Well-known theatre and circus historian William L. Slout here collects together 29 first-hand accounts of 19th- and early 20th-century popular amusements, including summer resorts, watering places, agricultural fairs, World's Fairs, the circus, vaudeville, theatre, and amusement parks. Complete with index, introduction, and contemporaneous illustrations.

Political Animals offers a unique study and perspective on the relationship between politics and the art found in American zoos and aquariums. Jesse Donahue and Erik Trump examine the ways that zoos and aquariums have successfully served as sculptural gardens for the masses and have incorporated art and architecture that convey political messages about both the patrons and the animals. This book demonstrates how art has been used for a range of economic and political purposes including providing jobs, a medium to reach out to minority interest groups, a fundraising tool, and a surrogate for the animals themselves. Donahue and Trump skillfully analyze and compare zoos to other areas of public art to highlight the calculated strategies on the part of the zoos that have incorporated a range of artistic styles for different audiences. Incorporating photographs of zoo and aquarium art from around the country, Political Animals is an exciting and captivating text for the mind and eye.

Publisher Description

The latest title in the Norton/Library of Congress Visual Sourcebooks series, Theaters offers a richly illustrated history of a revered cultural artifact and a technological challenge, following its progression from the eighteenth-century opera house to the modern movie multiplex.

An Annotated Bibliography of the First 300 Publications of the Borgo Press, 1975-1998

This modern comedy highlights the clash between Denver Littlefield, a history professor at a California University, and his actress wife, Sarah Coleman, whose sudden surge in popularity after being cast in a popular soap opera threatens to swamp her husband's image and career.

When John Wilkes Booth died—shot inside a burning barn and dragged out twelve days after he assassinated President Lincoln—all he had in his pocket were a compass, a candle, a diary, and five photographs of five different women. They were not ordinary women. Four of them were among the most beautiful actresses of the day; the fifth was Booth's wealthy fiancé women who were consumed by love, jealousy, strife, and heartbreak; women whose lives took wild turns before and after Lincoln's assassination; women whom have been condemned to the footnotes of history... until now.

William L. Slout, entertainment historian par excellence, here provides five fascinating essays on the development of the American traveling circus in the post-Civil War era: "En Route to the Great Eastern Circus" (on the creation of this great show); "The Great Eastern Circus of 1872" (more details about one of P. T. Barnum's rivals); "The Not-So-Great Trans-Atlantic Circus and Menagerie" (how a show failed suddenly in a yellow fever epidemic); "What Goes Up...Comes Down" (how balloning became part of the circus environment); and "The Chicken or the Egg?" (on the first development of the double-ring act pioneered by Barnum and others). These vivid essays, highlighted by numerous contemporaneous excerpts from local newspapers, help bring a long-forgotten era alive again.

The nineteenth century saw the American circus move from a reviled and rejected form of entertainment to the "Greatest Show on Earth." Circus Life by Micah D. Childress looks at this transition from the perspective of the people who owned and worked in circuses and how they responded to the new incentives that rapid industrialization made possible. The circus has long been a subject of fascination for many, as evidenced by the millions of Americans that have attended circus performances over many decades since 1870, when the circus established itself as a truly unique entertainment enterprise. Yet the few analyses of the circus that do exist have only examined the circus as its own closed microcosm--the "circus family." Circus Life, on the other hand, places circus employees in the larger context of the history of US workers and corporate America. Focusing on the circus as a business-entertainment venture, Childress pushes the scholarship on circuses to new depths, examining the performers, managers, and laborers' lives and how the circus evolved as it grew in popularity over time. Beginning with circuses in the antebellum era, Childress examines changes in circuses as gender balances shifted, industrialization influenced the nature of shows, and customers and crowds became increasingly more middle-class. As a study in sport and social history, Childress's account demonstrates how the itinerant nature of the circus drew specific types of workers and performers, and how the circus was internally in constant upheaval due to the changing profile of its patrons and a changing economy. MICAH D. CHILDRESS received his PhD in history from Purdue University and currently works as a Realtor® in Grand Rapids, Michigan. His articles have appeared in Popular Entertainment Studies and American Studies.