This book looks at eight post Arab Spring novels in the context of Gilles Deleuze’s and Félix Guattari’s theory of minor literature. Ahdaf Soueif, Hisham Matar, Karim Alrawi, Youssef Rakha, Yasmine El Rashidi, Omar Rober Hamilton, Saleem Haddad, and Nada Awar Jarrar all focus on the Arab world in their work; on the lives of ordinary and minority peoples; and on the revolutions of their respective nations. This volume shows how these contemporary Anglo-Arab novelists exhibit linguistic experimentation akin to Deleuze’s and Guattari’s theory of ‘deterritorialization’, but in a way that is unique to Anglo-Arab writing. The selected novelists repudiate the use of metamorphosis, which is usually an essential part of the deterritorialization of a major language. Instead, their writings enact the minor practice of linguistic deterritorialization by using metaphor and by incorporating contemporary modes of protest like popular slogans, tweets, and chants. These authors challenge the conventions of minor literature and, by adopting this mode of deterritorialization, foreground the experiences of officially silenced voices.

On January 28 2011 WikiLeaks released documents from a cache of US State Department cables stolen the previous year. The Daily Telegraph in London published one of the memos with an article headlined 'Egypt protests: America's secret backing for rebel leaders behind uprising'. The effect of the revelation was immediate, helping set in motion an aggressive counter-narrative to the nascent story of the Arab Spring. The article featured a cluster of virulent commentators all pushing the same story: the CIA, George Soros and Hillary Clinton were attempting to take over Egypt. Many of these commentators were trolls, some of whom reappeared in 2016 to help elect Donald J. Trump as President of the United States. This book tells the story of how a proxy-communications war ignited and hijacked the Arab uprisings and how individuals on the ground, on air and online worked to shape history.

Surveying the causes of the Arab Spring, and revealing the governing trends arising from it, this book examines various international relation theories through the lens of the experiences of the countries in the Middle East and North Africa region. It takes the events of the Arab Spring as an outcome of globalization’s double movement whose integrative cultural, political and security frameworks devastated nationally controlled economies, undermining the nation-state system and propagating a decentralized and communitarian-based governance structure. The consequences for many plural, diverse societies were two-fold: autocratic nationalism was discarded while decentralized regimes representing communitarian-based politics came to the fore. The author reveals how the formulation of a new communitocratic order rests on the accommodation of this newly emerging communitarianism and explores the major drivers of political transformation, describing the emerging communities, forecasting their governing options and the possible repercussions for the post-Arab Spring states.

Since 2013, the Middle East has experienced a double trend of chaos and civil war, on the one hand, and the return of authoritarianism, on the other. That convergence has eclipsed the political transitions that occurred in the countries whose regimes were toppled in 2011, as if they were merely footnotes to a narrative that naturally led from an "Arab Spring" to an "Arab Winter". This volume aims at rehabilitating those transitions, by considering them as expressions of a "revolutionary moment" whose outcome was never pre-determined, but depended on the choices of a large range of actors. It brings together leading scholars of Arab politics to adopt a comparative approach to a few crucial aspects of those transitions: constitutional debates, the question of transitional justice, the evolution of civil-military relations, and the role of specific actors, both domestic and international.

Set in Cairo between 1997 and 2011, The Crocodiles is narrated in numbered, prose poem-like paragraphs, set against the backdrop of a burning Tahrir Square, by a man looking back on the magical and explosive period of his life when he and two friends started a secret poetry club amid a time of drugs, messy love affairs, violent sex, clumsy but determined intellectual bravado, and retranslations of the Beat poets. Youssef Rakha’s provocative, brutally intelligent novel of growth and change begins with a suicide and ends with a doomed revolution, forcefully capturing thirty years in the life of a living, breathing, daring, burning, and culturally incestuous Cairo.

This pioneering explanation of the Arab Spring will define a new era of thinking about the Middle East. In this landmark book, Hamid Dabashi argues that the revolutionary uprisings that have engulfed multiple countries and political climes from Morocco to Iran and from Syria to Yemen, were driven by a 'Delayed Defiance' - a point of rebellion against domestic tyranny and globalized disempowerment alike - that signifies no less than the end of Postcolonialism. Sketching a new geography of liberation, Dabashi shows how the Arab Spring has altered the geopolitics of the region so radically that we must begin re-imagining the 'the Middle East'. Ultimately, the 'permanent revolutionary mood' Dabashi brilliantly explains has the potential to liberate not only those societies already ignited, but many others through a universal geopolitics of hope.

From a gay man secretly mourning his lover's suicide in Morocco to a young woman denied schooling because of religious discrimination in Iran, Arab Spring Dreams spotlights some of the Middle East's most outspoken young dissidents. The essayists cover a wide range of experiences, including premarital sex, the lack of educational opportunities, teenage marriage, and the fight for political freedom. They also highlight how repressive laws and cultural mores snuff out liberty and stifle growth and consider how previous movements - particularly the American civil rights struggle - might be channeled to effect change in their own countries. Beautifully written and profoundly moving, these stories present a decisive call for change at a crucial point in the evolution of the Middle East.

The aim of this volume is to adopt an original analytical approach in explaining various dynamics at work behind the Arab Spring, through giving voice to local dynamics and legacies rather than concentrating on debates about paradigms. It highlights micro-perspectives of change and resistance—as well of contentious politics—that are often marginalized and left unexplored in favor of macro-analyses. First, the story of the uprisings in Tunisia, Egypt, Syria, Morocco and Algeria is told through diverse and novel perspectives, looking at factors that have not yet been sufficiently underlined, but carry explanatory power for what has occurred. Second, rather than focusing on macro-comparative regional trends, the contributors to this book focus on the particularities of each country, highlighting distinctive micro-dynamics of change and continuity. The essays collected here are contributions from renowned writers and researchers from the Middle East and North Africa, along with Western experts, brought together to form a sophisticated dialogic exchange.

“Weird and wild.” —BookRiot “An effective critique of authoritarianism.” —NPR “Equal parts dystopia, satire, and allegory. —Los Angeles Review of Books Set against the backdrop of a failed political uprising in Egypt, this chilling debut evokes Orwellian dystopia, Kafkaesque surrealism, and a very real vision of life after the Arab Spring. In a surreal, but familiar, vision of modern day Egypt, a centralized authority known as ‘the Gate’ has risen to power in the aftermath of the ‘Disgraceful Events,’ a failed popular uprising. Citizens are required to obtain permission from the Gate in order to take care of even the most basic of their daily affairs, yet the Gate never opens, and the queue in front of it grows longer. Citizens from all walks of life mix and wait in the sun: a revolutionary journalist, a sheikh, a poor woman concerned for her daughter’s health, and even the brother of a security officer killed in clashes with protestors. Among them is Yehia, a man who was shot during the Events and is waiting for permission from the Gate to remove a bullet that remains lodged in his pelvis. Yehia’s health steadily declines, yet at every turn, officials refuse to assist him, actively denying the very existence of the bullet. Ultimately it is Tarek, the principled doctor tending to Yehia’s case, who must decide whether to follow protocol as he has always done, or to disobey the law and risk his career to operate on Yehia and save his life. Written with dark, subtle humor, The Queue describes the sinister nature of authoritarianism, and illuminates the way that absolute authority manipulates information, mobilizes others in service to it, and fails to uphold the rights of even those faithful to it.

Over the past few months I have delivered lectures, presentations and interviews on the Egyptian Revolution. I have had overflowing houses everywhere, been stopped by old ladies in the street and had my hand shaken by numerous taxi drivers and shopkeepers. And all because I’m Egyptian and the glitter of Tahrir is upon me. They wanted me to talk to them, to tell them stories about it, to tell them how, on the 28th of January when we took the Square and The People torched the headquarters of the hated ruling National Democratic Party, The (same) People formed a human chain to protect the Antiquities Museum and demanded an official handover to the military; to tell them how, on Wednesday, February 2nd, as The People defended themselves against the invading thug militias and fought pitched battles at the entrance to the Square in the shadow of the Antiquities Museum, The (same) People at the centre of the square debated political structures and laughed at stand-up comics and distributed sandwiches and water; to tell them of the chants and the poetry and the songs, of how we danced and waved at the F16s that our President flew over us. People everywhere want to make this Revolution their own, and we in Egypt want to share it. Ahdaf Soueif - novelist, commentator, activist - navigates her history of Cairo and her journey through the Revolution that’s redrawing its future. Through a map of stories drawn from private history and public record Soueif charts a story of the Revolution that is both intimately hers and publicly Egyptian. Ahdaf Soueif was born and brought up in Cairo. When the Egyptian Revolution of 2011 erupted on January 25th, she, along with thousands of others, called Tahrir Square home for eighteen days. She reported for the world’s media and did - like everyone else - whatever she could.