Lost in a book? There's a map for that. This incredibly wide-ranging collection of maps—all inspired by literary classics—offers readers a new way of looking at their favorite fictional worlds. Andrew DeGraff's stunningly detailed artwork takes readers deep into the landscapes from The Odyssey, Hamlet, Robinson Crusoe, Pride and Prejudice, Invisible Man, A Wrinkle in Time, Watership Down, Moby Dick, Around the World in Eighty Days,A Christmas Carol, Adventures of Huckleberry Finn, Waiting for Godot, and more. Sure to reignite a love for old favorites and spark fresh interest in more recent works as well, Plotted provides a unique new way of appreciating the lands of the human imagination. "A unique, display-ready volume of great allure and pleasure."—starred, Booklist "[A] rewarding excursion across the literary landscape that will be cherished by map enthusiasts as well as bibliophiles."—starred, Publishers Weekly

Have you struggled to expand your initial idea into a complete story? Plotting can be frustrating work! What if there were a tool for this very problem, so you could navigate these uncharted waters as quickly as possible? A tool that starts with what you have (a situation, perhaps, or a group of characters) and sets you on the road to new possibilities? Plotto does all this. Created by a master of organized creativity, William Wallace Cook (one of the most prolific writers in history), Plotto has been prized by professional authors and screenwriters since its publication in 1928, and is still in demand today, with copies of the original edition selling for up to $400. This Norton Creek Edition is an exact reproduction of Cook's work. To keep the book down to a manageable size (300 pages of very small type) while retaining its powerful features, Cook uses a telegraphic format that takes some getting used to, so working your way carefully through the introduction and its examples is the key to professional-quality results. Because Plotto was written in the Twenties, its situations can seem old-fashioned and its terminology politically incorrect, but these problems are more apparent than real. Cook himself wrote both westerns and early classics of science fiction, so you see how replacing stagecoach with star ship or dance hall girl with male stripper are within the reach of anyone using the Plotto system, and, in fact, this kind of substitution is how the book is intended to be used, and is the key to its flexibility and enduring popularity.

Do you want to write a stronger story? Would you like to worry less about plot holes and weak characters? Some writers shy away from outlining, believing it their worst nightmare, and state that time is better spent writing a novel than planning it. Then there are those who’ve tried plotting, perhaps more than a few times, only to get lost in the weeds and overwhelmed by frustration. Stories that work all follow a certain structure; you just need to learn how to apply it. Plot Development is a step-by-step guide which will teach you: ● How to decide on the number of characters to include in your novel ● How to make each character come alive with their own wants and needs ● How to choose between different types of outlines ● How to develop engaging events and where to place them within your story ● How to enhance your plot with potent subplots ● How to build chapters, designed to deliver an immersing experience for the reader ● How to review and edit your outline to make it even better ● How to enrich your opening and closing chapters Included are seven bonus chapters, covering important topics like: theme, beta readers, short story plotting, and much more. Additionally, you’ll be able to download an outline template to provide an in-depth guide for your plotting. No more getting lost in those weeds! Plot Development is brought to you by two bestselling authors, who have published more than twenty novels between them. Leverage the power of story structure and take your writing to the next level.

Civitas Vadanis is in trouble. The Mezentines have declared war; and the Mezentines are very focused on their goals when it comes to killing. Duke Valens, of Civitas Vadanis, has a dilemma. He knows that his city cannot withstand the invading army; yet its walls are his only defence against the Mezentines. Perhaps the only way to save his people is to flee, but that will not be easy either. Ziani Vaatzes, an engineer exiled by the Mezentines for his abominable creations, has already proven that he can defend a city. But Ziani Vaatzes has his own concerns, and the fate of Civitas Vadanis may not be one of them. "Intelligent and compassionate. . .it should be celebrated." -- Interzone on Devices and Desires "One of the most entertaining fantasy debuts in recent years. . .incredibly vivid, refreshing, fun, thoughtful, absorbing." -- SFX

In the middle of the nineteenth century, as Americans contended with rapid industrial and technological change, readers relied on periodicals and books for information about their changing world. Within this print culture, a host of writers, editors, architects, and reformers urged men to commute to and from their jobs in the city, which was commonly associated with overcrowding, disease, and expense. Through a range of materials, from pattern books to novels and a variety of periodicals, men were told of the restorative effects on body and soul of the natural environment, found in the emerging suburbs outside cities such as New York, Boston, and Philadelphia. They were assured that the promise of an ideal home, despite its association with women's work, could help to motivate them to engage in the labor and commute that took them away from it each day. In Suburban Plots, Maura D'Amore explores how Henry David Thoreau, Henry Ward Beecher, Donald Grant Mitchell, Nathaniel Hawthorne, Nathaniel Parker Willis, and others utilized the pen to plot opportunities for a new sort of male agency grounded, literarily and spatially, in a suburbanized domestic landscape. D'Amore uncovers surprising narratives that do not fit easily into standard critical accounts of midcentury home life. Taking men out of work spaces and locating them in the domestic sphere, these writers were involved in a complex process of portraying men struggling to fulfill fantasies outside of their professional lives, in newly emerging communities. These representations established the groundwork for popular conceptions of suburban domestic life that remain today.

Robert L. Belknap's theory of plot illustrates the active and passive roles literature plays in creating its own dynamic reading experience. Literary narrative enchants us through its development of plot, but plot tells its own story about the making of narrative, revealing through its structures, preoccupations, and strategies of representation critical details about how and when a work came into being. Through a rich reading of Shakespeare's King Lear and Dostoevsky's Crime and Punishment, Belknap explores the spatial, chronological, and causal aspects of plot, its brilliant manipulation of reader frustration and involvement, and its critical cohesion of characters. He considers Shakespeare's transformation of dramatic plot through parallelism, conflict, resolution, and recognition. He then follows with Dostoevsky's development of the rhetorical and moral devices of nineteenth-century Russian fiction, along with its epistolary and detective genres, to embed the reader in the murder Raskolnikov commits. Dostoevsky's reinvention of the psychological plot was profound, and Belknap effectively challenges the idea that the author abused causality to achieve his ideological conclusion. In a final chapter, Belknap argues that plots teach us novelistic rather than poetic justice. Operating according to their own logic, plots provide us with a compelling way to see and order our world.

Hoping to save his family, one man enters his realm's most glorious tournament and finds himself in the middle of a political chess game, unthinkable bloodshed, and an unexpected romance with a woman he's not supposed to want.