Men are usually the heroes of Western stories, but women also played a crucial role in developing the American frontier, and their stories have rarely been told. This anthology of biographical essays on women promises new insight into gender in the 19C American West. The women featured include Asian Americans, African-Americans and Native American women, as well as their white counterparts. The original essays offer observations about gender and sexual violence, the subordinate status of women of color, their perseverance and influence in changing that status, a look at the gendered religious legacy that shaped Western Catholicism, and women in the urban and rural, industrial and agricultural West.

Men are usually the heroes of Western stories, but women also played a crucial role in developing the American frontier, and their stories have rarely been told. This anthology of biographical essays on women promises new insight into gender in the 19C American West. The women featured include Asian Americans, African-Americans and Native American women, as well as their white counterparts. The original essays offer observations about gender and sexual violence, the subordinate status of women of color, their perseverance and influence in changing that status, a look at the gendered religious legacy that shaped Western Catholicism, and women in the urban and rural, industrial and agricultural West.

Features portraits of female ranchers and cowgirls who live in the American West, and anecdotes about their daily lives and thoughts about the disappearance of their lifestyle.

A master of American fashion and art photography turns his artistry to capturing--in a series of photograph portraits--the cowboys, roustabouts, drifters, gamblers, bar girls, and others who characterize the modern Western experience

This engaging narrative synthesizes more than 20 years of historical writing on the history of women in the American West. Twenty years after many Western historians first turned their attention toward women, Women in the American West synthesizes the development of women's history in the region, introduces readers to current thinking on the real experiences of Western women, and explores their influence on the course of expansion and development since the 19th century. Women in the American West offers vivid portrayals of women as pioneers, prostitutes, teachers, disguised soldiers, nurses, entrepreneurs, immigrants, and ordinary citizens caught up in extraordinary times. Organized chronologically, each chapter emphasizes important themes central to gender and women's history, including women's mobility, women at home, wage labor, immigration, marriage, political participation, and involvement in wars at home and abroad. With this revealing volume, readers will see that women had a far more profound effect on the course of history in the Western United States than is commonly thought.

"Rather than the proverbial melting pot, Wilson asks us to recognize a West that is at least a place where, against a backdrop of aridity and expansive space, diverse lives can and do coexist." --John Rohrbach Renowned photographer Laura Wilson has captured the majesty, as well as the tragedy, of her home region of Texas and the wider West for more than three decades. A former assistant to Richard Avedon, she has published her work to wide acclaim over the past twenty-five years. As seen in this extraordinary book, Wilson's subjects range from legendary West Texas cattle ranches to impoverished Plains Indian reservations to lavish border-town cotillions. Also featured are compelling portraits of artists who are associated with the region, including Donald Judd, Ed Ruscha, and Sam Shepard. The unforgettable images in That Day, most of which are previously unpublished, tell sharply drawn stories of the people and places that have shaped, and continue to shape, the nation's most dynamic and unyielding land. Text from Wilson's journals accompanies the photographs, recalling her personal experiences behind the camera at the moment when a particular image was captured. With her incisive eye, Wilson casts a fresh light on the West--a topic of enduring fascination.

This volume contains 90 striking bandw photographs about the deep interior of the American west, a place where people are defined by their relations to animals and the land. In this chronicle of the everyday life of the last remaining cowboys, photographer Smith and author Klinkenborg capture a world of ranch-work, self-reliance, and hard-won trust. Oversize: 10.25x10.50". Annotation copyrighted by Book News, Inc., Portland, OR

Illustrated with more than 450 color photographs and historic images, this book pays tribute to the life and legacy of the pioneer woman in the American West, who worked on ranches, performed in Wild West shows, and competed in the rodeo arena.

A riveting and previously untold history of the American West, as seen by the pioneering women who advocated for their rights amidst challenges of migration and settlement, and transformed the country in the process Between 1840 and 1910, hundreds of thousands of men and women traveled deep into the underdeveloped American West, lured by adventure, opportunity, and the spirit of Manifest Destiny. These settlers soon realized that survival in a new society required women to compromise eastern sensibilities and take on some of their husbands’ responsibilities. At a time when women had very few legal or economic--much less political--rights, these women soon proved just as essential as men to westward expansion. During the mid-nineteenth century, the traditional domestic model of womanhood shifted to include public service, with the women of the West becoming town mothers who established schools, churches, and philanthropies, while also coproviding for their families. They claimed their own homesteads and graduated from new, free coeducational colleges that provided career alternatives to marriage. In 1869, the men of the Wyoming Territory gave women the right to vote--partly to persuade more of them to move west--but with this victory in hand, western suffragists fought relentlessly until the rest of the region followed suit. By 1914 western women became the first American women to vote--a right still denied to women in every eastern state. In New Women in the Old West, Winifred Gallagher brings to life the riveting history of the little-known women--the White, Black, and Asian settlers, and the Native Americans and Hispanics they displaced--who played monumental roles in one of America's most transformative periods. Drawing on an extraordinary collection of research, Gallagher weaves together the striking legacy of the persistent individuals who not only created homes on weather-wracked prairies, but also played a vital, unrecognized role in the women's rights movement and forever redefined the "American woman."

"Women: Portraits 1960-2000 is a compilation of portraits taken by American photographer Susan Wood of some of the most prominent and influential women of the 20th century. Her notable subjects include Diane von Furstenberg, Martha Stewart, Nora Ephron, Alice Waters, Jayne Mansfield, and Gloria Vanderbilt among many others. Susan Wood's work represents a number of milestones in American photography over a period of more than 40 years. She was involved with the original "Mad Men" of Madison Avenue and during that time won a Clios, the most sought-after award in advertising. Mademoiselle chose her as one of their top Ten Women of the Year and her work appeared in many other periodicals including Vogue, Life, Look, Harper's Bazaar, and New York magazine. Susan Wood was a founding member of the Women's Forum and was involved in the fight for women's rights and equality in the 1960s and 1970s. She was also friends with many of the vanguard of the feminist movement including Betty Friedan and Gloria Steinem. Although her most famous magazine cover is an epochal photograph of John Lennon and Yoko Ono for Look, Susan is also noted for her movie stills. Under contract to Paramount Pictures, United Artists and 20th Century Fox, Ms. Wood was on set during the filming of movies that defined the 1960s such as Easy Rider and Hatari. She has been represented by Getty Images since 2004." --