The author covers the entire history of policewomen in America since their initial promotion from desk jobs to patrol positions, and through the ranks from there. In only 40 years, women in police departments across the country have advanced with amazing speed to positions traditionally reserved for men. Many have gone on to become police chiefs, SWAT team commanders, homicide detectives, training instructors, and patrol officers. Having witnessed first-hand the transition from women as metermaids to full-fledged officers, the author offers first-hand accounts from women and others engaged in this important and transformative change in the world of American policing.

It is often said that a woman must do a job twice as well as a man in order to get half the credit. This is particularly true of women in law enforcement. Women have been involved in various forms of policing for the last 100 years, but it wasn't until the Equal Employment Act of 1970 that women could move from the job of meter maids to patrol and detective work. Yet less than 1% of all top-level cops are women, and there remain significant obstacles in the career paths of women in the force. This book looks at the history of women police officers and provides first-hand accounts of women at every level, including those who drop out. It addresses discrimination, competition, lack of mentoring, differential treatment and sexual harrassment, examining what issues play into the decision to stick it out or leave that many policewomen face. It also considers the family issues these women return home to at the end of the day. It is often said that a woman must do a job twice as well as a man in order to get half the credit. This is particularly true of women in law enforcement. Women have been involved in various forms of policing for the last 100 years, but it wasn't until the Equal Employment Act of 1970 that women could move from the job of meter maids to patrol and detective work. Yet less than 1% of all top-level cops are women, and there remain significant obstacles in the career paths of women in the force. This book looks at the history of women police officers and provides first-hand accounts of women at every level, including those who drop out. It addresses discrimination, competition, lack of mentoring, differential treatment, and sexual harrassment. It looks at what plays into the decision to stick it out or leave that many policewomen face. It also considers the family issues these women return home to at the end of the day. Unlike other treatments of the subject, Alt and Wells show how women have changed police work into a more community-oriented model of policing, reduced police violence, served as a strong force to promote a more effective response to domestic violence within police departments, and helped with community-police relations. With a combination of first-hand accounts, careful research, and lively analysis, the authors are able to convey the actual experiences of women who have made their careers behind the shield.

What can be done to stop the declining numbers of women in law enforcement? If information is power, then Women Police: Portraits of Success could well reverse that trend. Author Patricia Lunneborg traveled from Anchorage to Brooklyn and points in between to conduct in-depth interviews with over 50 women officers, from small-town sergeant to the head of the Alaska State Patrol. What drew them to the job in the first place? What keeps them on the job? What are their daily challenges and satisfactions? How do they balance work and family? What are their ideas for improving all aspects of the system--recruiting, training, retention, and promotion? Portraits is a powerful recruitment tool, an essential primer for women thinking about a job in law enforcement. The book also serves the general public seeking answers to what the job is really like, career counselors, police recruiters, and law enforcement agencies at city, state, and federal levels trying to attract more women to protect and serve. Written in a direct, personal style, this unique book belongs on library shelves in Career Counseling, Women's Studies, Society and Justice, Sociology. Where else can a woman learn if the police service is for her and the general public find out what the job is really about?

A page-turning novel about the inner workings of the NYPD, based on the true story of a young officer's decades-long fight for respect in the male-dominated world. The Bronx, 1958. The Policewomen's Bureau isn’t respected within the Department, even when it handles cases the men can’t solve. Marie Carrara is a young police matron who wants to move beyond the grim routine of guarding female prisoners to become one of the few female detectives in the NYPD. Though she is a shy and naive, from a sheltered, immigrant background, Marie dives into the strange and terrifying world of big-city undercover work without hesitation, using her genuine innocence to deceive degenerates and drug dealers into thinking that she’s an easy target. As she begins to create tougher undercover characters, she discovers that they might be able to inspire her in her off-duty life as well. Despite the violence of her job, the sexism she faces daily, and a rocky-at-best marriage waiting for her at home, Marie is determined to make a name for herself within the NYPD and be the role model her young daughter deserves. With the support of Marie Cirile, the real-life inspiration for Marie Carrara, Edward Conlon adapts the true events of her memoir into a thrilling drama, a book only a best-selling author and decorated Bronx detective could have written.

Narcoterrorism wreaks havoc on the world as drug cartels operate as dominating, murderous dictatorships. The powerful Irish Drug Cartel has set up drug manufacturing plants around the world and they will kill anyone who gets in their way. Sarah is an ambitious policewoman from an antiterrorist unit. She's also smart, beautiful, and extremely good at her job, which is why she is assigned to an Interpol Incident Response Team in Manchester, set up to find and stop The Cartel. Alongside colleagues from the United Kingdom's SAS, she must quickly learn new Close Quarters Battle tactics and apply them to a vengeful and threatening battlefield. Sarah's investigation appears to be going well until the fight turns personal. She must now struggle to save her friends, family, and even herself. Spanning the globe with a keen knowledge of special forces tactics and some genuinely shocking twists, this book warns of a bloody, drug-addled future we may soon face.

A lively exploration of the struggles faced by women in law enforcement and mystery fiction for the past 175 years In 1910, Alice Wells took the oath to join the all-male Los Angeles Police Department. She wore no uniform, carried no weapon, and kept her badge stuffed in her pocketbook. She wasn’t the first or only policewoman, but she became the movement’s most visible voice. Police work from its very beginning was considered a male domain, far too dangerous and rough for a respectable woman to even contemplate doing, much less take on as a profession. A policewoman worked outside the home, walking dangerous city streets late at night to confront burglars, drunks, scam artists, and prostitutes. To solve crimes, she observed, collected evidence, and used reason and logic—traits typically associated with men. And most controversially of all, she had a purpose separate from her husband, children, and home. Women who donned the badge faced harassment and discrimination. It would take more than seventy years for women to enter the force as full-fledged officers. Yet within the covers of popular fiction, women not only wrote mysteries but also created female characters that handily solved crimes. Smart, independent, and courageous, these nineteenth- and early twentieth-century female sleuths (including a healthy number created by male writers) set the stage for Agatha Christie’s Miss Marple, Sara Paretsky’s V. I. Warshawski, Patricia Cornwell’s Kay Scarpetta, and Sue Grafton’s Kinsey Millhone, as well as TV detectives such as Prime Suspect’s Jane Tennison and Law and Order’s Olivia Benson. The authors were not amateurs dabbling in detection but professional writers who helped define the genre and competed with men, often to greater success. Pistols and Petticoats tells the story of women’s very early place in crime fiction and their public crusade to transform policing. Whether real or fictional, investigating women were nearly always at odds with society. Most women refused to let that stop them, paving the way to a modern professional life for women on the force and in popular culture.

On-the-record, in their own names, accounting from three generations of female officers whose only commonality is the badge and gun.

Women in Policing provides an insight into women's role within policing, their emergence, and development, offering a theoretical underpinning to explore this role as well as incorporating two empirical studies, one which reassesses the lived experiences of female officers, and one based on FOI requests to examine police officer disciplinary offences in three police force areas. The book begins by exploring some of the history of ideas in relation to ideas about women and their supposed nature. Cunningham shows how a variety of feminist ideas and critique are of vital importance in illuminating and critiquing the place of women within this field and provides a feminist lens with which to explore these themes critically. The book also examines the re-emergence of these ideas about women in current women and policing literature. Together, exploration of these sources using a feminist conceptual framework facilitates a new, rich analysis that is both reflective and reflexive, culminating in a novel snapshot of the place of women in policing in England. She argues that accepting both institutional racism and institutional misogyny are vital in approaching transformational change in policing practice. The book concludes with a discussion around how these findings can help with police confidence and legitimacy in the future. A fundamental examination of the ideas underpinning how women’s integration and continuation in policing has happened, where it is currently, and where it may go, Women in Policing will be of great interest to police practitioners and students as well as Criminology, Sociology, and Law and Policing scholars.

A lively exploration of the struggles faced by women in law enforcement and mystery fiction for the past 175 years In 1910, Alice Wells took the oath to join the all-male Los Angeles Police Department. She wore no uniform, carried no weapon, and kept her badge stuffed in her pocketbook. She wasn’t the first or only policewoman, but she became the movement’s most visible voice. Police work from its very beginning was considered a male domain, far too dangerous and rough for a respectable woman to even contemplate doing, much less take on as a profession. A policewoman worked outside the home, walking dangerous city streets late at night to confront burglars, drunks, scam artists, and prostitutes. To solve crimes, she observed, collected evidence, and used reason and logic—traits typically associated with men. And most controversially of all, she had a purpose separate from her husband, children, and home. Women who donned the badge faced harassment and discrimination. It would take more than seventy years for women to enter the force as full-fledged officers. Yet within the covers of popular fiction, women not only wrote mysteries but also created female characters that handily solved crimes. Smart, independent, and courageous, these nineteenth- and early twentieth-century female sleuths (including a healthy number created by male writers) set the stage for Agatha Christie’s Miss Marple, Sara Paretsky’s V. I. Warshawski, Patricia Cornwell’s Kay Scarpetta, and Sue Grafton’s Kinsey Millhone, as well as TV detectives such as Prime Suspect’s Jane Tennison and Law and Order’s Olivia Benson. The authors were not amateurs dabbling in detection but professional writers who helped define the genre and competed with men, often to greater success. Pistols and Petticoats tells the story of women’s very early place in crime fiction and their public crusade to transform policing. Whether real or fictional, investigating women were nearly always at odds with society. Most women refused to let that stop them, paving the way to a modern professional life for women on the force and in popular culture.

Brass Buttons, Blue Coats “Remembering All Who Served 1871 to 1971” By: George E. Rutledge As a young police sergeant in 1976, George E. Rutledge met a veteran who told him, “I served 35 years in our police department and the day I retired was the very last time I ever heard from anyone in the police department. And the same thing will happen to you.” Rutledge has dedicated his life to making sure all who served in the Yonkers Police Department are remembered and honored. Brass Buttons – Blue Coats is a thorough documentation of all individuals who have served from the beginning of the Yonkers Police Department to 1971. Personal profiles and photographs create a lasting memorial of service. In 1866, still suffering from the turmoil of the Civil War, the town of Yonkers voted to hire fourteen Metropolitan Policemen from New York, creating the first Yonkers police force. From this humble beginning, the Yonkers police force has grown to over 600 dedicated men and women. From foot patrols to squad cars, notebooks to computers, the Yonkers police force has grown and adapted with the times. But the purpose has never wavered: to Serve and Protect. Civil War veterans, Vietnam veterans, rescue workers after 9/11, and Special Olympic volunteers – the Yonkers force is filled with people who have dedicated their lives to their country and their community. Rich with details of service and crimes over 100 years, Brass Buttons – Blue Coats is both a fitting tribute to brave men and women as well as a fascinating look at the history of Yonkers and the history of crime.