TIME to Make Fantasy into Reality! Do YOU find enjoyment in creativity? Have you had goals in the back of your mind? Is it painting, baking, teaching, or weight loss? Maybe it's none of this kind. If you have an urge to make the world better, If you have an interesting way to pursue it, My advice to you is not to wait ANY Just get out your tools and do it! God will help you if you ask Him! He will open the door for you! He says that all things are possible, His promises have always been true! .all things are possible to him who believes. Mark 9:23b

Poetry in Motion is an inspirational, insightful and in-depth collection of short poems that will be enjoyed by everyone, including: athletes, coaches and fans. The book offers a unique and creative look into the world of sports. The reader will get a glimpse into the preparation and mechanics of athletes and competition.

In a world where most of us are busy making a living, finding few moments to reflect and revere awe inspiring power of nature, both contributing and disrupting, its beauty, serenity and complexity and how we fit in and play our part, this book explores and evaluates all that in simple language. The beauty and power of nature pictured in the poems titled The Sun, The Cloud, A Rivers Tale, Autumn Leaves, and Rainbow. In a A Louts Legacy a portrayal of social malaise. Interesting interpretations are reflected in Time, A Holy Sanctuary and Of Good and Evil There is humour with substance in Follow the Man in the Middle And Oh Dream Examples of how commercial folly influenced our life over a period of time is apparent in Celebrations and Merry Christmas These are just a few examples. It is literally a reflection mirror of authors mind on aspects of life that move us.

Our merits that have molded to last, Subside in shapes with no contrast: Footsteps that carried our horizons Have faded into the brittle past. - excerpt from Empty Spaces

This personal, creative, critical work from a leading scholar of psychology is rooted in three novel concepts and aims to share critical pedagogy in the spirit of nascent potential found in the context of a colonial Puerto Rico. First comes the idea of ‘pedagogy in (e)motion’, or the emotional matrix of the teaching and learning process. Secondly, the author explores the notion of ‘street pedagogy’ as a genuine and powerful professional tool. And thirdly, the book underscores what Zambrana-Ortiz calls ‘the interconnection of the artscience within the political and biographical act of teaching’. The purpose is to inform education teaching practice with the radical framework that, like the neurosciences, believes emotions to be a vital precursor to the planning of action, the process of decision-making and the broadening of our cognitive parameters. The chapters focus on different and yet complementary dimensions of a college teaching initiative boasting a unique interplay between a transgressive narrative, reinvented methodology and authentic samples of students’ contributions to the project. Traditionally, emotional and visceral experiences have been downplayed and rejected as fundamental components of knowledge. This book makes the case for their reinstatement, and proposes that the pleasure and commitment of teaching itself can be seen as resistance given the challenging social and political context, the bureaucracy of the Puerto Rican higher education system, and the cynicism of the self-confessed cognoscenti who think that little political progress can come from within the university system. Such resistance has proved for the author a source of inspiration and has contributed to her creation and reconceptualization of approaches to critical and useful pedagogy. D edication To my students who inspire many stories and provoke many emotions and challenge my capacities... To Aura, Ignacio and Jaime for their unconditional love and their everyday lessons... A cknowledgments Many friends, mentors and colleages from the University of Puerto Rico and United States were very important pieces to my creative work. Thanks to Donaldo Macedo who encouraged the initial proposal and to Joe Kincheloe for accepting it and bringing guidance in the right moment. Colleages like Roamé Torres and Angeles Molina, from their directive positions, were extremely supportive while Sandra Macksoud, José Solís, Pedro Subirats, and Ada Prabhavat gave me guidance and constant insights in editing and translation, as well as crucial material for my narrative. Juan Vadi enhanced my graphic elements with his talent; while college mentors, current colleages, teachers, and former graduate and undergraduate students allowed me to write their stories and reflections binging fresh accents and life to the book. Thanks for ever!

I worked as a welder fabricator for twenty-five years, and along the way and as long as I can remember, I enjoyed a crowded room for enough time as was shared in my own space with or without company in the time I would love to relax. Others who were relaxing were a little pushy with questions most wouldnt answer, so they also came to me a fair bit, and I would enjoy actually saying something in another way other than that which they most likely expected and were looking for to transpose thoughts which just pop in the mind without even touching the sides and without provocative thoughts entering their heads. And this would actually relax them and ease all words to the flow of other surrounding conversations that they now would if they wished more easily be able to join. I had a lot of thought regarding my ability to defuse trouble, which was always liked even by those who stirred the strings just to get an answer. If I wanted to, I may give it, or Id use one of the other ways of reacting that I could choose in ensuring quality time, which is short for not only myself but the others with and around me. Sometimes when people brought things up that made others hush to hear the reply, I would take the opportunity to say something anyway even though I didnt have to with a little thought and wit, and I make the others laugh at the good old Aussie comebacks being used, even the ones that had to have more than a one line. And if you could do it in two, everyone smiles, and so poetry was there in the motion of freely playing the game, sharing the fun of showing the humour in good conversation.

Reflections Of My Thoughts depicts a woman who is torn between her flesh, her spirit, and her underlying desire for freedom, strength, and the ability to dream again, represented by the unicorn, in whatever form it may be. However, her questions and desire for understanding who she believes she is with where she is in life ultimately lead her on a spiritual journey. It is an attempt to articulate the challenges that she faces with her flesh such as jealousy, lust, anger, true friendship, self-imagery, and faith. This is a story of a woman who learns that her ability to persevere through challenges, her real freedom, strength, ability to dream, and ultimately her identity comes not from her, rather, Jesus Christ who has sustained her even when she didn't realize or acknowledge He existed.

Songs of Degrees brings together 19 related essays on contemporary American poetry and poetics, published as journal articles between 1975 and 1989, by poet and theorist John Taggart. Over the past two decades, Taggart has been a significant intellectual and artistic force for a number of major American poets. By focusing on the work of several major and less well-known American experimental poets from the 1930s to the present, Taggart not only traces the origins and evolution of this experimental tendency in recent poetry, but also develops new theoretical tools for reading and appreciating these innovative and complex works. The essays are written from the engaged perspective of an active poet for other poets, as well as for those who would like to read and think about poetry in a participatory fashion. The essays thus present “inside narratives” of some of the most challenging contemporary American poetry. The range of Songs of Degrees extends from the Black Mountain poets Charles Olson and Robert Duncan to such “language poets as Bruce Andres and Susan Howe. Taggart closely examines the work of the objectivist poets George Oppen and Louis Zukofsky. Three essays are devoted to each of these poets, providing detailed readings of individual poems and considerations of each poet’s overall achievement. Taggart also concentrates on poets whose work has not been widely recognized or is only now beginning to be recognized. These include Theodore Enslin, Frank Samperi, and William Bronk. Taggart’s essay “Reading William Bronk” is the first extensive reading of this relatively unknown but truly outstanding poet. Taggart’s essays also focus on his own poetry. He describes the composition process and the thinking behind it, as well as the poet’s own evolving sense of what the poem can and ought to be. These very personal reflections are unique in their attention to current questions concerning form and the issue of spiritual vision. Avoiding political and cultural reductionism, Taggart throughout keeps his eye—and heart—on the poetic, singing his own “Songs of Degrees,” even as he discovers notes of the same music in the works of other.

The information about the book is not available as of this time.

This Companion brings together sixteen essays that explore the full diversity of British poetry since the Second World War. Focusing on famous and neglected names alike, from Dylan Thomas to John Agard, leading scholars provide readers with insight into the ongoing importance and profundity of post-war poetry.