At twenty-four John Singleton became the youngest filmmaker and only African American ever to be nominated for Best Director (and Best Screenplay) for Boyz N the Hood, his debut feature film. Only a year after receiving such sensational acclaim for that debut, Singleton has returned to the Hood. His new film, Poetic Justice, which stars Janet Jackson and features the poetry of Maya Angelou, gives voice to young African-American women.

Seminar paper from the year 2010 in the subject English - Literature, Works, grade: 2,5, University of Stuttgart, course: William Faulkner, language: English, abstract: In his novel "Absalom, Absalom " William Faulkner recounts the story of Thomas Sutpen, a pioneer who tries to establish his family dynasty in the Southern aristocratic plantation society in Mississippi. Thomas Sutpen rigorously pursues his design at all costs, not considering the possible consequences. This moral flaw in his character causes the downfall of his dynasty and the destruction of the whole family. At the end of the novel Sutpen's Hundred, the decaying mansion Sutpen built to accomplish his design, is burned down, together with the last descendants of the family. This tragic development of the story provokes the idea of poetic justice, where virtue is rewarded and vice is punished. But can such a sharp categorization really be applied on this complex novel? In the following paper I will show whether the term poetic justice can be applied on "Absalom, Absalom ". I will take a look at the elements which might support this assumption by considering the characters' development and function in the novel in order to show if they support the idea of punishment or reward. However, first of all I will take a closer look at the term poetic justice in general. I will give a definition, view its origins and examine its use in historical and recent context before applying it on Faulkner's novel "Absalom, Absalom ".

A new reading of justice engaging the work of two philosophical poets who stand in conversation with the work of Martin Heidegger. What is the measure of ethics? What is the measure of justice? And how do we come to measure the immeasurability of these questions? Thinking the Poetic Measure of Justice situates the problem of justice in the interdisciplinary space between philosophy and poetry in an effort to explore the sources of ethical life in a new way. Charles Bambach engages the works of two philosophical poets who stand as the bookends of modernity—Friedrich Hölderlin (1770–1843) and Paul Celan (1920–1970)—offering close textual readings of poems from each that define and express some of the crucial problems of German philosophical thought in the twentieth century: tensions between the native and the foreign, the proper and the strange, the self and the other. At the center of this philosophical conversation between Hölderlin and Celan, Bambach places the work of Martin Heidegger to rethink the question of justice in a nonlegal, nonmoral register by understanding it in terms of poetic measure. Focusing on Hölderlin’s and Heidegger’s readings of pre-Socratic philosophy and Greek tragedy, as well as on Celan’s reading of Kabbalah, he frames the problem of poetic justice against the trauma of German destruction in the twentieth century.

Laird of a small estate, Will Alexander of Menstrie, poet and tutor, was a man of modest ambitions. But when James VI learned of his poetic genius, the king had other plans for him. In 1603, when James VI of Scotland became James I of England, he summoned Will to London and commanded him to translate the Psalms for the new royal version of the Bible in English - which remains the definitive edition to this day. At the English court, Will Alexander consorted with the most famous poets of the age including Shakespeare and Jonson. By the time he died, the humble Scottish laird had become Earl of Stirling, Viscount of Canada, Governor of Nova Scotia and Secretary of State for Scotland. Laced with intrigue and absorbing historical detail, Nigel Tranter charts the extraordinary rise of William Alexander of Menstrie.

Named "Best Chicago Poet" by The Chicago Reader, Kevin Coval channels Howard Zinn to celebrate the Windy City's hidden history.

Poetic Justice is the first anthology of contemporary Moroccan poetry in English. The work is primarily composed of poets who began writing after Moroccan independence in 1956 and includes work written in Moroccan Arabic (darija), classical Arabic, French, and Tamazight. Why Poetic Justice? Moroccan poetry (and especially zajal, oral poetry now written in Moroccan Arabic) is often published in newspapers and journals and is thus a vibrant form of social commentary; what’s more, there is a law, a justice, in the aesthetic act that speaks back to the law of the land. Poetic Justice because literature has the power to shape the cultural and moral imagination in profound and just ways. Reading this oeuvre from independence until the new millennium and beyond, it is clear that what poet Driss Mesnaoui calls the “letters of time” have long been in the hands of Moroccan poets, as they write their ethics, their aesthetics, as well as their gendered and political lives into poetic being.

Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements. Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole. A Friends Fund Publication.

A poignant sequence of poems traces the evolution of a divorce while exploring themes of love, sex, sorrow, memory and freedom as reflected by everyday familiarities and the poignancy of former lovers parting, in a collection by the National Book Critics Circle Award-winning author of The Dead and the Living.

Christians love to talk about politics, but the current conversation is full of contentious words that divide our churches and families. Dr. Tony Evans takes a step back to find foundational Bible principles for integrating politics into our daily lives. He challenges readers to incorporate all of Scripture when addressing divisive issues, forcing us to look at political issues we’ve neglected. Learn to speak with grace when you disagree with family and friends. Maintain your political affiliations without causing divisions in your church. Take sides on moral issues while demonstrating the compassion and love of Jesus Christ. Kingdom Politics offers a biblical path through one of the most divisive issues of our time.