In Plutarch's Pragmatic Biographies, Susan Jacobs argues for a major revision in how we interpret the Parallel Lives. She integrates the existing focus on moral issues into the much broader paradigm of effective leadership found in Plutarch's Moralia. There, in addition to moral virtue, the successful leader needed good critical judgment, persuasiveness and facility in managing alliances and rivalries. The analysis of six sets of Lives shows how Plutarch carefully portrayed Greek and Roman leaders of the past assessing situations and solving problems that paralleled those faced by his politically-active audience. By linking victories and defeats to specific strategic insights and practical skills, Plutarch created "pragmatic biographies" that could instruct statesmen and generals of every era.

In Plutarch’s Pragmatic Biographies, Susan Jacobs argues for a major revision in how we interpret the Parallel Lives. She integrates the existing focus on moral issues into the much broader paradigm of effective leadership found in Plutarch’s Moralia. There, in addition to moral virtue, the successful leader needed good critical judgment, persuasiveness and facility in managing alliances and rivalries. The analysis of six sets of Lives shows how Plutarch carefully portrayed Greek and Roman leaders of the past assessing situations and solving problems that paralleled those faced by his politically-active audience. By linking victories and defeats to specific strategic insights and practical skills, Plutarch created “pragmatic biographies” that could instruct statesmen and generals of every era.

The Dynamics of Intertextuality in Plutarch explores the numerous aspects and functions of intertextual links both within the Plutarchan corpus itself (intratextuality) and in relation with other authors, works, genres or discourses of Ancient Greek literature (interdiscursivity, intergenericity) as well as non-textual sources (intermateriality). Thirty-six chapters by leading specialists set Plutarch within the framework of modern theories on intertextuality and its various practical applications in Plutarch’s Moralia and Parallel Lives. Specific intertextual devices such as quotations, references, allusions, pastiches and other types of intertextual play are highlighted and examined in view of their significance for Plutarch’s literary strategies, argumentative goals, educational program, and self-presentation.

Explores the reception of Plutarch in early modern French and English political thought, with a focus on the theme of public service.

An orator turns to an actor for advice, citizens expect assemblies to unfold like dramas, and a theater-goer cries at a play thinking of his fallen enemy: no Life escapes the mention of theatrical imagery in Plutarch’s paralleled biographies. And yet this is the first book not only to examine Plutarch’s consistent and coherent use of this imagery but also to argue that it is systematically employed to describe, explore, and evaluate politics in action. The theater becomes Plutarch’s invitation for us to question and uncover key moments of Athenian, Spartan, and Roman history as it unfolds.

Marrying life-writing with classical reception, this book examines ancient biography and its impact on subsequent ages. Close readings of ancient texts are framed by an assessment of their influence on the age of the French Revolution and Napoleon, and on the nineteenth, twentieth, and twenty-first centuries, of responses to ancient biography of modern critics, and of its visible legacy in art and film. Crucially it asks what modern biographers can learn from their ancient predecessors. Are the challenges involved in life-writing still the same? Have working methods changed, and in what ways? What in the context of biographical writing is truth, and how are its interests best served? How is it possible, now as then, honestly to convey a life?

This book examines passages in Plutarch’s works that foil expectations and whose silence invites closer examination. The contributors question omissions of authors, works, people, and places, and they examine Plutarch’s reticence to comment where he usually would.

The present book includes sixteen studies by Professor Frederick E. Brenk on Plutarch on Literature, Graeco-Roman Religion, Jews and Christians. Of them, thirteen were published earlier in different venues and three appear here for the first time. Written between 2009 and 2022, these studies not only provide an excellent example of Professor Brenk’s incisiveness and deep knowledge of Plutarch; they also provide an excellent overview of Plutarchan studies of the last years on a variety of themes. Indeed, one of the most salient characteristics of Brenk’s scholarship is his constant interaction and conversation with the most recent scholarly literature.

Plutarch's Cities is the first comprehensive attempt to assess the significance of the polis in Plutarch's works from several perspectives, namely the polis as a physical entity, a lived experience, and a source of inspiration, the polis as a historical and sociopolitical unit, the polis as a theoretical construct and paradigm to think with. The book's multifocal and multi-perspectival examination of Plutarch's cities - past and present, real and ideal-yields some remarkable corrections of his conventional image. Plutarch was neither an antiquarian nor a philosopher of the desk. He was not oblivious to his surroundings but had a keen interest in painting, sculpture, monuments, and inscriptions, about which he acquired impressive knowledge in order to help him understand and reconstruct the past. Cult and ritual proved equally fertile for Plutarch's visual imagination. Whereas historiography was the backbone of his reconstruction of the past and evaluation of the present, material culture, cult, and ritual were also sources of inspiration to enliven past and present alike. Plato's descriptions of Athenian houses and the Attic landscape were also a source of inspiration, but Plutarch clearly did his own research, based on autopsy and on oral and written sources. Plutarch, Plato's disciple and Apollo's priest, was on balance a pragmatist. He did not resist the temptation to contemplate the ideal city, but he wrote much more about real cities, as he experienced or imagined them.

The volume puts into the spotlight overlaps and points of intersection between Plutarch and other writers of the imperial period. It contains twenty-eight contributions which adopt a comparative approach and put into sharper relief ongoing debates and shared concerns, revealing a complex topography of rearrangements and transfigurations of inherited topics, motifs, and ideas. Reading Plutarch alongside his contemporaries brings out distinctive features of his thought and uncovers peculiarities in his use of literary and rhetorical strategies, imagery, and philosophical concepts, thereby contributing to a better understanding of the empire’s culture in general, and Plutarch in particular.