OF WHAT FUTURE ARE THESE THE WILD, EARLY DAYS? An exploration of the role that artists play in resisting authoritarianism with a sci-fi twist. In poetry, dialogue and visual art the book follows two wandering poets as they make their way from village to village, across a prison colony moon full of exiled rebels, robots, and storytellers. Part post-apocalyptic road journal, part alternate universe history of Hip Hop, and part “Letters to a Young Poet”-style toolkit for emerging poets and aspiring movement-builders, it's also a one-of-a-kind practitioners' take on poetry, power, and possibility. NOT A LOT OF REASONS TO SING is a: -post-apocalyptic road journal -alternate universe history of Hip Hop -“Letters to a Young Poet” -toolkit for emerging poets and aspiring movement-builders it's also a one-of-a-kind practitioners' take on poetry, power, and possibility.

A sparkling debut collection from a Pushcart Prize-nominated poet that makes an ecstatic argument for living Containing joy and suffering side by side, Ramshackle Ode offers elegies and odes as necessary partners to bring out the greatest power in each. By turns celebratory, meditative, tender, and rebellious, these poems reimagine the divisions and intersections of life and death, the human and the natural world, the brutal and the beautiful. Time and again, they choose hope. From an award-winning young poet in the tradition of Marie Howe, Walt Whitman, Gerald Stern, and contemporary American bard Maurice Manning, Ramshackle Ode presents a new voice singing toward transcendence, offering the sense that, though this world is fragile, human existence is a wonderfully stubborn miracle of chance.

Journalist Alan Feuer has been collecting and composing craigslist love poetry for more than five years, amassing hundreds of sweet, raunchy, and just plain odd odes (like "10 Reasons We Won't Be Having a Second Date"). The poems compiled inside this often hilarious, sometimes heartbreaking volume are reprinted verbatim from the Missed Connections section of craigslist, with only line and stanza breaks added. Knock Knock books: fun gifts for internet friends, IRL friends, or missed connections Paperback; 4 x 6 inches; 136 pages Written by Alan Feuer and published by Knock Knock

Here he is, husband and father, scruffy romantic, a shambolic scholar--a man adrift in the wake of his wife's sudden, accidental death. And there are his two sons who like him struggle in their London apartment to face the unbearable sadness that has engulfed them. The father imagines a future of well-meaning visitors and emptiness, while the boys wander, savage and unsupervised. In this moment of violent despair they are visited by Crow--antagonist, trickster, goad, protector, therapist, and babysitter. This self-described "sentimental bird," at once wild and tender, who "finds humans dull except in grief," threatens to stay with the wounded family until they no longer need him. As weeks turn to months and the pain of loss lessens with the balm of memories, Crow's efforts are rewarded and the little unit of three begins to recover: Dad resumes his book about the poet Ted Hughes; the boys get on with it, grow up. Part novella, part polyphonic fable, part essay on grief, Max Porter's extraordinary debut combines compassion and bravura style to dazzling effect. Full of angular wit and profound truths, Grief Is the Thing with Feathers is a startlingly original and haunting debut by a significant new talent.

In this dynamic collection of poems, Drew Jackson explores the first eight chapters of Luke's Gospel. These are declarative poems, faithfully proclaiming the gospel story in all its liberative power. Here the gospel is the "fresh words / that speak of / things impossible." This powerful poetry helps us hear the hum of deliverance—against all hope—that's been in the gospel all along.

Poet Gary Soto captures the voices of young people as they venture toward their first kiss, brood over bruised hearts, and feel the thrill of first love.

"Within the struggle, joy, pain, and delight that attend our life, there is an invisible circle of grace that enfolds and encompasses us in every moment. Blessings help us to perceive this circle of grace, to find our place of belonging within it, and to receive the strength the circle holds for us." -from the Introduction Beginning in Advent and moving through the sacred seasons of the Christian year, Circle of Grace offers Jan's distinctive and poetic blessings that illuminate the treasures each season offers to us.

Alex Dimitrov’s third book, Love and Other Poems, is full of praise for the world we live in. Taking time as an overarching structure—specifically, the twelve months of the year—Dimitrov elevates the everyday, and speaks directly to the reader as if the poem were a phone call or a text message. From the personal to the cosmos, the moon to New York City, the speaker is convinced that love is “our best invention.” Dimitrov doesn’t resist joy, even in despair. These poems are curious about who we are as people and shamelessly interested in hope.

The poems of Natalie Shapero’s third collection, Popular Longing, highlight the ever-increasing absurdity of our contemporary life. With her sharp, sardonic wit, Shapero deftly captures human meekness in all its forms: our senseless wars, our inflated egos, our constant deference to presumed higher powers—be they romantic partners, employers, institutions, or gods. “Why even / look up, when all we’ll see is people / looking down?” In a world where everyone has to answer to someone, it seems no one is equipped to disrupt the status quo, and how the most urgent topics of conversation can only be approached through refraction. By scrutinizing the mundane and all that is taken for granted, these poems arrive at much wider vistas, commenting on human sadness, memory, and mortality. Punchy, fearlessly ironic, and wickedly funny, Popular Longing articulates what it means to share a planet, for better or more often for worse, with other people.

The anticipated second book by the poet Mary Szybist, author of Granted, a finalist for the National Book Critics Circle Award The troubadours knew how to burn themselves through, how to make themselves shrines to their own longing. The spectacular was never behind them.-from "The Troubadours etc." In Incarnadine, Mary Szybist.