, which even Interpol and the FBI cannot contain. Sweeping and fast-paced, Hot Art is a major work of investigative journalism and a thrilling joyride into a mysterious criminal world"--