Praying the Movies is a collection of thirty-one devotions that connect movies with the spiritual life of moviegoers. Each devotion contains a passage from Scripture, a description of a scene from a popular film, and a meditation connecting the themes in the scene to the Scripture passage. Also included in each devotion are questions to encourage further reflection, a suggestion for a hymn, and a brief prayer.

From "To Kill a Mockingbird" to "O Brother, Where Art Thou?," this collection of 31 devotionals incorporates popular movies with passages from Scripture. Each devotional includes a meditation, questions to encourage reflection, a prayer, and a hymn.

Movies do more than tell a good story. Filmspotting co-host Josh Larsen brings a critic's unique perspective to how movies can act as prayers—expressing lament, praise, joy, confession, and more. When words fail, the perfect film might be just what you need to jump-start your conversations with the Almighty.

Links film history with church history over the past century, illuminating America’s broader relationship with religious currents over time Moments of prayer have been represented in Hollywood movies since the silent era, appearing unexpectedly in films as diverse as Rebecca of Sunnybrook Farm, Frankenstein, Amistad, Easy Rider, Talladega Nights, and Alien 3, as well as in religiously inspired classics such as Ben-Hur and The Ten Commandments. Here, Terry Lindvall examines how films have reflected, and sometimes sought to prescribe, ideas about how one ought to pray. He surveys the landscape of those films that employ prayer in their narratives, beginning with the silent era and moving through the uplifting and inspirational movies of the Great Depression and World War II, the cynical, anti-establishment films of the 60s and 70s, and the sci-fi and fantasy blockbusters of today. Lindvall considers how the presentation of cinematic prayer varies across race, age, and gender, and places the use of prayer in film in historical context, shedding light on the religious currents at play during those time periods. God on the Big Screen demonstrates that the way prayer is presented in film during each historical period tells us a great deal about America’s broader relationship with religion.

Juggling motherhood and her job as a real-estate agent, Elizabeth Jordan wishes her husband could help more around the house. But Tony’s rising career as a pharmaceutical salesman demands more and more of his time. With a nice home in the suburbs and a lovely young daughter, they appear to have it all—yet they can’t seem to spend time together without fighting. Hoping for a new listing, Elizabeth visits the home of Clara Williams, an elderly widow, and is both amused and uncomfortable when Clara starts asking pointed questions about her marriage and faith. But it’s Clara’s secret prayer room, with its walls covered in requests and answers, that has Elizabeth most intrigued . . . even if she’s not ready to take Clara’s suggestion that she create a prayer room of her own. As tensions at home escalate, though, Elizabeth begins to realize that her family is worth fighting for, and she can’t win this battle on her own. Stepping out in blind faith, putting her prayers for her family and their future in God’s hands, might be her only chance at regaining the life she was meant for.

Much of what we see expressed in the church today is built on more than just the New Testament. It's built mostly on the Old Testament, Church culture, and Paganism. If we are to succeed in making disciples of all nations then we must go back to the "template" we find in the Bible. Let the reformation begin!

Links film history with church history over the past century, illuminating America’s broader relationship with religious currents over time Moments of prayer have been represented in Hollywood movies since the silent era, appearing unexpectedly in films as diverse as Rebecca of Sunnybrook Farm, Frankenstein, Amistad, Easy Rider, Talladega Nights, and Alien 3, as well as in religiously inspired classics such as Ben-Hur and The Ten Commandments. Here, Terry Lindvall examines how films have reflected, and sometimes sought to prescribe, ideas about how one ought to pray. He surveys the landscape of those films that employ prayer in their narratives, beginning with the silent era and moving through the uplifting and inspirational movies of the Great Depression and World War II, the cynical, anti-establishment films of the 60s and 70s, and the sci-fi and fantasy blockbusters of today. Lindvall considers how the presentation of cinematic prayer varies across race, age, and gender, and places the use of prayer in film in historical context, shedding light on the religious currents at play during those time periods. God on the Big Screen demonstrates that the way prayer is presented in film during each historical period tells us a great deal about America’s broader relationship with religion.

Annotation Few aspects of American military history have been as vigorously debated as Harry Truman's decision to use atomic bombs against Japan. In this carefully crafted volume, Michael Kort describes the wartime circumstances and thinking that form the context for the decision to use these weapons, surveys the major debates related to that decision, and provides a comprehensive collection of key primary source documents that illuminate the behavior of the United States and Japan during the closing days of World War II. Kort opens with a summary of the debate over Hiroshima as it has evolved since 1945. He then provides a historical overview of thye events in question, beginning with the decision and program to build the atomic bomb. Detailing the sequence of events leading to Japan's surrender, he revisits the decisive battles of the Pacific War and the motivations of American and Japanese leaders. Finally, Kort examines ten key issues in the discussion of Hiroshima and guides readers to relevant primary source documents, scholarly books, and articles.

The religious imagination is alive and well in the movies. Contrary to those who criticize Hollywood, popular movies very often have metaphorically represented God on the screen. From Clint Eastwood as an avenging angel in Pale Rider and Nicolas Cage as a lovesick angel in City of Angels to Jessica Lange as an angel of death in All That Jazz, and from George Burns as God in Oh, God! to Audrey Hepburn in Always to pure white light in Fearless and Flatliners, God is very much present in the movies.

More than 500,000 copies sold! Updated and expanded! Prayer is hard. Often, unless circumstances demand it—such as an illness or saying grace before a meal—most of us simply do not pray. This kind of prayerlessness can leave us with a distressed spirit and practical unbelief characterized by fear, anxiety, joylessness, and spiritual depression. A Praying Life is a prayer guide that has encouraged thousands of Christians to pursue a vibrant prayer life full of joy and power and has helped them learn how to pray faithfully and courageously. A life of prayer invites you to a life of connection to God. When Jesus describes the intimacy that He seeks with us, He talks about joining us for dinner (Revelation 3:20). This book reminds readers that prayer is simply making conversation with God a rhythm of daily Christian life. A Praying Life includes chapters about: How to deal with unanswered prayer How to start a prayer journal Does prayer make a difference? Now with added chapters addressing prayers of lament and further guidance for using prayer cards, Paul Miller invites you to foster prayer that regularly hopes, trusts, and expects God to act. Learn to develop helpful habits and approaches to prayer that will enable you to return to a childlike faith and witness spiritual growth today! “This book will be like having the breath of God at your back. Let it lift you to new hope.” —Dan B. Allender, PhD, author of Bold Love