The definitive source of information, insight, and advice for creative writers, from the nation’s largest and most trusted organization for writers, Poets & Writers. For half a century, writers at every stage of their careers have turned to the literary nonprofit organization Poets & Writers and its award-winning magazine for resources to foster their professional development, from writing prompts and tips on technique to informative interviews with published authors, literary agents, and editors. But never before has Poets & Writers marshaled its fifty years’ worth of knowledge to create an authoritative guide for writers that answers every imaginable question about craft and career—until now. Here is the writing bible for authors of all genres and forms, covering topics such as how to: -Harness your imagination and jump-start your creativity -Develop your work from initial idea to final draft -Find a supportive and inspiring writing community to sustain your career -Find the best MFA program for you -Publish your work in literary magazines and develop a platform -Research writing contests and other opportunities to support your writing life -Decide between traditional publishing and self-publishing -Find the right literary agent -Anticipate what agents look for in queries and proposals -Work successfully with an editor and your publishing team -Market yourself and your work in a digital world -Approach financial planning and taxes as a writer -And much more Written by Kevin Larimer and Mary Gannon, the two most recent editors of Poets & Writers Magazine, this book brings an unrivaled understanding of the areas in which writers seek guidance and support. Filled with insider information like sample query letters, pitch letters, lists of resources, and worksheets for calculating freelance rates, tracking submissions, and managing your taxes, the guide does more than demystify the writing life—it also provides an array of powerful tools for building a sustainable career as a writer. In addition to the wealth of insights into creativity, publishing, and promotion are first-person essays from bestselling authors, including George Saunders, Christina Baker Kline, and Ocean Vuong, as well as reading lists from award-winning writers such as Anthony Doerr, Cheryl Strayed, and Natalie Diaz. Here, at last, is the ultimate comprehensive resource that belongs on every writer’s desk.

A collection of articles edited by the staff of Poets & Writers Magazine, this handy resource includes straightforward advice from professionals in the literary field and additional resources with insider tips. This practical guide will give you everything you need to understand what agents do, what you can expect from them, and how to find the best agent for you and your work: -Where agents search for new talent -Tips on how to secure an agent -What agents look for in the first few pages of a submission -How to follow up with an agent after you’ve submitted your work -The agent’s role in today’s publishing industry -How to know when the time has come to dissolve a relationship with an agent

Resource. THE DIRECTORY OF AMERICAN POETS & FICTION WRITERS is a required resource for any arts or presenting organization looking for literary readers, as well as for all publishers seeking to solicit work from the best American writers. In additon, writers can use the book to find the right writing mentor and connect with other writers. "When I directed my first arts program, [the Directory] delivered the addresses and phone numbers of writers I loved, but couldn't find. How many writers and audiences are robbed without the information between these covers?"--Cornelius Eady, co-founder and co-director, Cave Canem and author of Brutal Imagination.

Although many books deal individually with each of the major writers treated in Poets of Reality, none attempts through analyses of these particular men and their works, to identify the new directions taken by twentieth-century literature. J. Hillis Miller, challenging the assumption that modern poetry is merely the extension of an earlier romanticism, presents critical studies of the six central figuresâe"Joseph Conrad, W. B. Yeats, T. S. Eliot, Dylan Thomas, Wallace Stevens, and William Carlos Williamsâe"who played key roles in evolving a poetry in which âeoereality comes to be present to the senses, and present in the words of the poem which ratify this possession.âe A new kind of poetry has appeared in the twentieth century, the author claims, a poetry which, growing out of romanticism and symbolism, goes far beyond it. The old generalizations about the nature and use of poetry are no longer applicable, and it is the gradual emergence of new forms, culminating in the work of Williams, that Miller traces and defines.

Now in paperback, an irresistible gift for dog lovers: poems from the dogs' point of view, written by the well known writers and poets who love them. List of contributors: Edward Albee, Jennifer Allen, Danny Anderson, Lynda Barry, Rick Bass, Charles Baxter, Robert Benson, Roy Blount, Jr., Ron Carlson, Jill Ciment, Bernard Cooper, Stephen Dobyns, Mark Doty, Stephen Dunn, Anderson Ferrell, Amy Gerstler, Matthew Graham, Ron Hansen, Brooks Haxton, Cynthia Heimel, Amy Hempel, Noy Hollan, Andrew Hudgins, John Irving, Denis Johnson, R.S. Jones, Walter Kirn, Sheila Kohler, Maxine Kumin, Natalie Kusz, Anne Lamott, Gordon Lish, Ralph Lombreglia, Merrill Markoe, Pearson Marx, Erin McGraw, Heather McHugh, Arthur Miller, George Minot, Susan Minot, Honor Moore, Mary Morris, Alicia Muñoz, Elise Paschen, Padgett Powell, Wyatt Prunty, Lawrence Raab, Mark Richard, John Rybicki, Jeanne Schinto, Bob Shacochis, Jim Shepard, Karen Shepard, Lee Smith, Ben Sonnenberg, Kate Clark Spencer, Gerald Stern, Terese Svoboda, William Tester, Abigail Thomas, Lily Tuck, Sidney Wade, Kathryn Walker, William Wegman

Gary Soto is a widely published author of children's and young adult fiction, and he is an acclaimed poet--often referred to as one of the nation's first Chicano poets. With a sharp sense of storytelling and a sly wit, What Poets Are Like is a memoir of the writing life that shares the keen observation, sense of self and humor of such writers as Sherman Alexie and Nora Ephron. In some 60 short episodes, this book captures moments of a writer's inner and public life, close moments with friends and strangers, occasional reminders of a poet's generally low place in the cultural hierarchy; time spent with cats; the curious work of writing. He tells the stories of his time spent in bookstores and recounts the glorious, then tragic, arc of Cody's Bookstore in Berkeley, ending with the author whose scheduled event fell on the day after the business shut down, but who stood outside the locked door and read aloud just the same. As all writers do, Soto suffers the slings and arrows of rejection, often from unnamed Midwest poetry journals, and seeks the solace of a friendly dog at such moments. Soto jabs at the crumbs of reward available to writers--a prize nomination here, a magazine interview there--and notes the toll they take on a frail ego. The pleasure Soto takes in the written word, a dose of comic relief plus his appreciation of the decisive moment in life make this an engaging and readable writer's confession.

This essential handbook, revised and updated for 2010, provides everything you need to know about deciding where and how to apply to the best graduate creative writing programs for you. -The top programs in the United States. -How to decide where to apply. -Advice on preparing your application. -A look at PhD programs in writing. -Tips on becoming a teaching assistant. -How to get the most out of your MFA experience. A collection of articles edited by the staff of Poets & Writers Magazine, this handy resource includes straightforward advice from professionals in the literary field, additional resources to help you choose the best programs to apply to, and an application tracker to keep you organized throughout the process.

With passion, wit, and good common sense, the celebrated poet Mary Oliver tells of the basic ways a poem is built-meter and rhyme, form and diction, sound and sense. Drawing on poems from Robert Frost, Elizabeth Bishop, and others, Oliver imparts an extraordinary amount of information in a remarkably short space. "Stunning" (Los Angeles Times). Index.

The Poet Laureate's clear and entertaining account of how poetry works. "Poetry is a vocal, which is to say a bodily, art," Robert Pinsky declares in The Sounds of Poetry. "The medium of poetry is the human body: the column of air inside the chest, shaped into signifying sounds in the larynx and the mouth. In this sense, poetry is as physical or bodily an art as dancing." As Poet Laureate, Pinsky is one of America's best spokesmen for poetry. In this fascinating book, he explains how poets use the "technology" of poetry--its sounds--to create works of art that are "performed" in us when we read them aloud. He devotes brief, informative chapters to accent and duration, syntax and line, like and unlike sounds, blank and free verse. He cites examples from the work of fifty different poets--from Shakespeare, Donne, and Herbert to W. C. Williams, Frost, Elizabeth Bishop, C. K. Williams, Louise Glück, and Frank Bidart. This ideal introductory volume belongs in the library of every poet and student of poetry.

Featuring new work by Wells Tower, Michael Cera, and Etgar Keret, along with as always a bevy of lesser-known but nonetheless excellent writers investigating everything from mental hospitals to sentient mists, and possibly some kind of poster, Issue 30 warrants every ounce of attention and industry you'll give it, even if you are very important and your time is valuable--even if the fate of nations rests on your weary shoulders. You should still read Issue 30.