Poetry & Strikes examines shifting representations of strike action in the work of six British poets from the 1970s to the present day. It considers how these poets have come to contend with, and contribute to, narratives surrounding industrial disputes. Through these conversations, the book attempts to question the way in which union narratives and legacies are constructed, and to investigate the power dynamics that underpin the presentation of labour histories. The work of these poets helps us to understand how cultural memories have been formed, and makes it possible to see how these legacies may still be rewritten and reframed.

"Although his work comes out of the poetries of Kenneth Koch, John Ashbery, and Frank O Hara and James Tate, Young has his own original voice. The language, the invention, the imagination, and the sheer fun of his poems is astounding. It s not all dazzle either. The poems are also moving. This man reminds us that there is nothing more serious than a joke." Charles Simic, final judge and author of Jackstraws, Walking the Black Cat, and A Wedding in Hell "In this, the most beautiful of his three collections, Dean Young enlarges the project of North American Surrealism, gifting it with an entirely new intimacy and equally new range. His voice is sharply tender and mercifully unforgetful. These urgent, elegiac improvisations speed us towards millenium." Donald Revell, author of My Mojave, Arcady, and There Are Three

"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--

On a September morning, Bishop Stephen Cottrell said mass in his chapel, kissed his wife goodbye, stepped out of his front door and walked two miles to the nearest station. It was the start of a 700 kilometre pilgrimage to Santiago de Compostela. Choosing the least travelled route across northern Spain, he craved the solitude of the road and felt the small vulnerabilities of not knowing what each day would bring - where meals or a bed would be found - would be beneficial. As a busy diocesan bishop, he looked forward not so much to arriving at the great destination, but to what the journey itself would reveal to him. This is a spiritual diary of that journey, comprising reflections, prayer poems and evocative images from the road and poetry which Stephen Cottrell has written for many years. Arranged in four sections, each with seven paired reflections and poems, the shape of the book echoes the rhythm of walking and is an intimate and honest account of the profound effect of the age-old tradition of going on pilgrimage.

Every day people tune in to The Writer's Almanac on public radio and hear Garrison Keillor read them a poem. And here, for the first time, is an anthology of poems from the show, chosen by the narrator for their wit, their frankness, their passion, their "utter clarity in the face of everything else a person has to deal with at 7 a.m." The title Good Poems comes from common literary parlance. For writers, it's enough to refer to somebody having written a good poem. Somebody else can worry about greatness. Mary Oliver's "Wild Geese" is a good poem, and so is James Wright's "A Blessing." Regular people love those poems. People read them aloud at weddings, people send them by e-mail. Good Poems includes poems about lovers, children, failure, everyday life, death, and transcendance. It features the work of classic poets, such as Emily Dickinson, Walt Whitman, and Robert Frost, as well as the work of contemporary greats such as Howard Nemerov, Charles Bukowski, Donald Hall, Billy Collins, Robert Bly, and Sharon Olds. It's a book of poems for anybody who loves poetry whether they know it or not.

Comedian Gabbie Hanna brings levity to the twists and turns of modern adulthood in this exhilarating debut collection of illustrated poetry. In poems ranging from the singsong rhythms of children’s verses to a sophisticated confessional style, Gabbie explores what it means to feel like a kid and an adult all at once, revealing her own longings, obsessions, and insecurities along the way. Adultolescence announces the arrival of a brilliant new voice with a magical ability to connect through alienation, cut to the profound with internet slang, and detonate wickedly funny jokes between moments of existential dread. You’ll turn to the last page because you get her, and you’ll return to the first because she gets you.

The Poetic Avant-Garde compares three avant-garde groups active in the era between the world wars: those surrounding Jorge Luis Borges, W.H. Auden, and Andre Breton. These groups were composed of poets and writers who made use of the avant-garde's characteristic modes of self-expression: the publication of small journals, unorthodox attention-getting tactics, and interaction with the mainstream press. However, their differing aesthetic, social, and political agendas illustrate the surprisingly broad range of avant-gardism in the interwar era. Strong looks at the choices these three groups made when their radical goals collided with the forces of social and political change in the 1920s and 1930s, highlighting the disparity between their rhetoric and their actual achievements. The book focuses on the avant-garde's struggle to reconcile contradictory imperatives: a desire to be radically new while also finding an audience.

Beloved American poet Robert Frost's first three books, in one collection This volume presents Frost’s first three books, masterful and innovative collections that contain some of his best-known poems,including "Mowing," "Mending Wall," "After Apple-Picking," "Home Burial," "The Oven Bird," "Birches," and "The Road Not Taken." For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Arthania By: Ihor Pavlyuk Arthania is a personal prayer to God, which can be heard and read by people, and animals, and plants, and stars. New song rhythm forms and meanings are proposed in this book; the truth of author Ihor Pavlyuk’s life (as a citizen of Ukraine, who lived and worked in many countries of the world) is consonant with all the people of the planet who can take the subtle energy they need from this book if they adequately catch the wave of his soul through an interpretation. Within are themes of freedom, of the individual and society, the theme of love for nature, for the homeland, for one’s parents, other people, the theme of freedom, orphanhood (the author grew up an orphan), the struggle for independence—all expressed in this autobiographical book in a poetic style. His life credo is expressed in this book with these words: “I am ready to live for ages and I am ready to die at every moment.”