A refreshing contribution to existing scholarship in English on contemporary French documentary cinema. Combines textured film analyses with rich contextual and conceptual readings. Makes a strong case for long-form documentary cinema’s critical and political force as a "praxis of precarious sociality". Connects debates on documentary and film ethics with sociological, philosophical and political conceptions of precarity, precariousness and vulnerability.

This is the first English-language volume on representations of women at work in contemporary French cultural productions. It covers a variety of genres: literature, cinema and television, journalism, bande dessinée. Draws from a wide range of work experiences from salaried work in academic, artistic, corporate and working-class worlds to unpaid—reproductive, domestic—labour, illegal activities and activism.

Who has not, in a favored moment, ‘stolen the limelight’, whether inadvertently or by design? The implications of such an act of display – its illicitness, its verve, its vertiginous reversal of power, its subversiveness – are explored in this book. Narrative crafting and management of such scenarios are studied across canonical novels by Gide, Colette, Mauriac, and Duras, as well as by African Francophone writer Oyono and detective novelist Japrisot. As manipulated within narrative, acts of display position a viewer or reader from whom response (from veneration or desire to repugnance or horror) is solicited; but this study demonstrates that display can also work subversively, destabilising and displacing such a privileged spectator. As strategies of displacement, these scenarios ultimately neutralise and even occult the very subject they so energetically appear to solicit. Powered by gendered tensions, this dynamic of display as displacement works toward purposes of struggle, resistance or repression.

In her most impassioned and personal book to date, Judith Butler responds in this profound appraisal of post-9/11 America to the current US policies to wage perpetual war, and calls for a deeper understanding of how mourning and violence might instead inspire solidarity and a quest for global justice.

This book is a detailed examination of post-Marxist political theory, focusing especially on the work of Laclau, Habermas and Derrida. This book will make useful reading for students of Politics and Political Theory.

The Routledge Handbook of Korean Culture and Society is an accessible and interdisciplinary resource that explores the formation and transformation of Korean culture and society. Each chapter provides a comprehensive and thought-provoking overview on key topics, including: compressed modernity, religion, educational migration, social class and inequality, popular culture, digitalisation, diasporic cultures and cosmopolitanism. These topics are thoroughly explored by an international team of Korea experts, who provide historical context, examine key issues and debates, and highlight emerging questions in order to set the research agenda for the near future. Providing an interdisciplinary overview of Korean culture and society, this Handbook is an essential read for undergraduate and postgraduate students, as well scholars in Korean Studies, Cultural Studies, Sociology, Anthropology, and Asian Studies in general.

While critical security studies largely concentrates on objects of security, this book focuses on the subject position from which ‘securitization’ and other security practices take place. First, it argues that the modern subject itself emerges and is sustained as a function of security and insecurity. It suggests, consequently, that no analytic frame can produce or reproduce the subject in some original or primordial form that does not already reproduce a fundamental or structural insecurity. It critically returns, through a variety of studies, to traditionally held conceptions of security and insecurity as simple predicates or properties that can be associated or not to some more essential, more primeval, more true or real subject. It thus opens and explores the question of the security of the subject itself, locating, through a reconstruction of the foundations of the concept of security, in the modern conception of the subject, an irreducible insecurity. Second, it argues that practices of security can only be carried out as a certain kind of negotiation about values. The analyses in this book find security expressed again and again as a function of value cast in terms of an explicit or implicit philosophy of life, of culture, of individual and collective anxieties and aspirations, of expectations about what may be sacrificed and what is worth preserving. By way of a critical examination of the value function of security, this book discovers the foundation of values as dependent on a certain management of their own vulnerability, continuously under threat, and thus fundamentally and necessarily insecure. This book will be an indispensible resource for students of Critical Security Studies, Political Theory, Philosophy, Ethics and International Relations in general.

Social Ethics and Governance in Contemporary African Writing is the first book to bring rigorous literary, philosophical, and artistic discourse together to interrogate the ethics of governance and development in postcolonial Africa. It takes literature seriously as a context for philosophical reflection, vividly engaging the human agency, creativity, and resourcefulness of local Nigerians as political and social actors and shedding new light on the dynamics of human flourishing. Drawing on important secondary scholarship across several humanities disciplines, especially literature, philosophy, and the performing arts, Nimi Wariboko provides compelling and innovative analysis of the challenges and opportunities on governance and development in postcolonial Nigerian state and society. With a detailed introductory chapter and an authoritative analysis contained in six cohesive chapters, all anchored in political and social ethics and close readings of fascinating literary and artistic works-such as A. Igoni Barrett's Blackass and the comedy skits of MC Edo Pikin-this is a landmark contribution to Nigerian cultural studies. Wariboko's practical engagement between literature and philosophy also opens up new ways of seeing literary analysis as ethical methodology, beyond the specific contexts of Nigeria or Africa.

The Routledge Companion to Ethics, Politics and Organizations synthesizes and extends existing research on ethics in organizations by explicitly focusing on ‘ethico-politics’ - where ethics informs political action. It draws connections between ethics and politics in and around organizations and the workplace, examines cutting-edge areas and sets the scene for future research. Through a wealth of international and multidisciplinary contributions this volume considers the broad range of ways in which ethics and politics can be conceived and understood. The chapters look at various ethical traditions, as well as the discursive deployment of ethical terminology in organizational settings, and they also examine large scale political structures and processes and how they relate to different forms of politics which affect behaviour in organizations. These many possibilities are united by a focus on how ethics can be used to inform and justify the exercise of power in organizations. This collection will be a valuable reference source for students and researchers across the disciplines of organizational studies, ethics and politics.

Snarr's book explores and evaluates five different visions of the social self from five key ethicists (Rauschenbusch, Niebuhr, Hauerwas, Harrison, and Townes).