Preaching Apocrypha in Anglo-Saxon England is the first examination of Christian apocrypha in Anglo-Saxon England, focusing on the use of biblical narratives in Old English sermons. This work demonstrates that apocryphal media are a substantial part of the apparatus of Christian tradition inherited by Anglo-Saxons.

This book provides an edition, translation and commentary of the three apocryphal gospels of Mary written in Old English.

The Gospel of Pseudo-Matthew is one of the most important witnesses in Western Europe to apocryphal stories about the lives of Mary, Joseph, Jesus, and Mary’s parents, Anna and Joachim. As a bestseller of mainstream medieval Christianity, this Latin apocryphon is a keystone in the explosion of apocryphal literature in the Middle Ages. Despite its apocryphal status, the Gospel of Pseudo-Matthew remained both popular and influential throughout the Middle Ages and into the early modern period, as its popularity and influences may be traced in Christian literature, visual arts, liturgy, and theological perspectives still revered by Roman Catholic theologians. The gospel is also a significant work for considering the history of monasticism and the cult of the Virgin Mary. This book presents the first English translation of the Gospel of Pseudo-Matthew with a full introduction and commentary, as well as translations of related works with accompanying commentaries.

The manuscript source for the Old English versions of two biblical apocrypha, The Gospel of Nichodemus and The Avenging of the Saviour.

"The Blickling Homilies, which date from the end of the tenth century, are one of the earliest extant collections of English vernacular homiletic writings. The homiletic texts survive in a composite codex consisting of Municipal Entries for the Council of Lincoln (fourteenth to seventeenth century), a Calendar (mid-fifteenth century), Gospel Oaths (early fourteenth century) and the eighteen homiletic texts that are based on the annual liturgical cycle. The Blickling Homilies are an important literary milestone in the early evolution of English prose." "The manuscript, in the William H. Scheide collection which is housed in Princeton University Library (MS. 71, s.x/xi), was edited in facsimile by Rudolph Willard and published as Volume 10 of Early English Manuscripts in Facsimile (Copenhagen, 1960). The previous edition of The Blickling Homilies is by Richard Morris, published as three volumes in 1874, 1876 and 1880 (reprinted as one volume in 1967) by the Early English Texts Society (London), though individual items from the collection have also been published in readers and anthologies." "This new edition makes certain corrections to Morris's editing of the manuscript and the translations are modernized and made more exact. It also formats both the original text and facing-page translation into paragraphs based on the considered opinion of the editor, which makes it easier to comprehend the flow of the prose. Finally, the text and translation are accompanied with a general introduction, textual notes, tables and charts, select bibliography and index."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The Anonymous Old English Homily: Sources, Composition, and Variation offers important essays on the origins, textual transmission, and (re)use of early English preaching texts between the ninth and the late twelfth centuries. Associated with the Electronic Corpus of Anonymous Homilies in Old English project, these studies provide fresh insights into one of the most complex textual genres of early medieval literature. Contributions deal with the definition of the anonymous homiletic corpus in Old English, the history of scholarship on its Latin sources, and the important unedited Pembroke and Angers Latin homiliaries. They also include new source and manuscript identifications, and in-depth studies of a number of popular Old English homilies, their themes, revisions, and textual relations. Contributors are: Aidan Conti, Robert Getz, Thomas N. Hall, Susan Irvine, Esther Lemmerz, Stephen Pelle, Thijs Porck, Winfried Rudolf, Donald G. Scragg, Robert K. Upchurch, Jonathan Wilcox, Charles D. Wright, Samantha Zacher. See inside the book.

Images and texts tell various stories about the Virgin Mary in Byzantium, reflecting an important cult with strong doctrinal foundations.

Perceptions of Medieval Manuscripts takes as its starting point an understanding that a medieval book is a whole object at every point of its long history. As such, medieval books can be studied most profitably in a holistic manner as objects-in-the-world. This means readers might profitably account for all aspects of the manuscript in their observations, from the main texts that dominate the codex to the marginal notes, glosses, names, and interventions made through time. This holistic approach allows us to tell the story of the book's life from the moment of its production to its use, collection, breaking-up, and digitization--all aspects of what can be termed 'dynamic architextuality'. The ten chapters include detailed readings of texts that explain the processes of manuscript manufacture and writing, taking in invisible components of the book that show the joy and delight clearly felt by producers and consumers. Chapters investigate the filling of manuscripts' blank spaces, presenting some texts never examined before, and assessing how books were conceived and understood to function. Manuscripts' heft and solidness can be seen, too, in the depictions of miniature books in medieval illustrations. Early manuscripts thus become archives and witnesses to individual and collective memories, best read as 'relics of existence', as Maurice Merleau-Ponty describes things. As such, it is urgent that practices fragmenting the manuscript through book-breaking or digital display are understood in the context of the book's wholeness. Readers of this study will find chapters on multiple aspects of medieval bookness in the distant past, the present, and in the assurance of the future continuity of this most fascinating of cultural artefacts.