From the crashing boom of a thunderstorm to a gentle breeze on a sunny afternoon, the weather has a way of fascinating us every day. Nothing captures the magic of weather better than poetry. Young meteorologists and poets alike will love this collection of poems that capture the natural phenomena of weather. Even reluctant readers will be intrigued by the gorgeous illustrations that accompany the poems and enrich the text. Fun and accessible, this carefully selected collection is the perfect introduction to poetry, making this book an excellent tool for any language arts curriculum.

Presents a collection of poems by American poet Frederick Seidel.

Become an expert on all types of weather and how and why they happen Why does it rain? How hot is a bolt of lightning? What makes hurricanes form, and how does climate change affect the weather? What happens when a cold front rolls in? Become a meteorology expert and set up your own home weather station, and learn to read nature's own signs of changing weather. Eyewitness Weather shows you what weather looks like, from a tropical storm cloud seen from above to close-ups of snowflake crystals. Learn about what weather scientists do, why weather works differently on the coast and inland, and much more along with amazing facts, infographics, statistics, and timelines. Part of DK's best-selling Eyewitness series, which is now getting an exciting makeover, this popular title has been reinvigorated for the next generation of information-seekers and stay-at-home explorers, with a fresh new look, new photographs, updated information, and a new "eyewitness" feature - fascinating first-hand accounts from experts in the field.

NEW YORK TIMES BESTSELLER • From former U.S. Poet Laureate Billy Collins comes a twelfth collection of poetry offering over fifty new poems that showcase the generosity, wit, and imaginative play that prompted The Wall Street Journal to call him “America’s favorite poet.” The Rain in Portugal—a title that admits he’s not much of a rhymer—sheds Collins’s ironic light on such subjects as travel and art, cats and dogs, loneliness and love, beauty and death. His tones range from the whimsical—“the dogs of Minneapolis . . . / have no idea they’re in Minneapolis”—to the elegiac in a reaction to the death of Seamus Heaney. A student of the everyday, Collins here contemplates a weather vane, a still life painting, the calendar, and a child lost at a beach. His imaginative fabrications have Shakespeare flying comfortably in first class and Keith Richards supporting the globe on his head. By turns entertaining, engaging, and enlightening, The Rain in Portugal amounts to another chorus of poems from one of the most respected and familiar voices in the world of American poetry. Praise for The Rain in Portugal “Nothing in Billy Collins’s twelfth book . . . is exactly what readers might expect, and that’s the charm of this collection.”—The Washington Post “This new collection shows [Collins] at his finest. . . . Certain to please his large readership and a good place for readers new to Collins to begin.”—Library Journal “Disarmingly playful and wistfully candid.”—Booklist

A collection of "poems about poems, and things all children know."

A collection of poems by Dave Lucas, in which he explores the landscape, seasons, terrain, and residences of Cleveland, Ohio.

A new volume of poetic works by the Pulitzer Prize finalist and National Book Award-winning author of Brutal Imagination reflects on such topics as his transition from urban renter to non-plussed rural homeowner, the sobering influence of war, and the intimation of the writer's own mortality. Simultaneous.

Sometimes reflecting acceptance, sometimes full of anger, Gould filters her work through the feelings, thoughts, and experiences of a lesbian of Indian heritage. Over and over again, she speaks as an outsider looking in at the lives of others - through a doorway, out of a car window, or from the shambles of a broken relationship.

"Sarah Gridley's poems progress by long, associative leaps that leave luminous trails behind them—and that always land on sure and surprising ground. Her language is a pure jewel, and yet it manages to bind together the most disparate things—windmills, lilies, sand fumes, milk spray—and make them radiate presence. These are intelligent poems that think with the whole body."—Cole Swensen

Following a relational, Indigenous-led approach grounded in 25 years of collaborative work, this book looks to weather and climate, tracing the embodied, emplaced and affective ways weather co-constitutes people, place and time/s raising critical questions of ethics, politics and becoming. Becoming weather leads the reader through a reflexive engagement with weather, seeking to shed light on pressing issues around climate change and its entanglements: from the body where contours of weather are intimately felt and known, to the ways that agencies of weather are implicated in the construction of nations, to global topologies of climate (in)justice. Reflecting on deep and ongoing collaborative work undertaken with Indigenous-led research collectives in Australia and the Philippines, the book traces contours of response-ability, learning from weathery relationships to speak back to constructions of climate that see it as aer nullius, belonging to no-one, and that deny ongoing responsibilities, becomings and belongings. The book aims to support more-than-human and relational understandings of weather that situate us all within an ethics of differential cobecoming and that demand attention to the connections that bind and co-constitute. The book is intended for those interested in thinking differently about weather and climate, particularly those who feel an urgent dissatisfaction with mainstream responses and understandings. It will be beneficial for those who would learn from weather, from and with place, in ways led by Indigenous scholars and their allies though an engaged, reflexive, more-than-human and ethnographic account. It does not shy away from critical engagement, nor the changes desperately needed to learn and unlearn, to attend to positionalities and responsibilities, and to engage with what it means to weather on unceded Indigenous land.