“Like a queer version of The Wicker Man, Julia Lynn Rubin's Primal Animals is a wonderfully-creepy mystery set under sunshine and fresh air, where nothing is what it seems and no one is what you expect. Keep your eyes open, watch your back, and beware of the flies.” —Emma Berquist, author of Missing, Presumed Dead The Female of the Species meets Midsommar for fans of Yellowjackets At an elite summer program, a teen girl gets sucked into a secret society, with deadly consequences. Protect the girls. Arlee Gold has always lived in the shadow of her successful mom; even after everything Arlee’s been through, her mother still expects nothing but the best. In an effort to get her daughter back on track after a less-than-stellar few school years, she’s enrolled Arlee as a legacy at Camp Rockaway, an elite college prep summer camp deep in the North Carolina wilderness. On her own for the first time and buzzing with anxiety, Arlee is intimidated by the camp’s shiny exterior, suffocated by the relentless, thick summer heat...and tormented by the ceaseless stream of crawling, slimy, flapping bugs that seem to come straight from her nightmares. In the midst of her brewing dread, Arlee is relieved to find a queer sanctuary in her bunkmates, and is especially drawn to Winnie, the enigmatic girl who sleeps in the bunk above her. Except Arlee starts to notice whispers in her wake, and how so many others recoil from her as if she were as creepy as the insects that terrify her. Struggling in her prep classes and feeling increasingly paranoid, Arlee can no longer suppress her panicked “glitches.” Winnie, too, seems to become wary, and Arlee’s worst fear is confirmed: even here, in the place her mother promised was “going to change everything,” she’s been found out as a freak. Just as she’s facing a summer completely alone, another rising junior slips her a mysterious invitation, and Arlee finds herself caught up in a secret society that expects its sisterhood to protect each other from any and all who would harm them—by any means necessary. Here, finally, Arlee feels like a part of something bigger, something that matters. Guided by their cunning leader, Lisha, a rising senior with a smile sharp enough to cut bone, the sisterhood will stand against any threat, unquestioningly. But when Winnie is put in grave danger, Arlee is forced to confront just how far her sisters will go, and whether they truly protect the girls.

Train like an animal...to move like a human... Animal Moves is a groundbreaking new workout playout program from Darryl Edwards that utilises the functional and primal movements of the animal kingdom as inspiration for an exercise regimen that will have you the king or queen of the jungle in no time. Future-proof your body and reconnect with the fitter, stronger and healthier you with over 40 functional exercises, fun activities, and three, four-week fitness programs. With the help of its innovative 28-day movement plan, Animal Moves empowers you to move with more ease and efficiency when performing functional movements and to make everyday activities easier and more enjoyable. The compound movement exercises in Animal Moves targets the whole body at varied intensities enabling people of all fitness levels, and all ages, to lead more active and dynamic lives. improve strength, speed and stamina increase mobility, flexibility and stability look, feel and perform better Follow Darryl's easy-to-follow instructions, tips and photo illustrations to: save time - with high-intensity training methods save money - no gym membership required improve mood - using mindful movement reduce stress - with breathwork and relaxation have fun - on scheduled playout days

My First Animal Moves Discover the joys of movement with your little cub in this first book of fitness. Join Nathan and his cute but, sometimes lazy dog, as they crawl, jump and balance their way through the animal kingdom.

INSTANT NATIONAL BESTSELLER WINNER OF THE STORY PRIZE SHORTLISTED FOR THE DYLAN THOMAS PRIZE NAMED A BEST BOOK OF THE YEAR BY USA TODAY, NPR, VULTURE, MARIE CLAIRE, THE TIMES OF LONDON, GOOD HOUSEKEEPING, AND PUBLISHERS WEEKLY A group portrait of young adults enmeshed in desire and violence, a hotly charged, deeply satisfying new work of fiction from the author of Booker Prize finalist Real Life In the series of linked stories at the heart of Filthy Animals, set among young creatives in the American Midwest, a young man treads delicate emotional waters as he navigates a series of sexually fraught encounters with two dancers in an open relationship, forcing him to weigh his vulnerabilities against his loneliness. In other stories, a young woman battles with the cancers draining her body and her family; menacing undercurrents among a group of teenagers explode in violence on a winter night; a little girl tears through a house like a tornado, driving her babysitter to the brink; and couples feel out the jagged edges of connection, comfort, and cruelty. One of the breakout literary stars of 2020, Brandon Taylor has been hailed by Roxane Gay as “a writer who wields his craft in absolutely unforgettable ways.” With Filthy Animals he renews and expands on the promise made in Real Life, training his precise and unsentimental gaze on the tensions among friends and family, lovers and others. Psychologically taut and quietly devastating, Filthy Animals is a tender portrait of the fierce longing for intimacy, the lingering presence of pain, and the desire for love in a world that seems, more often than not, to withhold it.

"An exploration of the failures of reason in human life and the enduring role of myth in science, politics, and morality"--

The long and distinguished tradition of the literary vampire began in Germany during the Age of Enlightenment. German literature was the first to adapt the vampire figure from central European folklore and superstition and give it literary form. Despite these German origins, scholarly attention devoted to literary vampires has consistently focused on a select set of sources: British and French literature, Bram Stoker’s Dracula, and the phenomenon of the vampire superstition in general. While there have been many illuminating studies of pre-literary vampires and vampires that have already been firmly established as literary figures, the story of the crucial moment of transition from folkloric figure to literary subject has not yet been told. In The Origins of the Literary Vampire Heide Crawford redirects scholarly attention to the body of German poetry and prose where vampire folklore becomes vampire literature. This book focuses on the adaptation of the vampire superstition from central European folklore by German poets in the 18th and early 19th centuries for an audience that had become increasingly interested in superstition and occult phenomena in an Age of Enlightenment. In addition to establishing that the origins of the literary vampire in 18th and 19th century German poetry and prose were informed by the stories and reports of vampires from Central Europe, Crawford argues that the German poets who adapted this figure from superstition for their creative work immediately molded it into a metaphor for contemporary cultural anxieties and fears—a connection that would inspire horror literature in general and the traits of the literary vampire in particular for the 19th century and beyond. Contemporary culture has exhibited a marked fascination with eroticized and politicized applications of the vampire. This volume traces these erotic motifs, common political motifs and others to the first vampire poems that were written by German poets. Consequently, this book answers three central questions: What were the origins of the literary vampire; how was the vampire of folklore and superstition adapted for literature; and how did German poets contribute to the development of the vampire and Gothic horror literature? By answering these and other questions, The Origins of the Literary Vampire explains how the literary vampire became the ubiquitous horror figure it is today.

Now in paperback, an important account of ten Supreme Court cases that changed the fate of Native Americans, providing the contemporary historical/political context of each case, and explaining how the decisions have adversely affected the cultural survival of Native people to this day.