Three djinn warriors. One power-hungry sorceress. The battle for good and evil has taken a whole new turn… From New York Times Bestselling Author Elisabeth Naughton, the final story in a series about brotherhood, survival and unexpected love in a world filled with magic and betrayal. Even desire comes at a price… Imprisonment has taught Ashur, the youngest djinn prince enslaved by a power-hungry sorceress, one thing: life as a pleasure slave has its rewards…if you play by the rules. He’s been tortured. He’s nearly died protecting a tribe that’s forsaken him. But he’s also seen life on the other side as an obedient slave. For a shot at revenge against the brothers who abandoned him, he’s willing to serve his master, even if it means using passion to corrupt the souls she needs to fuel her immortality. His first assignment, however, turns out to be more than just a woman in need of a little pleasure. Claire is an angel, and angels have the ability to steal djinn powers. No amount of vengeance—not even a ravenous desire he can’t seem to control—is worth the loss of his powers. And there’s no way he’s tangling with a celestial being. Unless, of course, she tangles with him first…

Whitman has long been more than a celebrated American author. He has become a kind of hero, whose poetry vindicates beliefs not only about poetry but also about sexuality and power. In Whitman Possessed: Poetry, Sexuality, and Popular Authority, Mark Maslan presents a challenging theory of Whitman's poetics of possession and his understandings of individual and national identity. By reading his works in relation to nineteenth-century theories of sexual desire, poetic inspiration, and political representation, Maslan argues that the disintegration of individuality in Whitman's texts is not meant to undermine cultural hierarchies, but to make poetic and political authority newly viable. In particular, Maslan explores the social impact of nineteenth-century sexual hygiene literature on Whitman's works. He argues that Whitman developed his ideas about poetry, sexuality, and authority by responding to a prominent argument that desire subjected male bodies to a penetrating and feminizing force. By identifying poetic inspiration with this erotic dynamic, Whitman imbued his poetic voice with a kind of transformative power. Whitman aligned his poetry with an impartial authority hard to find elsewhere and inclined his work as a poet to speak for the voiceless, for the masses, and for an entire nation.

Roaming from Tashkent to San Francisco, this is the true story of one budding writer's strange encounters with the fanatics who are devoted - absurdly! melancholically! ecstatically! - to the Russian classics. Combining fresh readings of the great Russians from Gogol to Goncharov with the sad and funny stories of the lives they continue to influence, The Possessed introduces a brilliant and distinctive new voice: comic, humane, charming, poignant and completely, and unpretentiously, full of an infectious love for literature.

Ownership is on most people's lips these days, or at least the lack of ownership. Everywhere people seem to be fighting over what is theirs. They want to take back their property, their lands, their liberty, their bodies, their identity, and their right to do what they want. These demands arequite remarkable when you consider that ownership is not an observable property but rather an abstract concept. And yet this abstract concept controls just about everything we do, and rarely do we stop to consider how it rules our lives. Ownership even explains the anger and political turmoil thatis currently sweeping over Western democracies: people feel they have had something taken away, something they used to own in the past and want back.Possessed is the first accessible book to consider the psychological origins and future of ownership in a rapidly changing world. It reveals how we are compelled to accumulate possessions in a relentless drive to seek status and approval by signalling our values to others by what we own. It tracesthe history of ownership but looks to the future as our drive to own will need to adapt to environmental and technological change.

"Girard fuses literary, psychological, and anthropological texts in order to view the activity of mimesis. This includes the phenomena of scapegoating, victimage, and sacrifice. They, in turn, serve as starting points for a breathtakingly daring and encompassing theory of the origins of human culture. In an era of interdisciplinary studies, this volume stands alone."--"Choice."

Don't call me a demon. I prefer the term Fallen Angel. Everybody deserves a vacation, right? Especially if you have a pointless job like tormenting the damned. So who could blame me for blowing off my duties and taking a small, unauthorized break? Besides, I've always wanted to see what physical existence is like. That's why I "borrowed" the slightly used body of a slacker teen. Believe me, he wasn't going to be using it anymore anyway. I have never understood why humans do the things they do. Like sin—if it's so terrible, why do they keep doing it? I'm going to have a lot of fun finding out!

Caught between a younger man that doesn't promise anything, her older former lover, and her senile mother, Josephine travels to a haunted quarantine island, where she meets an enigmatic, beatiful man with a haunting story.

In Possessed, Rebecca R. Falkoff asks how hoarding—once a paradigm of economic rationality—came to be defined as a mental illness. Hoarding is unique among the disorders included in the American Psychiatric Association's DSM-5, because its diagnosis requires the existence of a material entity: the hoard. Possessed therefore considers the hoard as an aesthetic object produced by clashing perspectives about the meaning or value of objects. The 2000s have seen a surge of cultural interest in hoarding and those whose possessions overwhelm their living spaces. Unlike traditional economic elaborations of hoarding, which focus on stockpiles of bullion or grain, contemporary hoarding results in accumulations of objects that have little or no value or utility. Analyzing themes and structures of hoarding across a range of literary and visual texts—including works by Nikolai Gogol, Arthur Conan Doyle, Carlo Emilio Gadda, Luigi Malerba, Song Dong and E. L. Doctorow—Falkoff traces the fraught materialities of the present to cluttered spaces of modernity: bibliomaniacs' libraries, flea markets, crime scenes, dust-heaps, and digital archives. Possessed shows how the figure of the hoarder has come to personify the economic, epistemological, and ecological conditions of modernity. Thanks to generous funding from New York University and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access (OA) volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other Open Access repositories.

He watches me from the shadows. No, not from the shadows... he IS the shadows. My name is Angel and I've been hunting demons my whole life, sending them back to the festering pit they crawled from. To most hunters, it's just a job. To me, it's everything. I come alive with a blade in my hand, only feeling at peace when everything else is chaos. My problem? The King of Hell thinks he owns me. Lucifer is a storm. He crashes into my life after brewing on the horizon all these years, finally unleashing himself upon me and obliterating everything I thought real. He drags me to Hell and I'm lost. My own inner demons thrive in this place of sin and pain. My dark heart and traitorous body begin to agree that I'm his, but I know better than to listen to that pair. Game on, Lucifer. I'm going to destroy you. The Captive Collection A collection of dark and steamy reads spanning different genres. Each is a complete standalone, but they do have one thing in common - they're centered around a dark and angsty enemies-to-lovers / forbidden romance captive situation with badboys and anti-heroes!