Why are you attracted to a certain "type?" Why are you a morning person? Why do you vote the way you do? From a witty new voice in popular science comes a clever, life-changing look at what makes you you. "I can't believe I just said that." "What possessed me to do that?" "What's wrong with me?" We're constantly seeking answers to these fundamental human questions, and now, science has the answers. The foods we enjoy, the people we love, the emotions we feel, and the beliefs we hold can all be traced back to our DNA, germs, and environment. This witty, colloquial book is popular science at its best, describing in everyday language how genetics, epigenetics, microbiology, and psychology work together to influence our personality and actions. Mixing cutting-edge research and relatable humor, Pleased to Meet Me is filled with fascinating insights that shine a light on who we really are--and how we might become our best selves.

What if you suddenly met someone who's you--only better? That's what happens in this hilarious new series for fans of Stuart Gibb's Moon Base Alpha and quirky sci-fi animated shows like Rick and Morty and Regular Show. It all starts with a note folded into the shape of an origami octopus: "Hi, Me. Yes, you. You're me, and I'm you." If you believe this and the other origami notes that follow--which middle schooler Meade Macon absolutely, positively does NOT--the concept of parallel dimensions is true, and there is a convention full of alternate versions of Meade waiting for his RSVP. It's got to be a joke. Except . . . the octopus is an origami fold Meade thought he invented. And the note writer has a lot of intel on him that nobody else should know. I mean, he's told his best friend Twig a lot about himself, but he's definitely kept mum about that time he sleepwalk-peed into his Lego container when he was six. Could Me Con be a real thing? And why does the origami stalker want him to go so badly anyway?

"Robert Johnson was born in rural Mississippi and died young, leaving little behind except blues like no one sung the blues before him. A legend says that Robert sold his soul to the devil in return for becoming King of the Delta Blues."--From source other than the Library of Congress

Meet Randy. He was diagnosed with the rare genetic disorder tuberous sclerosis complex (TSC) in 1979 at just nine months old. Written from the perspective of Randy's mother, Cynthia, it's nice to meet me too provides snapshots of what life is like raising a severely handicapped child. Randy's brought his fair share of heartbreaks but more importantly, endless laughter and joy. By putting down on paper a lifetime's worth of "Randy stories" that have been shared over with friends and family, she shows the comedic side of life with a child with special needs. - p. 4 of cover

A National Bestseller Have you ever wondered what it would be like talk to Parker Posey? On an airplane, with Parker as your seat companion, perhaps? Parker’s irreverent, hilarious, and enchanting memoir gives you the opportunity. Full of personal stories, whimsical how-tos, recipes, and beautiful handmade collages created by the author herself, You’re On an Airplane is a delight in every way. In her first book, actress and star of movies such as Dazed and Confused, Party Girl, You’ve Got Mail, The House of Yes, and so many more, Posey opens up about the art of acting, life on the set, and the realities of its accompanying fame. A funny and colorful southern childhood prepared Posey for a life of creating and entertaining, which not only extends to acting but to the craft of pottery, sewing, collage, yoga, and cooking, all of which readers will find in this whimsical, hilarious, always entertaining book. Parker takes us into her childhood home, behind the scenes of the indie film revolution in the 90s, the delightful absurdity of the big-budget genre thrillers she’s turned into art in a whole new way, and the creativity that will always be part of both her acting and her personal life. With Posey’s memorable, hilarious, and poignant voice, her book gives the reader a feeling of traveling through not only a memoir, but an exploration, meditation, and celebration of what it means to be an artist. Buckle up and enjoy the journey.

In this #1 New York Times bestseller, Ijeoma Oluo offers a revelatory examination of race in America Protests against racial injustice and white supremacy have galvanized millions around the world. The stakes for transformative conversations about race could not be higher. Still, the task ahead seems daunting, and it’s hard to know where to start. How do you tell your boss her jokes are racist? Why did your sister-in-law hang up on you when you had questions about police reform? How do you explain white privilege to your white, privileged friend? In So You Want to Talk About Race, Ijeoma Oluo guides readers of all races through subjects ranging from police brutality and cultural appropriation to the model minority myth in an attempt to make the seemingly impossible possible: honest conversations about race, and about how racism infects every aspect of American life. "Simply put: Ijeoma Oluo is a necessary voice and intellectual for these times, and any time, truth be told." ―Phoebe Robinson, New York Times bestselling author of You Can't Touch My Hair

Starting with Bad Behavior in the 1980s, Mary Gaitskill has been writing about gender relations with searing, even prophetic honesty. In This Is Pleasure, she considers our present moment through the lens of a particular #MeToo incident. The effervescent, well-dressed Quin, a successful book editor and fixture on the New York arts scene, has been accused of repeated unforgivable transgressions toward women in his orbit. But are they unforgivable? And who has the right to forgive him? To Quin’s friend Margot, the wrongdoing is less clear. Alternating Quin’s and Margot’s voices and perspectives, Gaitskill creates a nuanced tragicomedy, one that reveals her characters as whole persons—hurtful and hurting, infuriating and touching, and always deeply recognizable. Gaitskill has said that fiction is the only way that she could approach this subject because it is too emotionally faceted to treat in the more rational essay form. Her compliment to her characters—and to her readers—is that they are unvarnished and real. Her belief in our ability to understand them, even when we don’t always admire them, is a gesture of humanity from one of our greatest contemporary writers.

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