Walt Whitman’s meditation on time is the undercurrent running through Postscripts, a series of reflections on finding one’s place in the endless chain of time. In linked essays, Robert Root ranges across American terrains and landscapes including locales as varied as Walden Pond and Mesa Verde, the mountains of Montana and the coastline of Maine, Great Lakes shorelines and Manhattan on the first day of the war with Iraq. Rich in “all that retrospection,” Postscripts chronicles moments of intimacy and arrival in the natural world while also charting intersections of natural, cultural, and personal history. Whether revisiting the first European settlement in Nova Scotia or seeking out the sites of E. B. White’s life and literature, exploring the only old-growth forest in lower Michigan or shifting perceptions at the birth of a granddaughter, Root offers readers a new perspective on the relationship between time and place, time and timelessness, history and personal history. If the past is prologue, his book suggests, the present is postscript.

Proving himself yet again a master of every form, Barth conquers in his latest the ruminative short essay—“​​jeux d’esprits,” as Barth describes them. These mostly one-page tidbits pay homage to Barth’s literary influences while retaining his trademark self-consciousness and willingness to play.

India and South Africa, two states that bookended the process of twentieth-century decolonization, punched above their weight in global politics in their initial years of liberation. Postscripts on Independence analyses and compares the making of foreign policy ideas, identities, and institutions of postcolonial India and South Africa. It shows how both countries have responded to the contradictory demands of their freedom struggles against colonialism and pragmatic challenges of international politics. Vineet Thakur argues that the countries’ geopolitical positioning in South Asia and southern Africa make them regional powers, with similar sets of problems and prospects, as both continue to grapple with the idea of maintaining regional and/or continental hegemony. By undertaking a comparative analysis, Thakur explores a framework to understand the foreign policymaking fears, aspirations, and international behaviour of these two nation states.

The title of the book is self-explanatory…. As I try to include some forgotten people, places, school college, teachers, events, my dear family, relatives and friends who touched and impacted our lives and left an indelible impression on us….we didn’t realize their true worth and took many things for granted as we thought that was the way of life in our sheltered world of simplicity and innocence .

Sixteen years after Cecelia Ahern's bestselling phenomenon PS, I Love You captured the hearts of millions, the long-awaited sequel follows Holly as she helps strangers leave their own messages behind for loved ones. Seven years after her husband's death -- six since she read his final letter -- Holly Kennedy has moved on with her life. When Holly's sister asks her to tell the story of the "PS, I Love You" letters on her podcast -- to revisit the messages Gerry wrote before his death to read after his passing -- she does so reluctantly, not wanting to reopen old wounds. But after the episode airs, people start reaching out to Holly, and they all have one thing in common: they're terminally ill and want to leave their own missives behind for loved ones. Suddenly, Holly finds herself drawn back into a world she's worked tirelessly to leave behind -- but one that leads her on another incredible, life-affirming journey. With her trademark blend of romance, humor, and bittersweet life lessons, Postscript is the perfect follow-up to Ahern's beloved first novel. Includes a Reading Group Guide.

Dave Simms is a young black marine stationed at the Da Nang Air Base during the Vietnam War. Working as a supply clerk, he fights not only the Viet Cong but also everyday boredom and the absurdity of military life. In the face of those challenges, his search for personal identity leads him through a drunken and reefer-smoking year of ludicrous encounters. Simms finds himself in perilous surroundings and yet is protected from the worst of events in many waysbut not always. The horrors of war reach even him, leaving a mark that not even alcohol fueled nights can erase. Simms rarely meets the enemy, but his worst fears arise more from what the marines might do to him. The preposterous, bloodthirsty mind-set of the Marine Corps feeds his hatred for them and his determination to leave Vietnam not only alive and in one piece but also in his right minda goal that might prove impossible to achieve. In this military novel, a young marine serving in Vietnam struggles to stay alive and keep his sanity in the face of the brutality of war.

Sunday evening talks over the radio.

Foreword by Richard Ingrams. Ronald Faulkner was born and raised for the first quarter of his life in Australia. He was a troubled child giving his mother a rough time after his father died hen he was just seven years old. Although dreaming of a career in the Australian Royal Navy, fate had othrt ideas and, through a series of chance encounters, he found himself embarking on a career in the theatre - not unlike his father, the silent film actor John Faulkner, and his mother, Sheila Whytock, a ballerina. This is his story, a fascinating tale of comedy, elation, sadness, and tremendous challenge.