When Samuel Beckett's work first appeared, it was routinely described, by Adorno among others, as a clear example of European high culture. However, this judgement ignored an aspect of Beckett's work and its reception that is, arguably, not yet fully understood; the intimate relation between his work and popular culture. Beckett used popular cultural forms; but popular culture has also found a place both for the work and for the man. This collection of essays examines how popular cultural forms and media are woven into the fabric of Beckett's works and how Beckett continues to have far-reaching impact on popular culture today in a host of different forms, in film and on television, from comics to meme culture, tourism to marketing.

Despite the steady rise in adaptations of Samuel Beckett’s work across the world following the author’s death in 1989, Beckett’s afterlives is the first book-length study dedicated to this creative phenomenon. The collection employs interrelated concepts of adaptation, remediation and appropriation to reflect on Beckett’s own evolving approach to crossing genre boundaries and to analyse the ways in which contemporary artists across different media and diverse cultural contexts – including the UK, Europe, the USA and Latin America – continue to engage with Beckett. The book offers fresh insights into how his work has kept inspiring both practitioners and audiences in the twenty-first century, operating through methodologies and approaches that aim to facilitate and establish the study of modern-day adaptations, not just of Beckett but other (multimedia) authors as well.

She’s been hurt too many times… Single mom Tiana Fitzgerald has sworn off all romantic relationships to protect herself and her daughter. Her track record is disastrous and she’s done getting hurt. But a certain sexy Scotsman in Crimson Point has other ideas, and somehow manages to sneak past her defenses at every turn. As the hits keep coming and her life implodes, she begins to see he’s unlike any man she’s ever known. Now he’s become the greatest threat to her heart, because there’s no possible future for them. Not when he’s leaving the country in a few weeks. And when her worst fears are realized, she must risk everything by placing her trust in in his hands. He’s determined to capture her heart. Scotsman Aidan MacIntyre never saw the fiery, beautiful Tiana coming. The prickly redhead has gotten under his skin as badly as he wants to get under hers. But she’s determined to keep walls between them. Luckily the former Royal Marine doesn’t know how to give up. Someone from her past wants to hurt her, but Aidan will stand between her and any threat. He’ll stop at nothing to protect her and the little girl who have completely stolen his heart—and fight for them to have a future together.

Exploring Beckett's relationship with the visual arts and its influence on his creative expression

Screen plays is a ground-breaking collection that chronicles the rich and surprising history of stage plays produced for the small screen between 1930 and the present. The volume opens with a substantial historical outline of how plays originally written for the theatre have been presented by the BBC and ITV, as well as independent producers and cultural organisations. Subsequent chapters utilise a variety of critical methodologies to analyse a wide range of outside broadcasts from theatres, screen adaptations of existing stage productions, along with original television productions of classic and contemporary drama. Making a compelling case for the centrality of the theatre to British television’s past and present, Screen plays opens up new areas of research for all those engaged in theatre, media and adaptation studies.

This collection offers an in-depth study of music’s narrative functions in radio drama, whether original or adapted, alongside speech and sound. It features a range of historical perspectives as well as case studies from Australia, Europe and North America, highlighting broadcasting institutions such as the BBC, RAI, ABC, WDR and SWR, from early radio to the medium’s postwar golden age and contemporary productions. Not limited to classical or popular music, the chapters also pay attention to electronic varieties and musical uses of language, in addition to intermedial exchanges with other art forms such as theatre, opera and film. In doing so, the present volume sits at the crossroads of various disciplines: musicology, narratology, history, literary, media, sound and radio studies.

BOOKS 5-8 OF THE CRIMSON POINT SERIES: ROCKY GROUND A single mother who has been hurt too many times… And the former Royal Marine determined to capture her heart. BROKEN BONDS Autumn winds and rain have returned to Crimson Point. But this year a different kind of storm is looming. DEADLY VALOR She’s been targeted by a killer. He’s the only man who can save her. DANGEROUS SURVIVOR She’s come back to face her demons. He’s the only man who can keep her safe.

This collection of fiction and poetry, memoirs and autobiography, history and journalism illuminates the African American experience in St. Louis in the nineteenth and twentieth centuries.

Bringing together an international and diverse group of scholars, Tuning in to the neo-avant-garde offers the first in-depth study of the radio medium’s significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar period. Covering radio works from the 1950s until the 2010s, the collection charts how artists across the UK, Europe and North America continued as well as reacted to the legacies of the historical avant-garde and modernism, operating within different national broadcasting contexts, by placing radio in an intermedial dialogue with prose, poetry, theatre, music and film. In doing so, the volume explores a wide variety of acoustic genres – radio play, feature, electroacoustic music, radiophonic poem, radio opera – to show that the medium deserves to occupy a more central place than it currently does in studies of literature, (inter)media(lity) and the (neo-)avant-garde.