The rebellious girl who loved the carriage as if it were her life, Xiao Can Can, was traversed through a conspiracy. Their mistress had followed the path of the transmigration; but she had become a substitute for the princess without any discussion; the worst of it was that the princess suffered from a severe personality disorder that caused her to jump up and down in her transmigration; that she was now the noble Princess of Congyang, domineering and arrogant; that she became the leading girl of the music building; and that even the dangerous Martial Arts Competition in the river and lake needed her intervention. If this continues, when will it be the end of us?Faced with so many suitors, Xiao Zhan was extremely annoyed and conflicted.Seeing that the emperor's gaze towards her had become increasingly passionate, Xiao Can't help but panic. "Big brother emperor, I'm your younger sister now. Do you want to restrain yourself?"Even the father and son from the Martial Lin Family wanted to get entangled with her. Oh, my God, what is this all about?It was said that women chased after men, but she worked so hard, so why was this sultry man like a mischievous stone?What kind of story exactly happened between the Immortal Concubine and the First Emperor from the year before Seventeen? Was Princess Ziyang really split in two? Why did she choose to be a girl instead of a proper princess?There were many princes and princes in the First Emperor, as well as princes and princes; why did the son of concubine Su Zhen become the emperor in the end?Was the Immortal Concubine's funeral a man-made event or an imperial decree?Was the mysterious person who had been commanding Princess Congyang from behind the scenes a human or a ghost?When the truth was revealed, where would Xiao Can's life go?

When Desi Bascomb gets discovered by the elite Façade Agency--royalty surrogates extraordinaire--her life goes from glamour-starved to spectacular in a blink. As her new agent Meredith explains, Desi has a rare magical ability: when she applies the ancient formula Royal Rouge, she can temporarily transform into the exact lookalike of any princess who needs her subbing services.

Desi Bascomb is a princess substitute prodigy—she's the fastest employee ever to advance to level three in the Facade Agency, and the youngest to ever be a full-time sub. But now with all eyes on Desi, the only thing she wants is a moment alone to talk to Reed, who's a Façade legacy and secretly a sub for princes! As Desi trains for her new role, she spies more than a few cracks in Façade’s perfect appearance. But uncovering the agency’s dark past might require more than a princess sub can handle by herself. Desi is no damsel in distress, but sometimes a girl needs a knight in shining armor.

Hailed by critics and fans as a "delightful romp" and a "must-read," the Princess for Hire series gets an adventure-filled and charming final installment as Desi Bascomb tries to stop the misuse of magic.

Six unusual fairy tales include "The Practical Princess," "Stupid Marco," "The Silver Whistle," "Forgetful Fred," "Petronella," and "Philbert the Fearful".

There is an elegant substitute teacher in class today, but Katie's attempts to impress her keep going wrong.

“I need you to go to New York and pretend to be your twin sister.” That was the command Laila Fiorenza’s father gave her when her sister ran away from home just days before she had to meet her betrothed, the handsome, party-going, Greek shipping magnate, Nikos Pallis. But after being jilted in a previous betrothal, Laila had only one wish, which is to never be the second choice in love again. So, eager to go back to her sheltered life in Sicily and unwilling to do what her father commands, Laila comes clean to Nikos about the farce, hoping he would call off the wedding. However, Nikos had other plans, and he might just be willing to grant her wish.

This book describes how computer programs can generate narratives and how studies of computational narrative can illuminate how humans tell stories. Combining an introduction to relevant concepts related to automatic storytelling with accessible descriptions of well-known computer programs that illustrate how such concepts are employed, the book is aimed at an interdisciplinary audience and assumes little or no background in computer science. The book introduces the most relevant techniques employed over the last 60 years for the development of computer models for narrative generation, including narrative templates, problem-solving, planning, author engagement and reflection, and statistical methods such as deep neural networks, ending with an examination of the societal implications of the development of automatic narrative generator systems.

Princess Hyacinth is bored and unhappy sitting in her palace every day because, unless she is weighed down by specially-made clothes, she will float away, but her days are made brighter when kite-flying Boy stops to say hello.

He was once a king, turned into a bear as punishment for his cruel and selfish deeds. She was a once a princess, now living in the form of a hound. Wary companions, they are sent—in human form—back to a time when magic went terribly astray. Together they must right the wrongs caused by this devastating power—if only they can find a way to trust each other. But even as each becomes aware of an ever-growing attraction, the stakes are rising and they must find a way to eliminate this evil force—or risk losing each other forever.